Otros libros que te pueden interesar

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  No Sweet Without Brine - Poems

  Cynthia Manick

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  Cynthia Manick’s poetry collection personifies love of self and culture through fresh observations and bitter truths voiced with breathtaking lyricism. 
  No Sweet Without Brine is both a soulful and celebratory collection that summons sticky sweet memories with an acrid aftertaste of deep thought. Satisfying moments are captured in odes to Idris Elba’s dulcet tones on a meditation app and the satisfaction of half-priced Entenmann’s poundcake; in childlike observations of parental Black love, the coveted female form on Jet Magazine covers, and the desire for Zamunda to be a real place full of Black joy. The sour taps into an analysis of reclusiveness, silencing catcalls from men on the street, and detailed recipes and advice to the Black girls forced to endow themselves with armor against the world. 
  Cynthia Manick’s latest is a playlist of everyday life, introverted thoughts, familial bonds, and social commentary. In piercing language, she traces the circle of life for a narrator who dares to exist between youthful remembrances and adulthood realities. Each poem in No Sweet Without Brine is a reminder that a hint of sorrow makes the celebration and recognition of the glory of Blackness in all ways, and through all people, that much sweeter. 
  Supplemental enhancement PDF accompanies the audiobook.

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  In the Name of Red - Poems

  Z.R. Ghani

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  From lips and warmed cheeks to silk and falling leaves, the subjects of Z.R. Ghani's poems radiate with redness. Sometimes a cloak, often a shining symbol, Ghani's reds are sacred and dazzling: pomegranates ripening to jewels and perfectly-placed bindis shining like suns.
  But something darker lurks beneath the ruby depths. A city is held hostage by a heatwave, a flame is lit in a dark room, a ballerina twists inside a jewellery box.
  As though developing photographs, Ghani shines a deep light over her poems as a tool to slowly make the unseen visible, the unsaid audible. This is a debut book rich with desire, shame, grief, faith, love, and at the forefront of it all: the colour red.

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  Songs from Fern's Pond -...

  Sheryl Pothier Harmer

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  Reminiscent of Mary Oliver’s A Thousand Mornings and Amanda Thomson’s Belonging, this evocative blend of poetry, prose, and personal letters unfurls a story of an untamed, beautiful place—and one woman’s choice to spend the last chapter of her life making it her home. 
  At age sixty-two, Fern started a new life. 
  Recently widowed, she found a piece of neglected acreage above the Snake River on which to build a home, forge a community—and find renewed purpose. On the land around Fern’s Pond, she nurtured a vineyard, an abundant garden, and a small farm of sheep, one cow, a goat, and chickens. She befriended wild ducks and harvested trout in her waters, and she used the materials that grew around the pond and springs to weave baskets—unique works of art that captured the elegance of the natural world. 
  Songs from Fern’s Pond is a collage of poetry, letters, and prose that captures the universal resilience of the human spirit through the humor and courage of a woman who fearlessly pursued the life she dreamed of. A duet of text between mother and daughter, it’s a transcendent vision of the rough, wild, and beautiful landscape of the heart—and a reminder that every chapter is worth living to its fullest.

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  The Viewing Party

  Yong Shu Hoong

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  Singapore Literature Prize winner Yong Shu Hoong’s latest book features more than just poetry. There is also a ghostly tale at its core, complete with prose poems and micro fiction of exactly 100 words each, as well as annotated excerpts from an abandoned work. 
   
  In this viewing party, readers are invited to take a peek into the domain of death and cinema. You are part of a mob of dispassionate onlookers. Sometimes, you get to play the voyeuristic judge. 
   
  Winner of the 2014 Singapore Literature Prize for English Poetry 
   
  “There’s a warm easiness to Yong’s voice that’s balanced by a sharpness of insight. He cuts through the layers of familial and social habit to the unseen images and urges that give the mundane the sheen of the numinous. If the book is a viewing party, Yong is a genial and attentive host, inviting us in to absorbing scenes of everyday curiosity and surprise.” 
  -Jen Crawford, Assistant Professor and Coordinator of Creative Writing Programme at Nanyang Technological University, Singapore

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  What Breaks Us - a love letter...

  Megan Davis

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  “What Breaks Us” by Megan Davis is a cathartic collection of poetry that channels pain and angst into strength for healing and self-discovery. This poetry collection is a candid reflection on heartache, loss, and the difficult work of self-examination to uncover unhealed wounds. With topics ranging from love to spirituality, grief to psychology, Davis’s poetry is an outpouring of emotion that balances the deeply personal with the universality of the human experience. 
    
  Davis initially began writing poetry in lieu of journaling, using creative writing as a way to process tumultuous feelings of attraction, loneliness, struggles with mental health, her relationship with spirituality, and the suffering faced by people around the world. She wrote the poems without intending to share them with an audience, and the palpable honesty in each piece of work reflects that intimacy, as well as the author’s approach to poetry as personal catharsis. 
    
  As the sections of the collection progress, readers move through phases of the author’s life alongside her, from heartbreak and anger to battles with addiction, through to growing self-acceptance, connection with others, and ultimately, a sense of empowerment built on perseverance and a willingness to engage with pain as a source of strength. 
    
  Beautifully written and poignantly capturing the internal battles faced by many, Davis’s poems are a touching portrait of the things that hurt us – and the ways these damaging experiences can be alchemized into sources of hope and growth.

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  Tormentil

  Ian Humphreys

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  'I can't face the big stuff so I comb the moors for a tiny yellow flower' – so begins Tormentil, the second poetry collection by Ian Humphreys. Set largely in the starkly beautiful West Yorkshire moorlands, these poems creep and bloom across geographies and time. Isolated by grief in the first months of the pandemic, Humphreys goes in search of hope and blessings among the burnt heather, tumbledown mills and canal locks near his home in the Calder Valley. He unearths a landscape of wildflowers and wildlife, a soundscape of rain and birdsong, at once healing, threatening and under threat.
  These are richly textured poems of living and resisting, anchored by connections to family, food, community – and an acknowledgement of the precarious root-holds of hard-won freedoms. A soaring, defiant hymn to recovery, this vital book contemplates migration, otherness, and all the internal and external elements that bind us, make us unique.

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