Altri libri che potrebbero interessarti

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  The Man Who Had All the Luck

  Arthur Miller

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  The Man Who Had All the Luck is a charming story of the fate of a young Midwestern man whose fortune shines on him while it passes over everyone else around him. The play wrestles with the unanswerable - the question of the justice of fate, and how it is that one man fails and another, no more or less capable, achieves some glory in life. 
   
  An L.A. Theatre Works full-cast performance featuring Emily Bergl, Kevin Chamberlin, Tim DeKay, James Gammon, Lee Garlington, Graham Hamilton, Tom McGowan, Kurtwood Smith, Russell Soder and Tegan West.

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  Metaphor and Musical Thought

  Michael Spitzer

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  "The scholarship of Michael Spitzer's new book is impressive and thorough. The writing is impeccable and the coverage extensive. The book treats the history of the use of metaphor in the field of classical music. It also covers a substantial part of the philosophical literature. The book treats the topic of metaphor in a new and extremely convincing manner."-Lydia Goehr, Columbia University The experience of music is an abstract and elusive one, enough so that we're often forced to describe it using analogies to other forms and sensations: we say that music moves or rises like a physical form; that it contains the imagery of paintings or the grammar of language. In these and countless other ways, our discussions of music take the form of metaphor, attempting to describe music's abstractions by referencing more concrete and familiar experiences. Michael Spitzer's Metaphor and Musical Thought uses this process to create a unique and insightful history of our relationship with music—the first ever book-length study of musical metaphor in any language. Treating issues of language, aesthetics, semiotics, and cognition, Spitzer offers an evaluation, a comprehensive history, and an original theory of the ways our cultural values have informed the metaphors we use to address music. And as he brings these discussions to bear on specific works of music and follows them through current debates on how music's meaning might be considered, what emerges is a clear and engaging guide to both the philosophy of musical thought and the history of musical analysis, from the seventeenth century to the present day. Spitzer writes engagingly for students of philosophy and aesthetics, as well as for music theorists and historians.

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  Breathers of an Ampler Day -...

  Ian Bradley

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  The Victorians thought, wrote and preached much more about heaven than we do today. As the subject of death comes out of the closet after 120 years when it has been largely shunned and avoided, this book presents the views on the afterlife of a number of well-known Victorians, and others not so well known, in the belief that they may help us today as we seek to get over our fear of death and what lies beyond it and to rescue ourselves from its privatization and over-medicalization.

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  Performance Insight (for...

  Walter Beasley

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  This is a transformative guidebook that goes beyond conventional musical instruction and enables musicians to unlock their individual artistic potential. The author, a famous teacher and musician, goes into the intricacies of performance psychology in this exciting book and provides priceless insights and tactics that will help improve any musician's performance abilities, regardless of their level of experience.

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  As you like it

  William Shakespeare

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  As You Like It is a pastoral comedy by William Shakespeare believed to have been written in 1599 and first published in the First Folio in 1623. The play's first performance is uncertain, though a performance at Wilton House in 1603 (the house having been a focus for literary activity under Mary Sidney for much of the later 16th century) has been suggested as a possibility. 
  As You Like It follows its heroine Rosalind as she flees persecution in her uncle's court, accompanied by her cousin Celia to find safety and, eventually, love, in the Forest of Arden. In the forest, they encounter a variety of memorable characters, notably the melancholy traveller Jaques, who speaks one of Shakespeare's most famous speeches ("All the world's a stage") and provides a sharp contrast to the other characters in the play, always observing and disputing the hardships of life in the country.

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  Africa Screams A Classic Comedy...

  Earl Baldwin

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  Africa Screams is a 1949 American adventure comedy film starring Bud Abbott and Lou Costello, directed by Charles Barton and written by Earl Baldwin, that parodies the safari genre. The title is a play on the title of the 1930 documentary Africa Speaks! The supporting cast features Clyde Beatty, Frank Buck, Hillary Brooke, Max Baer, Buddy Baer, Shemp Howard and Joe Besser. The following is the audio track of the full feature film.

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