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  The Poetry of Edmund Spenser

  Edmund Spenser

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  One of the greatest of English poets, Edmund Spenser was born in East Smithfield, London, in 1552 and went to school at Merchant Taylors' School and later at Pembroke College, Cambridge.   
  In 1579, he published The Shepheardes Calender, his first major work.   
  Edmund journeyed to Ireland in July 1580, in the service of the newly appointed Lord Deputy, Arthur Grey, 14th Baron Grey de Wilton. His time included the terrible massacre at the Siege of Smerwick.  
  The epic poem, The Faerie Queene, is acknowledged as Edmund’s masterpiece. The first three books were published in 1590, and a second set of three books were published in 1596.   
  Indeed the reality is that Spenser, through his great talents, was able to move Poetry in a different direction.  It led to him being called a Poet’s Poet and brought rich admiration from Milton, Raleigh, Blake, Wordsworth, Keats, Byron, and Tennyson, among others.   
  Spenser returned to Ireland and in 1591, Complaints, a collection of poems that voices complaints in mournful or mocking tones was published.  In 1595, Spenser published Amoretti and Epithalamion in a volume that contains eighty-nine sonnets.  
  In the following year he wrote a prose pamphlet entitled A View of the Present State of Ireland, a highly inflammatory argument for the pacification and destruction of Irish culture. 
  On January 13th 1599 Edmund Spenser died at the age of forty-six.  His coffin was carried to his grave in Westminster Abbey by other poets, who threw pens and poetic pieces into his grave.  
   This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing.  Our range is large and growing and covers single poets, themes, and many compilations.

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  A Spring Harvest - The beautiful...

  Geoffrey Bache Smith

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  Geoffrey Bache Smith was born in Staffordshire on 18th October 1894.  
   
  He attended King Edward’s School, Birmingham at the same time as J.R.R. Tolkien, where they founded the literary “Tea Cup and Barovian Society”. 
    
  Geoffrey was commissioned as a Lieutenant in the 19th (Service) Battalion of the Lancashire Fusiliers, the ‘3rd Salford Pals’, and took part in the Battle of the Somme.  
   
  He was wounded by shrapnel on 29th November 1916 and died from his wounds on 3rd December 1916. 
   
  He was buried in Warlincourt Halte British Cemetery, Saulty, France.

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  Short Story Press Presents...

  Short Story Press, Cynthia Haltom

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  Julia has been let go from her job of 20 years, as a ground water geologist in Eastern Washington and must find a new way to support herself. She decides to pack up her belongings and return to her family's cottage on Pine Island. There she hopes to find a new meaning to her life, while living in the peaceful and serene setting that she always experienced in the northern woods of Canada. 
  She is surprised to discover that her old buddy, Andrew, still spends every summer across the river on Brown's Island, where he spent his youth with his family. The two had always spent their childhoods playing, fishing and enjoying the tranquility of island life as children. Once again, they share time enjoying the love of the great north. 
  Julia had left for college over two decades ago, to make a life for herself working on the plutonium ground water cleanup project left from the atomic bomb processing, at the Hanford Nuclear Site in Richland, Washington. There she had made a life for herself; not returning to the island she loved so much. Destiny forced her to reevaluate her life and priorities encompassing many changes in attitudes and lifestyle. 
  Short Story Press publishes short stories written by everyday writers.

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  Freedom House

  KB Brookins

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  Freedom House is a poetry collection that explores internal, interpersonal, and systemic freedom.  
  In this debut full-length collection, KB Brookins’ formally diverse, music-influenced poetry explores transness, politics of the body, gentrification, sexual violence, climate change, masculinity, and afrofuturism while chronicling their transition and walking readers through different “rooms”. The speaker isn’t afraid to call themselves out while also bending time, displaying the terror of being Black/queer/trans in Texas, and more — all while using humor and craft.  
  What does freedom look like? What can we learn from nature and our past? How do you reintroduce yourself in a world that refuses queerness? How can we use poetry as a tool in the toolbox that helps build freedom? This collection explores those questions, and manifests a world where Black, queer, and trans people get to live.

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  Pregnant Husband

  Isaac Nkrumah Darko

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  Obiba, a rich man and Aba are lovers who plan to marry in the future, but Obiba jilts Aba after he has caused her an irreparable harm and goes for another woman whom he marries. In a state of emotional pains, Aba curses Obiba for causing her an irreparable harm and for jilting her. Consequently, Aba’s curse makes Obiba lose his riches. In an attempt to acquire riches again, Obiba consults a goddess who makes him rich. One day, Obiba slaps a mad woman who snatches his bag from him, but the mad woman is the goddess in disguise. To take vengeance, the goddess goes to Obiba in the exact form and image of his wife and makes romance with him while Obiba does not know that she is not his real wife and that she is an impostor. What transpires between the goddess and Obiba during the romance session makes Obiba have a baby in his belly. Medical tests carried out on him prove that there is a baby in his belly to the surprise of all and sundry. How Obiba, a husband has a baby in his belly and how the baby survives in his belly and comes out of his belly is what the story unfolds.

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  Rubáiyát of Omar Khayyám The...

  Omar Khayyám

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  The Rubáiyát of Omar Khayyám is the title that Edward Fitz-Gerald gave to his translation of a selection of poems, originally written in Persian and of which there are about a thousand, attributed to Omar Khayyám (1048–1131), a Persian poet, mathematician and astronomer. A Persian ruba'i is a two-line stanza with two parts (or hemis-techs) per line, hence the word "Rubáiyát" (derived from the Arabic root word for "four"), meaning "quatrains". 
   
  The translations that are best known in English are those of about a hundred of the verses by Edward FitzGerald (1809–1883). Of the five editions published, four were published under the authorial control of FitzGerald. The fifth edition, which contained only minor changes from the fourth, was edited after his death on the basis of manuscript revisions FitzGerald had left. FitzGerald also produced Latin translations of certain rubaiyat. 
   
  As a work of English literature FitzGerald's version is a high point of the 19th century and has been greatly influential. Indeed, The term "Rubaiyat" by itself has come to be used to describe the quatrain rhyme scheme that FitzGerald used in his translations: AABA. However, as a translation of Omar Khayyam's quatrains, it is not noted for its fidelity. Many of the verses are paraphrased, and some of them cannot be confidently traced to any one of Khayyam's quatrains at all. Some critics informally refer to the FitzGerald's English versions as "The Rubaiyat of FitzOmar", a nickname that both recognizes the liberties FitzGerald inflicted on his purported source and also credits FitzGerald for the considerable portion of the "translation" that is his own creation. In fact, FitzGerald himself referred to his work as "transmogrification". "My translation will interest you from its form, and also in many respects in its detail: very unliteral as it is. Many quatrains are mashed together: and something lost, I doubt, of Omar's simplicity, which is so much a virtue in him" (letter to E. B. Cowell, 9/3/58). (Introduction from Wikipedia) 
   
  This recording includes readings of all five editions by Edward Fitzgerald as well as the introduction to the third edition. (Note by Algy Pug)

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