Outros livros que poderiam interessá-lo

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  Bad Hobby - Poems

  Kathy Fagan

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  From Kingsley Tufts Award finalist Kathy Fagan comes Bad Hobby, a perceptive collection focused on memory, class, and might-have-beens.In a working-class family that considers sensitivity a “fatal diagnosis,” how does a child grow up to be a poet? What happens when a body “meant to bend & breed” opts not to, then finds itself performing the labor of care regardless? Why do we think our “common griefs” so singular? Bad Hobby is a hard-earned meditation on questions like these—a dreamscape speckled with swans, ghosts, and weather updates.Fagan writes with a kind of practical empathy, lamenting pain and brutality while knowing, also, their inevitability. A dementing father, a squirrel limp in the talons of a hawk, a “child who won’t ever get born”: with age, Fagan posits, the impact of ordeals like these changes. Loss becomes instructive. Solitude becomes a shared experience. “You think your one life precious—”And Bad Hobby thinks—hard. About lineage, about caregiving. About time. It paces “inside its head, gazing skyward for a noun or phrase to / shatter the glass of our locked cars & save us.” And it does want to save us, or at least lift us, even in the face of immense bleakness, or loneliness, or the body changing, failing. “Don’t worry, baby,” Fagan tells us, the sparrow at her window. “We’re okay.”

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  Bogboy

  Deirdre Kinahan

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  Two lost souls – a young heroin addict and a reclusive middle-aged farmer – discover a budding friendship in the bogs of Meath, until a terrible secret comes to light.
  Deirdre Kinahan's short play Bogboy was originally written as a radio play for RTÉ. It was first staged by Tall Tales theatre company at Solstice Arts Centre in 2010.

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  A Rare Recording of TS Eliot...

  TS Eliot

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  Thomas Stearns Eliot (September 26, 1888 - January 4, 1965) was an American-British poet, essayist and playwright. He is considered to be one of the 20th century's greatest poets, as well as a central figure in English-language Modernist poetry. His use of language, writing style, and verse structure reinvigorated English poetry. He is also noted for his critical essays, which often re-evaluated long-held cultural beliefs.

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  Keeping Count

  M. Travis Lane

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  Keeping Count, M. Travis Lane’s 18th collection of poetry, begins in the poet’s favourite terrain: short, condensed lyric that focuses on the natural world. “But pull a thread: music turns” Lane writes, and the book progressively defamiliarizes the reader, moving from ecopoetry to a longer poetry of interiority in the second section, concluding with a final section that focuses on issues of mortality. As George Elliott Clarke has written so aptly, “If you have not read Lane before, prepare to travel: Like T.S. Eliot, she wants you to have a transporting experience in your imagination. If you have read Lane before, prepare for fresh astonishment. She is Homeric breadth and Sapphic brevity."

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  The Poetry of Charlotte Perkins...

  Charlotte Perkins Gilman

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  Charlotte Perkins Gilman was born on the 3rd July 1860 in Hartford, Connecticut, to an unaffectionate mother and a father who abandoned her and her older brother to a life of poverty. 
   
  Inevitably her schooling was limited and by 15 she had attended seven different schools but received only four years of education.  However, Charlotte was resourceful and did spend time with her father’s aunts – the suffragist Isabella Beecher Hooker and the ‘Uncle Tom Cabin’s’ author, Harriet Beecher Stowe as well as many hours at the public library studying ancient civilizations. 
   
  In 1878, she enrolled in classes at the Rhode Island School of Design where she met Martha Luther and they developed a close relationship until Luther married another woman in 1881.  Charlotte was devastated and detested romance and love until she met and married the artist Charles Walter Stetson.  
   
  Their only child, Katharine Beecher Stetson, was born in 1885 but left Charlotte with post-natal depression, then often dismissed as a case of hysteria or nerves.  Unsuited to domestic life she ruptured her life and moved to California with Katherine.  She divorced in 1894 and then sent Katharine east to live with her father and his second wife confirming that his paternal rights be acknowledged, and that Katherine establish a relationship with her father. 
   
  After her mother died in 1893, Charlotte moved back east and became involved with her first cousin, Wall Street attorney, Houghton Gilman who she married in 1900.  After his death she moved back to California, where Katherine now lived.   
   
  In this volume we bring her extensive poetry writings to the fore.  Her talents in the poetic arena are indisputable, bringing a brave and focused eye to a world of her words that is too often neglected.  
   
  Charlotte lectured widely for social reform, wrote important non-fiction works that questioned our patriarchal system and left a legacy as a leading and positive spokesperson for feminism.  
   
  She was diagnosed with incurable breast cancer in 1932 and, as she wrote in her suicide note and autobiography, she ‘chose chloroform over cancer’    
   
  Charlotte Perkins Gilman took her own life on the 17th August 1935, aged 75, in Pasadena, California.

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  Weird Tales Issue 365

  Heather Graham, Alma Katsu

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  Featuring all new tales of dark fantasy, cosmic horror, supernatural revenge, and the sorcery of terror from masters of the craft, this issue includes the following stories and poems: “Her Happy Place” by Alma Katsu “The Thing in Jesse’s House” by Heather Graham “The Dreams in the Cipher House” by Maurice Broaddus “Shadow Plane” by Fran Wilde “Tales from Alexandria” by Priya Sharma “The Secret Priest” by Anne Walsh (poetry) “Apocalypse Nights” by Yvonne Navarro “Devoured by the Soiled and Peeling Wallpaper” by Jake Bible “The Beast of Bray Road” by Gabrielle Faust “A Beautiful Darkness” by Christina Sng (poetry)

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