Editorial: The Big Nest
Tolstoy shares his views about the imprecision of general opinions on art, the time, effort, public funds, and public respect spent on art and artists. The difficulty of meaning in art, and especially what is good, useful art, art for the sake of which we might condone such sacrifices as are being offered at its shrine. So, what is art?
William Nicholson’s Tony nominated stage adaptation of his award-winning BBC Teleplay relates the story of shy Oxford don and children’s author C.S. Lewis and American poet Joy Gresham. Shadowlands shows how love, and the risk of loss, transformed this great man’s relationships, even with God. An L.A. Theatre Works full-cast performance featuring Arthur Hanket, Harriet Harris, Nicholas Hormann, Martin Jarvis, Christopher Neame, Kenneth Schmidt and W. Morgan Sheppard.Ver libro
One hundred spectacular antique quilts from one of the largest, privately held quilt and textile collections in the world. Turn back time with color photos and insightful essays about America’s quilting past! Admire one hundred antique quilts and textiles you’ve never seen before, curated from the remarkable Poos Collection. Flip through the pages to find a wide range of styles in pre-Civil War quilting—elaborate hand piecing and appliqué, signature quilts, wholecloth beauties, cutout chintz, and intarsia, plus the only known example of an American pictorial war quilt. An invaluable resource to America’s quilt history, the Poos Collection shares its classic, one-of-a-kind quilts.Admire one hundred colorful artifacts from the priceless Poos CollectionRead insights and information on the history behind the quiltsRelax and feast your eyes on these pre-1860 quilts, including album, wool, paper-pieced, white-on-white wholecloth, red and green, indigo, and chintz quiltsVer libro
The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of twentieth century America. Runyon's short stories are almost always told in the first person by a narrator who is never named, and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; He’s a bystander, an observer, an average street-corner Joe. Runyon described himself as "being known to one and all as a guy who is just around". That line seems to say a lot about Runyon and his life. It was like you were with him on some street corner hustle or some shady dive and he was filling you in on all the angles, all the gossip, all of life. He was who so many people wanted to be with……or so many people wanted to be. Of course, the cliché about newspapermen and writers is that they are heavy drinkers, chain-smokers, gamblers and obsessively chase women with a sideline in the gathering of stories and facts and actually getting something written just before the deadline hits. That seems like Damon Runyon and his life summed up in one sentence. His stories became legendary ways of looking that bit differently at America, of soaking up the atmosphere of a glamorous and rip-roaring age and distilling it into black and white type or, in our case, The Damon Runyon Theatre Hour.Ver libro
It's a typical family Christmas for the Plantagenets, complete with backstabbing, double-crossing, and rampant infidelity. James Goldman's brilliant historical drama pits King Henry II against the strong-willed Eleanor of Aquitaine, brought to life by Alfred Molina and Kathleen Chalfant. Recorded before a live audience at the Skirball Cultural Center, Los Angeles, in December 2001. Director: Rosalind Ayres Producing Director: Susan Albert Loewenberg An L.A. Theatre Works Full-Cast Performance Featuring: Lars Carlson as John Kathleen Chalfant as Eleanor of Aquitaine Kevin Daniels as Richard Coeur De Leon Spencer Garrett as Philip Capet Laurel Moglen as Alais Capet Alfred Molina as Henry Plantagenet Steven Sutcliffe as Geoffrey Recording Engineer/Sound Designer/Editor: David Kelly For Voicebox Studios, Los Angeles"Ver libro
This “generous, vigorous, and enlightening look at class and space in New York” examines the human side of gentrification—“a joy to read” (The Paris Review).For years, journalists, policymakers, critics, and historians have tried to explain just what happens when new money and new residents flow into established neighborhoods. But now, “Mr. Gibson lets the city speak for itself, and it speaks with charm, swagger and heartening resilience” (The New York Times). The Edge Becomes the Center captures, in their own words, the stories of people?brokers, buyers, sellers, renters, landlords, artists, contractors, politicians, and everyone in between?who are shaping and being shaped by the new New York City. In this extraordinary oral history, Gibson shows us what urban change looks and feels like by exposing us to the voices of the people living through it. Drawing on the plainspoken, casually authoritative tradition of Jane Jacobs and Studs Terkel, The Edge Becomes the Center is an inviting and essential portrait of the way we live now.Ver libro
Between 1938 and 1942 the Federal Writers’ Project set out to create a first-person portrait of America by sending young writers—many of whom later became famous—around the country to interview people from all occupations and backgrounds. This book presents 80 of these diverse life histories, including the stories of a North Carolina patent-medicine pitchman, a retired Oregon prospector, a Bahamian midwife from Florida, a Key West smuggler, recent immigrants to New York, and Chicago jazz musicians. Historian Eric Foner called First-Person America “the finest example yet of an increasingly important genre of oral history.”Ver libro
