Outros livros que poderiam interessá-lo

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  Bards Eternal

  Blue Jay walker

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  In New York City's Washington Square Park,  
  An old familiar war is being waged between those in power,  
  and those who refuse to conform. 
    
  Blue Jay Walker has been a street busker all his life. Traveling across countries he earns his keep by writing poems for passers-by on his worn typewriter. 
    
  In the summer of 2023 when he arrived at one of his favourite haunts for hawking poems, he was dismayed to discover the authorities had banned all artists from making their living in the park. 
    
  However the artists were not giving up their home without a fight. Inspired by their tenacity, Walker joined the fray. Sticking a proverbial flag in the ground at the center of the park he began writing what would quickly become The Longest Physical Poem Of The 21st Century. 
    
  The 240 foot scroll is a distillation of all the wandering truth he has gained along his travels, twisted through the spiraling narrative of the Vagrants and Bards who have taught him not only how to make art, but how to see the world in a different light.

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  Broken Halves of a Milky Sun -...

  Aaiún Nin

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  With the emotional undertow of Ocean Vuong and the astute political observations of Natalie Diaz, a powerful poetry debut exploring the effects of racism, war and colonialism, queer love and desire. 
   
   
   
  In their breathtaking international debut, Aaiún Nin plumbs the depths of the lived and enduring effects of colonialism in their native country, Angola. In these pages, Nin untangles complexities of exile, the reckoning of familial love, but also reveals the power of queer love and desire through the body that yearns to love and be loved. Nin shows the ways in which faith and devotion serve as forms of oppression and interrogates the nature of home by reclaiming the persistent echoes of trauma. A captivating blend of evocative prose and intimate testimony, Nin speaks to the universal vulnerability of existence.

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  Hôtel Amour

  Deryn Rees-Jones

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  "This is simply extraordinary writing, laced with wonder and devastation…" Joanna Klink
  A sequel to her T. S. Eliot Prize shortlisted Erato, Deryn Rees-Jones' remarkable new collection sees her returning to ongoing preoccupations: the complexities of memory and memorialisation, desire and the body, and poetry's place in a hostile world.
  The book begins with a woman checking into Hôtel Amour, a space both real and imagined, in the heart of Paris. This is a hallucinatory city where surreal symbols loom large: the hotel's pink neon sign, elephants, doubles, and lost pairings. A bloody heart lies in the street, books concertina into song, and everywhere is the ever-present noise of birds.
  Playful, and moving by turn, Hôtel Amour experiments with fragmented narrative and poetic form, creating a breathing space for a multilayered and powerful meditation on illness, love and time. Hôtel Amour's fierce and formidable exploration of 'the now' and its many ghostly literary pasts, is the work of a poet at the height of her powers as she asks us to listen, and explore our human capacity for transformation and for hope.

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  The Writing of an Hour

  Brenda Coultas

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  What actually happens within the revolution of the clock's hands? In The Writing of an Hour the poet considers the effort and the deliberateness that brings her to her desk each day. Despite domestic and day job demands and widespread lockdown, Coultas forges connections to the sublime and wonders what it means to be from the Americas. These poems verge on the surreal, transform the quotidian, and respond anew to the marvelous. The Writing of an Hour takes the reader on a journey in four sections; from a bedroom to an improvised desk over the North Sea, where she attempts to create an artwork inside an airplane cabin flying over Greenland's rivers of ice. The Mending HourI tied one on, I mean I took my grandmother's apron, its strings and glittery rickrack and I wore it on the streets of the East Village. The apron is a cloak of superpowers, a psychic umbrella I paraded past Emma Goldman's E. 10th St. address, and rang her doorbell for a sip of water. My domestic armor is made of gingham though a woman is still considered an unelectable candidate.

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  The Queen of Sorrow

  Rachel Lawson

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  Sorrow 
  Astra Queen of Vampires was born of the union of two monsters a mad killer for a mother and a evil sorcerer for a father he mother was under a spell until she was born so sad was her mother by her marriage to the hated enemy of her people and bearing his child she named her child Sorrow. 
  The pair were murdered by a lunatic themselves when Sorrow was a baby. 
  Her uncle raise her with his own children who didn't have powers like their mother a fate from a parallel world and their father a necromancer and enchanter Sorrow's uncle. She later became not just a vampire but their queen. It was Sorrow's uncle who named her Astra as it was a better name for a child to forget her sad start in life with a new name her old name it was like a man being called Sue nothing a man could life down. 
  She later married a friend Max Starfire the Sun's King and had a child called- Astra known as Astry. She would never give her child a bad name like herself. Astry was a vampire/ werewolf like her mother and father. 
  Not alive or dead something in between. 
  They were day walkers Max, Astra and their daughter. 
  Strange creatures neither vampire nor werewolf they were 
  Includes stories with Sorrow or Astra Queen of Vampires from my the Magicians series 
  Narrated by the author and guest narrating Addison Fell as Alexa in Bad Omens

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  Africanesque Folktales - from...

  M. Taylor

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  This audiobook contains what I call my “Africanesque Folktales”. They appear in my audio and print book “Remembering Your Ancestral Fire” and are all original compositions of mine. My teacher, Grand Master Drummer Mamady Keïta said about them, quote: 
  “Taylor’s folktales draw from his experiences with me and his times in Africa. They contain the stuff of folktales of old. They are a wonderful interpretation of African tradition.” All of my stories are sourced from my decades of study with the djembe, my teachers, especially Mamady Keïta, and my numerous times traveling to Guinea, West Africa. The names are based on a 
  ctual people I’ve known or heard of; the places, on actual places. The sounds you hear in the village were field recordings I did when I was there. I have and continue to create these Africanesque folktales, but there is a trilogy I created that represent origin, duality and plurality, which are presented in this short audiobook.

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