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Gertruds Traumwalzer for Easy/Elementary Piano A SilverTonalities Arrangement! Easy Note Style Sheet Music Letter Names of Notes embedded in each Notehead!
Sex On Soaps looks at love and lust on television daytime dramas. It's a must read for any soap fan, student of the genre, or anyone interested in the presentation of sexual content on television. SECTION 1 – SEX ON SOAPS Enjoying the dual role of soap fan and soap researcher, Matthew W. Grant earned his degree in Mass Communications after completing his thesis, Sex On Soaps which includes original soap opera viewer research and analysis looking at sex on daytime soap operas. This material examines how sex and its ramifications are presented on daytime television, how men and women perceive sex on soaps differently, and how they think this portrayal affects them. Text in this section of the book utilizes inline citations to the comprehensive soap opera bibliography which contains over 50 sources including soap opera books, media websites, communications journals, and episodes of network soap operas. The original version was compiled in 1992. This revised edition includes additional material added in 2006 and 2011. SECTION 2 – SOAP OPERAS: SILLY SUDS OR SOCIAL CONSCIENCE? This essay takes a look at soap opera morality, soap medical storylines, and the way daytime dramas tackle social issues. It concludes with the value of soap operas to society and illustrates why it’s perfectly acceptable to fill your afternoons with some LOVING and let those wonderful soap operas take you away to ANOTHER WORLD. SECTION 3 – DAYTIME SOAPS TRIVIA Discover fun facts about your favorite daytime soaps, past and present. SECTION 4 – WELCOME TO SLATERS FALLS Find out who comes out on top when a dirty cop pulls over a take-no-prisoners bitch on a deserted country road in this bonus short story featuring a crossover storyline with characters from Matthew W. Grant’s novels Secrets of Slaters Falls and Northbridge.Ver livro
The Sixties was an iconic decade, conjuring images of marked generational conflict and “sex, drugs and rock-n-roll”, but also of the Second Vatican Council (1962–5), the “permissive” legislation and Britain’s counter-culture, as well as the social transformations of the period encompassing ecumenism, the advent of the women’s movement and the beginning of the Troubles. Better known as the creator of the BBC television series Captain Pugwash, John Ryan (1921–2009), through his weekly illustrations in the Catholic Herald, offered a topical interrogation of the British Catholic Church’s sometimes adaptive, though often inflexible responses to the changes and challenges of the period. This collection of Ryan’s cartoons provides a personal portrait of the extraordinary ups and downs of religion in the Sixties—encompassing the machinations of popes and cardinals, the testimony of expert witnesses, runaway priests, radical reformists and lay protest movements.Ver livro
The climax to the act of love casts an indefinable expression on the face – an expression of urgent intensity. A woman, a man, in that moment experiences an ecstasy that for an instant is visible in the eyes and on the lips. A wave of pleasure runs through the body, marking the transition between desire and orgasm. For this fleeting second, when just how violent the senses can be is laid bare, the person involved is not the same as the person immediately before or the person immediately after. With the help of prints and etchings from former centuries, author Hans-Jürgen Döpp looks for an explanation of this very personal mystery that leads to fulfilment.Ver livro
Edgar Award Winner: This lively account of the director’s battles with the Code Office is “an essential addition to any Hitchcock shelf” (Mystery Scene Magazine). From 1934 to 1968, the Motion Picture Production Code Office controlled the content and final cut on all films made and distributed in the United States. Code officials protected sensitive ears from standard four-letter words, as well as a few five-letter words like tramp and six-letter words like cripes. They also scrubbed “excessively lustful” kissing from the screen and ensured that no criminal went unpunished. Thus, throughout his career, Alfred Hitchcock had to deal with a wide variety of censors attuned to the slightest suggestion of sexual innuendo, undue violence, toilet humor, religious disrespect, and all forms of indecency, real or imagined. During their review of Hitchcock’s films, the censors demanded an average of 22.5 changes, ranging from the mundane to the mind-boggling, on each of his American films. Code reviewers dictated the ending of Rebecca, absolved Cary Grant of guilt in Suspicion, edited Cole Porter’s lyrics in Stage Fright, decided which shades should be drawn in Rear Window, and shortened the shower scene in Psycho. In Hitchcock and the Censors, John Billheimer traces the forces that led to the Production Code and describes Hitchcock’s interactions with code officials on a film-by-film basis as he fought to protect his creations, bargaining with code reviewers and sidestepping censorship to produce a lifetime of memorable films. Despite the often-arbitrary decisions of the code board, Hitchcock still managed to push the boundaries of sex and violence permitted in films by charming—and occasionally tricking—the censors and by swapping off bits of dialogue, plot points, and individual shots (some of which had been deliberately inserted as trading chips) to protect cherished scenes and images. By examining Hitchcock’s priorities in dealing with the censors, this work highlights the director’s theories of suspense as well as his magician-like touch when negotiating with code officials.Ver livro
Get ready to laugh, as we listen back to The Jack Benny Show and My Friend Irma. We’ll also hear Jack Webb as Jeff Regan Investigator, Suspense, Box 13 and The Adventures of Sam Spade. A Falcon Picture Group audio production.Ver livro
Go deeper into this national treasure with “a sumptuous collection of photographs [that] captures the wonderment and majesty of the cave system” (Louisville Courier-Journal). Kentucky’s Mammoth Cave National Park is home to the world's longest cave system, boasting over 350 miles of explored and mapped passageways—and geologists estimate that there could be many more miles of this vast subterranean world that remain unexplored. In addition to the renowned Mammoth Cave, the park also includes over 50,000 acres of hills, streams, and forests with nearly seventy miles of scenic trails. The Green River, which plays an integral role in the cave’s ecosystem, winds through this impressive landscape. As an artist-in-residence at the park, nature photographer Raymond Klass was granted access to the cave and the surrounding wilderness. While living at the park, he took thousands of photographs of famous cave formations, such as Frozen Niagara and the Drapery Room, as well as scenery and wildlife not often seen by the general public. Mammoth Cave National Park: Reflections is a record of Klass’s unique visual exploration of the above- and belowground ecosystems within the park. With more than 100 dramatic full-color photographs, accompanied by Klass’s commentary and extracts from the journal he kept while living and working in the park, this book captures the sights and surprises of the vast underground world of the cave system—its labyrinths and mineral formations, remnants of human visitors and gypsum miners, streams and rivers hundreds of feet below the surface, and more. “The detail in the photographs lets the reader absorb the wonder of Mammoth Cave perhaps more than a simple day trip to the park could ever provide.” —Kentucky LivingVer livro
