Publisher: Good Press
This book is a collection of short plays penned by a woman named Lady Gregory. She was an Irish dramatist, folklorist and theater manager. With William Butler Yeats and Edward Martyn, she co-founded the Irish Literary Theatre and the Abbey Theatre, and wrote numerous short works for both companies.
Somewhere at the edge of reality and dreams, a man meets a woman. Both are young, innocent, in a way untouched by the world. What unfolds is a love story not so much written but painted with words and framed by music. Each leads to the last line that is always spoken by the woman in a whisper, the scene a pretext almost for that line to exist. The story has a depth of feeling and tenderness typical of love, and is infused with an illusive mood. It all seems distant, dreamlike, and improbable. And may raise the question: Has it ever happened? In a sense, the answer is in the text. But perhaps that only takes us further into the unknown.Music weaves with the text, deepens the mood and transfers the whole further into the world of fantasy and dreams. As if the music is filled with its own poeticness. Sometimes it makes up only the mysterious background. At other times it emphasises and accentuates the fragments of imagery. The music, the lyrics, the recitation and the voice itself unite in inconceivable intimacy and create the enchanted space which draws and charms and hypnotizes.Show book
The Lyme Letters is epistolary verse that spells out a memoir. R, a non-binary femme character, narrates their experience of disease and recovery through recurrent letters to doctors, pets, family members, lovers, and a “Master.” R, in letter form and repurposed religious texts, also explores the paradoxical experiences of queer non-reproductivity, chronic illness and disability, and the healing that can be found in the liminal spaces between.Show book
Medea is an ancient Greek tragedy written by Euripides, based upon the myth of Jason and Medea and first produced in 431 BC. The plot centers on the actions of Medea, a former princess of the "barbarian" kingdom of Colchis, and the wife of Jason; she finds her position in the Greek world threatened as Jason leaves her for a Greek princess of Corinth. Medea takes vengeance on Jason by murdering Jason's new wife as well as her own children, after which she escapes to Athens to start a new life.Show book
The Crucible is a play which is a dramatized and partially fictionalized story of the Salem witch trials that took place in the Massachusetts Bay Colony during 1692–93. The play was written as an allegory for McCarthyism, when the United States government persecuted people accused of being communists. The play is spilt into four acts. Download your copy now!Show book
The Latin phrase, jus soli (“right of the soil”), is an unconditional right of a person born within the territory of a country to be conferred citizenship. Singapore’s nationality law is based on jus sanguinis (“right of blood”, in which citizenship is determined by that of one or both parents) and a modified form of jus soli (with at least one Singaporean parent). A two-time Singapore Literature Prize winner, Yong Shu Hoong contemplates how a person is invariably bound to the land on which he first sets foot. These poems address topics like belongingness and birthright by exploring the intermingling of the four fundamental elements of air, water, fire and earth. Expanded from a 2016 chapbook published a year after the 50th anniversary of Singapore’s independence, this book also attempts to sharpen Yong’s understanding of his relationship with his homeland. A new sequence of poems then plunges readers into Hell, reimagined as Singapore’s third integrated resort that opens underground in the centennial year of 2065, with its concepts inspired by Haw Par Villa’s main attraction, the 10 Courts of Hell. Beyond our earthly lives, is it soil – or another element or dimension – that will assert its right to claim us? Shortlisted for the Singapore Literature Prize for Poetry 2020Show book
This is a disturbing, poetic account of an unnamed dictator’s eyebrow whose longings, delusions of grandeur, and curious influence have shaped history in ways previously unknown—until now. Within a surreal tale about an eyebrow’s thirst for recognition and power, a love story also unexpectedly emerges. Finalist for the Singapore Book Publishers Association Awards 2016. “An enthralling pyroclastic flow of poetic flagellation ripping the mask of stoic indifference and lapdog-media concocted majestic stature of a narcissistic tyrant. And every wordstroke of the poet never fails to decode and eviscerate the megalomaniac to the grave.” - Elangovan, recipient of the 1997 SEA Write AwardShow book
