Editorial: KenWrites
Beholding the existence and beauty of God's creations, and his artistic and sovereign excellence as seen and acknowleged by the poet in the 'Echoes From The Silent Mind' collection of poems.
"As Vergil had surpassed Homer by adapting the epic form to celebrate the origin of the author’s nation, Milton developed it yet further to recount the origin of the human race itself and, in particular, the origin of and the remedy for evil; this is what he refers to as “things unattempted yet in prose or rhyme.” After a statement of its purpose, the poem plunges, like its epic predecessors, into the midst of the action, shockingly bringing to the front the traditional visit to the underworld, for Satan’s malice is the mainspring of the negative action. But at the center of the poem lies the triumph by the Son of God over the angelic rebels, which counteracts Satan’s evil design. To preview this pattern, the fallen angels’ council in hell is counterbalanced by a council in heaven, in which the Son offers himself as a scapegoat for mankind long before the original sin has been committed. With this background, the narrator introduces us to Eden and our “Grand Parents.” Satan is detected spying on them and is expelled from the garden, after which God sends an angel to tutor Adam and Eve in the history of the heavenly war that has led to the present situation. At Adam's request, the heavenly guest then recounts the creation of the visible world, explaining also the proper nature of development, whereby all things proceed from lower to higher by refining that which nourishes them. Satan, however, returning in the form of a snake, offers Eve an evolutionary shortcut in the form of a magical food capable of endowing her with super powers. He claims it has conferred on him both reason and speech. Since Eve is suffering at the moment from a fancied slight to her moral strength, she allows herself to forget her recent lesson and yields to this temptation. Adam, unable to imagine life without Eve (and failing to explore alternatives to sin), accepts the fruit from her and eats as well.Ver libro
'So you know how on the news these days there's just this endless stream of horrendous shit going down, like every single night? Suicide bombs, mass shootings, genocides, drone strikes, school massacres – it's like the end of the world or something... And you're kind of like – "Could I even cope if that stuff happened to me?"' Six young people are caught in the aftermath of a terrorist attack in the heart of London. By turns terrifying, inspiring, brutal, heartbreaking and hilarious, BU21 is verbatim theatre from the very near future. Stuart Slade's play comprises six interlinking monologues. It premiered at Theatre503, London, in 2016, in a co-production with Kuleshov, before transferring to the Trafalgar Studios, London, in January 2017. 'The real star of this show is Stuart Slade's script. It's not just the pace that runs relentlessly across the 90 minutes all-through, but his ear for how people speak, their lexicons and their rhythms. An Alan Bennett for the Millennial Generation is a big label to put on a young playwright, but Slade is building a corpus of work to justify it... superb work' - BroadwayWorld.com 'Intelligent, questioning and very funny' - The Stage 'What a daring feat of writing this is… hauntingly credible, shudderingly so… captures the internal conflict of global terror: the sense that it was somehow deserved, the pull to be part of something, the impulse to laugh and to cry' - WhatsOnStage 'Strikingly real, shocking and even heartbreaking at times… the dialogue is snappy and at some points surprisingly funny despite the tragic subject matter… a haunting piece that in the light of current events, will stay with the audience' - The Upcoming 'Around two-thirds of the way through I realised I'd become so caught up that I'd forgotten BU21 has not actually happened… Slade's fresh, intelligent writing is full of life and action'- West End WilmaVer libro
Mr Punch Presents: IT’S A WONDERFUL LIFE, the irresistibly heart-warming story of George Bailey, who is prevented from committing suicide by the elderly angel Clarence, who takes him on a journey back through his life to show him how the town of Bedford Falls would have been had he never lived. Directed by the celebrated Frank Capra, it is performed here for radio with James Stewart and Donna Reed recreating their original roles. This high-quality audiobook has been re-mastered and re-edited from the original radio broadcast. Also available as part of the Hollywood Playhouse BOX SET, a collection of 14 Oscar winning ear-movies, adapted from the original screenplays & performed for the radio by many of the original film stars in front of a live studio audience. These radio dramas were….to become as popular as the movies themselves. Hollywood Movie Memories This is an excellent audio product that will appeal to the majority of audiobook listeners. Talking Business A lovely series to add to any film, audio or crime lovers’ collection. Audio WorldVer libro
Victorian Poetry – Volume 2 - An Introduction. Victoria’s reign was long and presided over the restless expansion of the British Empire and reams of creative genius. Within these volumes we can bring only a glimpse of the richness, beauty and words of their poets and their musings on this remarkable age. Many are world renowned – Tennyson, Browning, Arnold, Kipling, Austin, Hopkins, Hardy and Swinburne. Some almost forgotten – Patmore, Newbolt, Synge. And some barely noted – Lyall, Meynell and Merdeith. But together they encompass a great poetical age. In Volume 2 we collect together Thomas Hardy to George Meredith. Among our readers are Richard Mitchley and Ghizela Rowe.Ver libro
An astonishing collection about interconnectedness—between the human and nonhuman, ancestors and ourselves—from National Book Critics Circle Award winner, National Book Award finalist and U.S. Poet Laureate Ada Limón.“I have always been too sensitive, a weeper / from a long line of weepers,” writes Limón. “I am the hurting kind.” What does it mean to be the hurting kind? To be sensitive not only to the world’s pain and joys, but to the meanings that bend in the scrim between the natural world and the human world? To divine the relationships between us all? To perceive ourselves in other beings—and to know that those beings are resolutely their own, that they “do not / care to be seen as symbols”?With Limón’s remarkable ability to trace thought, The Hurting Kind explores those questions—incorporating others’ stories and ways of knowing, making surprising turns, and always reaching a place of startling insight. These poems slip through the seasons, teeming with horses and kingfishers and the gleaming eyes of fish. And they honor parents, stepparents, and grandparents: the sacrifices made, the separate lives lived, the tendernesses extended to a hurting child; the abundance, in retrospect, of having two families.Along the way, we glimpse loss. There are flashes of the pandemic, ghosts whose presence manifests in unexpected memories and the mysterious behavior of pets left behind. But The Hurting Kind is filled, above all, with connection and the delight of being in the world. “Slippery and waddle thieving my tomatoes still / green in the morning’s shade,” writes Limón of a groundhog in her garden, “she is doing what she can to survive.”Ver libro
In 2021, Nine Arches Press launched their nationwide Primers scheme for a sixth time, in search of exciting new voices in poetry, with Rishi Dastidar and Jane Commane as selecting editors. After reading through hundreds of anonymous entries, and narrowing down the choices from longlist to shortlist, three poets emerged as clear choices: Kym Deyn, Estelle Price and Fathima Zahra. Primers: Volume Six now brings together a showcase from each of the three poets. Startling, original and packed with flair, Deyn, Price and Zahra explore everything from magic and mourning, cross-examinations of power and patriarchy, and the intimate secrets and 'Parent cuts' of growing up. These are poems of becoming and being, of difference and defiance, of other worlds, hard lessons and leaps of faith. Primers is proud to present these bold and dynamic poems from three of contemporary poetry's most exciting new voices. Praise for Primers: Volume Six "There is of course nothing more exciting in reading poetry than finding a voice new to you, and feeling that feeling – where the brain says 'oh hello, what have we here?', as the skin responds with a tingle and your face starts smiling as you realise, there is something special in these words. That, roughly described, was our initial sensation on seeing the work of Kym Deyn, Estelle Price and Fathima Zahra. Each, in their unique ways, have that uncanny ability to recast what you thought you knew, as they make you look then look again at who we are, how we live, and what we might be." – Rishi DastidarVer libro
