Editorial: KenWrites
This play x-rays the life and times of Mary, a young British woman and artist, as she goes in search of love and success.... And nothing can prepare her, ahead of time, for what lies ahead.
James Russell Lowell was born on 22nd February 1819 in Cambridge, Massachusetts. Lowell graduated from Harvard in 1838, and thence on to earn a law degree from Harvard Law School. His literary life began in 1841 with his first published collection of poetry. Three years later he married Maria White and they had several children although, sadly, only one was to survive childhood. A consuming issue at the time was the abolition of slavery. Lowell was a staunch supporter even going so far as to move to Philadelphia to edit an abolitionist newspaper. His poems were fully in support of Emancipation and the ending of this terrible abomination. His later views were milder and came in for some criticism. His publication in 1848 of the long poem ‘A Fable for Critics’, satirising the poets and critics of the then current poetry scene caused an uproar. That same year came ‘The Biglow Papers’, which increased his fame and his finances. His use of the Yankee accent in his character’s dialogue was an inspiration for many. Maria died in 1853 and Lowell decided to travel to Europe for some time before returning to Harvard to take up a professorship of languages. In 1857 he re-married and also took on the editorship of that key periodical ‘The Atlantic Monthly’ whilst continuing to teach at Harvard. Lowell wrote and published poetry and essay collections throughout his literary career and is acknowledged as one of the ‘Fireside Poets’, a group of New England poets that rivalled the popularity of British poets. Their work was not controversial and suitable for whole families to enjoy hence their name and appeal. Whilst Lowell’s own work does not now attract the same praise as his then contemporaries, he was their equal. Towards the end of his life Lowell was appointed as ambassador to the Kingdom of Spain and later to the Court of St. James's. His last years were a return home to his estate in Cambridge, Massachusetts. By the summer of 1891 doctors had diagnosed cancer in his kidneys, liver and lungs. There was nothing that they could do except prescribe opium for the pain. James Russell Lowell died on the 12th of August 1891 on the Cambridge estate where he was also born. He was 72. 01 - The Poetry of James Russell Lowell - An Introduction 02 - Columbus by James Russell Lowell 03 - George Washington by James Russell Lowell 04 - Abraham Lincoln by James Russell Lowell 05 - To H W L on His Birthday 27th February 1867 by James Russell Lowell 06 - To Charles Eliot Norton - Agro Dolce by James Russell Lowell 07 - Winter Evening Hymn To My Fire by James Russell Lowell 08 - The First Snowfall by James Russell Lowell 09 - Midnight by James Russell Lowell 10 - On A Portrait of Dante by Giotto by James Russell Lowell 11 - A Contrast by James Russell Lowell 12 - Above and Below by James Russell Lowell 13 - Of the Dawn of Freedom by James Russell Lowell 14 - On Board the 76 by James Russell Lowell 15 - Trial by James Russell Lowell 16 - Ode to France, February 1848 by James Russell Lowell 17 - Slaves by James Russell Lowell 18 - An Incident in a Railroad Car by Jamers Russell Lowell 19 - Threnodia by James Russell Lowell 20 - A Requiem by James Russell Lowell 21 - On the Death of a Friends Child by James Russell LowellVer libro
Quietly reflective, the beautifully written poems in this slim volume offer a welcome respite from the noisy insistence of modern life. The language, now simple and direct, now rich in associations, double-meanings, and imagery, has its own natural rhythm and appeal regardless of subject and rhyme. Intriguing, absorbing, thought-provoking, the poems are innovative and fresh and the intensity of the verses in places will undoubtedly strike a chord with readers of all kinds - both established readers of poetry, those who read poetry now and again, and those turning to poetry for the first time. Largely relating one person's take on how it is to be in the world, the poems address such aspects of life as time, being, loss, culture, and contingency. The collection is divided into three sections - non-rhyming poems, rhyming poems, and a concluding section of lighter, more humorous verses, with each of two additional poems serving as foreword and afterword.Ver libro
This carefully and generously curated mosaic of essays, letters, and poems reveals the profound impact that poet Yusef Komunyakaa has had on poets, educators, and readers worldwide. The anthology brings together creative and critical offerings from fellow poets, former students, literary entities, and other admirers. There are emerging and established voices—from previously unpublished writers to Pulitzer Prize winning poets. Together these pieces honor one of the most influential writers of the last half century, one, it turns out, who is as beloved for his teaching as he is celebrated for his creative work. Contributors include Terrance Hayes, Sharon Olds, Carolyn Forché, Toi Derricotte, and Martín Espada, among others. Dear Yusef affirms Komunyakaa's transformative influence, showcasing how his mentoring has ignited creativity, nurtured passion, and fostered a sense of belonging among countless individuals. Through the artistry of these testimonials, we witness the transformative power of poetry and the enduring legacy of a true literary icon.Please note that the hardcover edition is unjacketed.Ver libro
A Fold in the Map charts two very different voyages: a tracing of the dislocations of leaving one's native country, and a searching exploration of grief at a father's final painful journey. In the first part of the collection, Plenty — "before the fold" — the poems deal with family, and longing for home from a new country, with all the ambiguity and doubleness this perspective entails. In the book's second half, Meet My Father, the poems recount events more life-changing than merely moving abroad — a father's illness and death, the loss of some of the plenty of the earlier poems.Ver libro
The Tragedy of Timon of Athens (The Life of Tymon of Athens) is a play by William Shakespeare, probably written in collaboration with Thomas Middleton in about 1605–1606, which was published in the First Folio in 1623. It is about the fortunes of an Athenian named Timon. The central character is a beloved citizen of Athens who through tremendous generosity spends his entire fortune on corrupt hangers-on only interested in getting the next payout. The earliest-known production of the play was in 1674, when Thomas Shadwell wrote an adaptation under the title The History of Timon of Athens, The Man-hater. Multiple other adaptations followed over the next century, by writers such as Thomas Hull, James Love and Richard Cumberland. The straight Shakespearean text was performed at Smock Alley in Dublin in 1761, but adaptations continued to dominate the stage until well into the 20th century. ... Flavius arrives. He wants the money as well, but he also wants Timon to come back into society. Timon acknowledges that he has had one true friend in Flavius, a shining example of an otherwise diseased and impure race, but laments that this man is a mere servant. He invites the last envoys from Athens, who hoped Timon might placate Alcibiades, to go hang themselves, and then dies in the wilderness. Alcibiades, marching on Athens, then throws down his glove, and ends the play reading the bitter epitaph Timon wrote for himself, part of which was composed by Callimachus: "Here lies a wretched corpse of wretched soul bereft: Seek not my name: a plague consume you wicked caitiffs left!" Here lie I, Timon, who alive, all living men did hate, Pass by, and curse thy fill, but pass and stay not here thy gait... Among the most significant works William Shakespeare: Hamlet, Othello, King Lear, Macbeth, Orpheus, Romeo and Juliet, Julius Caesar, Troilus and Cressida, The Tempest, Venus and Adonis, Antony and Cleopatra, Measure for Measure, The Winter's Tale and many more.Ver libro
This is Anny's story of desertion, heart break, and panic. A single mother and her young son Randy must make their way to what ever lies ahead. This is a story of a mother bonding with her son in adverse conditions; while trying to survive. A drama of morals, ethics, and compassion finds its way though out this book. The single mother's illusion of trust and security is removed when her husband dissolves the marriage and leaves. The mother and her twelve year son are left to fend for themselves. All their earthy belongings fit into a suitcase, and two black garbage bags. In the bleak situation a hidden talent comes forth, which renews her hope, and self worth.Ver libro
