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  Once Upon a Time in Nazi...

  Josh Azouz

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  In this darkly comic, poignant, and at times surreal play, two couples in Tunisia — one Muslim and one Jewish — share a deep and complicated friendship before the German takeover of their country in World War 2. Now under a brutal regime, they face the truth about their long-simmering feelings about friendship and romance as they struggle to save themselves from a Nazi commandant - named Grandma.  
   
  Recorded at The Invisible Studios, West Hollywood in September 2022 
   
  Directed by Anna Lyse Erikson 
  Producing Director: Susan Albert Loewenberg 
   
  An L.A. Theatre Works full-cast recording starring: 
  Laila Ayad as Faiza  
  Tara Lynne Barr as Loys 
  Patrick Heusinger as Victor 
  Daniel David Stewart as Little Fella 
  Simon Templeman as Grandma 
  Pej Vahdat as Youssef  
   
  Senior Producer: Anna Lyse Erikson 
  Sound Design: David Wilson and Charles Carroll 
  Recording Engineer, Editor and Mixer: Charles Carroll 
  Senior Radio Producer: Ronn Lipkin 
  Foley Artist: Jeff Gardner

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  Gulf War Black

  Joyce Carol Oates

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  Two one-act plays by Joyce Carol Oates.Gulf War: An affluent young couple entertains an older couple for an evening of cocktails and politics during the Gulf War. But as the evening continues, the conversation take a bizarre and absurd tone.Black: In this evening of cocktails and dinner, a couple anxiously awaits the arrival of an ex-husband. As the wine glasses are drained, the evening becomes dark and intense, revealing the true colors of the characters in this eerie love triangle.Full-cast L.A. Theatre Works performances featuring Edward Asner, Stephanie Dunnam, Rif Hutton, Nan Martin, and Joe Spano.

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  3rd i - or within the contingent...

  Basil Eliades

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  “These are poems that go beyond the limits of words. By wrestling with the poems in 3rd i, by engaging with them, the world is more intensely lived. This guy is offering us everything. This is heroic poetry.” — John Marsden

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  The Bhakti Poet Saints

  Mirabai, Kabir, Guru Nanak

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  Whilst Europe endured the Dark Ages in the 6th & 7th Centuries devotees of Shiva and Vishnu in Southern India were creating the Bhakti Movement.  Some of these exponents, as in our volume, were bestowed with the title of saint but some had the additional title of sant, swami or goswami. 
   
  Broadly speaking, Bhakti poetry, as in Hinduism itself, is divided into ‘Nirguna’, the idea that the divine is formless as exampled by Kabir and ‘Saguna’ which interprets the divine as having physical form as captured by Mirabai.  
   
  The rapid spread, of the Bhakti movement, with its theme of love and devotion to God, proffered by these rebellious poet saints, did, over the following centuries, meld with much needed Hindu reforms and went to the heart of human existence.  These ‘God possessing’ rather than ‘God fearing’ poets rejected hierarchies and intermediaries in their spiritual devotion and were critical of rules, regulations and ritual observances administered by Brahmin priests in the sacred but elitist court and temple Sanskrit.   
   
  Their poems, in their local language, emphasised personal devotion as a route to salvation with kind deeds and a humble life rather than ritual mediation, stretched the fabric of society.  They were all from lower castes and many were women giving the movement an egalitarian spirit that helped reinforce the message that god’s love was all-encompassing for every person willing to surrender to the divine.   
   
  Furthermore, their verse was accessible, simple, innovative with new poetic forms and often expressed in songs with a fierce passion and ecstasy that demonstrated the movement’s focus on inner, mystical and authentic devotion and humility.  Impromptu performances with provocative outbursts of singing and dancing in unconventional settings or public gatherings evolved into poetic presentations and community recitals as the rapid popularity of the movement spread.  Although the language is every day and simple, many verses carry undercurrents of complex ideas, philosophical and psychological dilemmas, nuance and humour. 
  1 - The Bhakti Poet Saints - An Introduction 
  2 - His Ears Ringeth by Sambandar 
  3 - Thiruppavi (An Extract) by Andal 
  4 - Tiruvasiriyam by Nammalvar 
  5 - Navada Bhakti in An Untainted Heart by Gangasati 
  6 - Show Me Your Way Out by Akka Mahadevi 
  7 - Would A Circling Surface Vulture by Akka Mahadevi 
  8 - The True Name is Like Sandalwood by Namdev 
  9 - Amrutanubhav (An Extract) by Dnyaneshwar 
  10 - Vakh - If in the Flux of Time by Lal Ded 
  11 - Vakh - They Who Have Gained Experience by Lal Ded 
  12 - Acceptance by Janabai 
  13 - Where Shall I Go by Ramananda 
  14 - Vaishnav by Narsinh Mehta 
  15 - Pointless It Is To Lament by Narsinh Mehta 
  16 - Illusion and Reality by Kabir 
  17 - Song 6 - The Moon by Kabir 
  18 - I Laugh When I Hear That the Fish in the Water is Thirsty by Kabir 
  19 - It is the Mercy of My True Guru by Kabir 
  20 - Song 1 - Oh Servant Where Dost Thou Seek Me by Kabir 
  21 - Song 69 - If God Be Within the Mosque by Kabir 
  22 - The Light of the Sun by Kabir 
  23 - You Are Me and I Am You by Ravidas 
  24 - The Name Alone Is The Truth by Ravidas 
  25 - How to Escape by Ravidas 
  26 - Dhanasri Measure by Guru Nanak 
  27 - Gauri Dipaki Measure by Guru Nanak 
  28 - Shikshashtakam by Chaitanya 
  29 - Mine is Gopal by Mirabai 
  30 - Beloved Mohan by Mirabai 
  31 - Mira is Steadfast by Mirabai 
  32 - I Will Sing the Praises by Mirabai 
  33 - O Deluded Ones by Mirabai 
  34 - Enjoy the Company of True Saints by Mirabai 
  35 - Listen by Mirabai 
  36 - Sister Without the Lord I Cannot Carry On by Mirabai 
  37 - Hanuman Chalisa by Tulsidas 
  38 - To Arrange Words by Tu

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  Look Back in Anger

  John Osborne

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  Jimmy Porter barely ekes out a living running a candy stall by day and playing jazz trumpet by night. Although he usually takes his frustrations out on his emotionless wife, Jimmy's scathing tongue and self-loathing seems destined to destroy everything.Set in the UK at the dawn of the 60’s social unrest, this savage morality tale spawned the phrase “angry young man.”An L.A. Theatre Works full-cast performance featuring:Steven Brand as CliffMoira Quirk as Alison Simon Templeman as JimmyJames Warwick as Colonel RedhornJoanne Whalley as HelenaDirected by Rosalind Ayres. Recorded before a live audience.

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  King Henry IV Part 2

  William Shakespeare

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  Henry IV, Part 2 is a history play by William Shakespeare, believed written between 1596 and 1599. It is the third part of a tetralogy, preceded by Richard II and Henry IV, Part 1 and succeeded by Henry V.  The play picks up where Henry IV, Part 1 left off. Its focus is on Prince Hal's journey toward kingship and his ultimate rejection of Falstaff.  (Summary from Wikipedia) 
  Characters: 
  Rumour the Presenter and Lady Percy: Cecelia PriorKing Henry IV: Mark F. SmithHenry, Prince of Wales, afterwards King Henry V: Max Porter ZasadaPrince John of Lancaster: Brian EdwardsPrince Humphrey of Gloucester: Simon LaroisThomas, Duke of Clarence: AleithiaEarl of Northumberland: Lisa WilsonScroop, Archbishop of York: Vin ReillyLord Mowbray: Ellis ChristoffLord Hastings: hefydLord Bardolph: David LeesonSir John Colville, Silence, Second Drawer, and Porter: SilenceTravers, Shadow, and Bullcalf: Daniel HuttonMorton and Shallow: David NicolEarl of Warwick: Aaron Elliott & mbEarl of Westmoreland: Larysa JaworskiGower: Miriam Esther GoldmanHarcourt: Jennifer StearnsLord Chief Justice and First Groom: Lars RolanderBardolph and Servant: David LawrenceSir John Falstaff: John LiederEdward Poins: Bellona TimesPistol: Lorelle AndersonPeto: Matthew WardPage and Dancer (Epilogue): Laurie Anne WaldenDavy, Mouldy, and Fang: Fr. Richard ZeileSnare: Anna SimonThomas Wart: Lucy PerryFrancis Feeble: Cori SamuelFrancis, a drawer; Second and Third Grooms: Barry EadsLady Northumberland: BrianaBirdHostess Quickly: Rosalind WillsDoll Tearsheet: <a hr

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