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  Citadels of Power: Castles in...

  Thomas Finn

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  Professor Thomas J. Finan conducts an enthralling series of lectures on a subject that is an enduring part of the popular imagination: the castle. Professor Finan examines the castle from a variety of contemporary perspectives, including those of history, archaeology, geography, and landscape studies. The course also covers the morphology of medieval fortifications and castles and considers the social and landscape natures of castles, as well as the role of the castle in Europe.

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  Little Women Podcast Ranking...

  Niina Niskanen, Christina Scott

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  em Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.

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  Incredibles 2

  Disney

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  When Elastigirl takes on a new job fighting crime, Mr. Incredible has to stay home and tackle the challenges of raising their three kids: Violet, Dash, and Jack-Jack. But when a new villain hatches a brilliant plan, the Incredible family must figure out how to team up again to save the city. Now, kids can relive the beloved Disney and Pixar movie through this book.
  
  
  
  عندما تتولى إيلستيجيرل وظيفة جديدة لمكافحة الجريمة، يتعين على السيد إنكريدبل البقاء في المنزل والتعامل مع تحديات تربية أطفالهما الثلاثة، فيوليت، داش، وجاك-جاك. ولكن عندما يطلق شرير جديد بارع خطة مذهلة، يجب على عائلة إنكريدبل أن تجد وسيلة للتعاون مرة أخرى لإنقاذ المدينة. الآن يمكن للأطفال إعادة تجربة الفيلم المحبوب من ديزني وبيكسار من خلال هذا الكتاب

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  David Bowie's Low

  Hugo Wilcken

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  Los Angeles, 1976. David Bowie is holed up in his Bel-Air mansion, drifting into drug-induced paranoia and confusion. Obsessed with black magic and the Holy Grail, he's built an altar in the living room and keeps his fingernail clippings in the fridge.  There are occasional trips out to visit his friend Iggy Pop in a mental institution. His latest album is the cocaine-fuelled Station To Station (Bowie: "I know it was recorded in LA because I read it was"), which welds R&B rhythms to lyrics that mix the occult with a yearning for Europe, after three mad years in the New World.Bowie has long been haunted by the angst-ridden, emotional work of the Die Brucke movement and the Expressionists. Berlin is their spiritual home, and after a chaotic world tour, Bowie adopts this city as his new sanctuary. Immediately he sets to work on Low, his own expressionist mood-piece.

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  Give a Manor Take a Manor: The...

  Murray Johnston

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  This audiobook is narrated by an AI Voice.  
   
  Domestic rebellions and foreign wars, the king’s rule, murder, traitors and execution, crippling debt, arranged marriages of young heirs and heiresses, avoidance of taxes, medieval decrees of inheritance, the black death and famine.  All that and more can be found in a fascinating new book based on the meticulous research of exceptional author Murray Johnston. 
   
  While his first book, The Watford Knight’s Fee, will satisfy serious students and enthusiasts of medieval English history, his second opens the door to everyone.  A time machine takes the reader along a fascinating and sometimes wobbly journey with the lords of the manor through 700 years – including, unique in English history, one family for 500 years. 
   
  Welcome to the world of manors in medieval England!

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  Re-Composing YouTube -...

  Jonas Wolf

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  YouTube features a wide array of multimodal musical figurations, including fan-made music videos, musical aestheticisations of pre-circulating content, and musical self-performances. Jonas Wolf explores open-ended forms of musical creative relay on YouTube, delving into formal, imitative, affective, and (non-)institutional aspects of networked media remix and (self-)aestheticisation. Beyond creating value for non-musical fields of discourse, this study is directed at filling a gap in a largely ocularcentric domain of study. It provides a concise theory of vernacular composition within our time's total digital archive that accounts for socio-aesthetic phenomena and their relation to systems of knowledge, control, and discourse.

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