Outros livros que poderiam interessá-lo

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  Fierce Fairytales - Poems and...

  Anônimo

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  Poet, writer, and Instagram sensation Nikita Gill returns with a collection of fairytales poetically retold for a new generation of women. Traditional fairytales are rife with cliches and gender stereotypes: beautiful, silent princesses; ugly, jealous, and bitter villainesses; girls who need rescuing; and men who take all the glory. But in this rousing new prose and poetry collection, Nikita Gill gives Once Upon a Time a much-needed modern makeover. Through her gorgeous reimagining of fairytale classics and spellbinding original tales, she dismantles the old-fashioned tropes that have been ingrained in our minds. In this book, gone are the docile women and male saviors. Instead, lines blur between heroes and villains. You will meet fearless princesses, a new kind of wolf lurking in the concrete jungle, and an independent Gretel who can bring down monsters on her own. Complete with beautifully hand-drawn illustrations by Gill herself, Fierce Fairytales is an empowering collection of poems and stories for a new generation.

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  At The Movies

  Lee Brady

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  This audiobook is narrated by an AI Voice.   
  A married woman recalls her obsession with movies and movie stars in her earlier days but then comes to realize she is much happier with reality.

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  Paper Crusade

  Michelle Penn

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  On a wasted island in perpetual sun, the Father practices magic, laments his lost kingdom and commands a ragtag army of three: the passionate and damaged Daughter, the winged Spirit and an indigenous being known only as C. Behind their uniforms — white suits and full-face paper masks — the soldiers seethe with rebellion.
  The arrival of the Boy, a hapless prince, and the Brother, the Father's rival, unleashes desire, betrayal, insanity and revenge — all of it witnessed by an irate sea.
  Paper Crusade is a bold reinvention of Shakespeare's play, The Tempest. Michelle Penn's vivid imagery and startling, sensual language create an unforgettable dystopia for our own time.

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  The Metamorphosis

  Franz Kafka

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  "As Gregor Samsa awoke one morning from uneasy dreams, he found himself transformed in his bed into a gigantic insect."
  
  With one of the most famous opening lines in literary history, Franz Kafka plunges the reader into the life of Gregor Samsa, a hardworking traveling salesman who becomes a monstrous vermin overnight. But the true horror of The Metamorphosis isn't the physical transformation—it is the reaction of the world around him. As Gregor becomes a burden to the family he once supported, the story unfolds into a tragic, darkly comic, and deeply unsettling exploration of isolation and the fragile nature of human worth.
  
  The Birth of the "Kafkaesque": Kafka's narrative style creates a world that is at once mundane and nightmarish. The "Kafkaesque" experience is defined by the struggle against an illogical, bureaucratic, and uncaring power—in this case, the expectations of labor and the cold pragmatism of a family under economic stress. Gregor's transformation serves as a powerful metaphor for anyone who has ever felt "othered," discarded, or trapped by their social role.
  
  A Deeply Human Tragedy: Beyond the surreal premise lies a searing look at family dynamics. Witness the transformation of Grete, Gregor's sister, from a sympathetic caretaker to the primary advocate for his removal. The Metamorphosis challenges us to ask: If we can no longer provide value to those we love, do we still deserve their love? It is a quintessential work of 20th-century literature that remains as relevant and gut-wrenching today as the day it was written.
  
  Step into the room of Gregor Samsa. Purchase "The Metamorphosis" today and experience the ultimate story of the outsider.

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  Webs & Roses - A Poetry Collection

  Megan Linski

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  Journey through this collection of poems as the author recounts her teenage and college years, each line describing a young woman's adventure through life, love, faith, and loss.

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  Frank’s Wing - Poems

  Jacob McArthur Mooney

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  “… my relationship with most art living or lost / is the same as yours: we will pass it by” bemoans the last poem in Jacob McArthur Mooney’s latest collection. Written as a sequence of “ghost ekphrastics” (poems inspired by works of art that neither the poet nor most living people have ever seen), Frank’s Wing constructs a whole world of lost or destroyed artifacts that have been rearticulated and resurrected, brought back to life by a fictional property baron as a dying gift to Toronto’s Art Gallery of Ontario.
  		 
  From “decadent” modern paintings torched by Nazis, to lost films, to never-performed performance art, the abiding premise of the book is that art invites mourning: not because it is mournful, but because it is vast. It taunts the plans of mortals while “a week / of kids’ videos and lip syncs / siphon through the internet each second.” Bordering ideas about FOMO and mortality are considerations of destruction itself, as the book recalls loss events predicted by both the considered works’ historical contexts and the frailties of their makers. Concerned with consuming art as much as with making it, Frank’s Wing examines the positions made available to the art-consumer: owner, overhearer, interrogator, and potentially, both destroyer and the thing that art destroys.

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