Otros libros que te pueden interesar

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  Depth Perception - Poems and a...

  Robin Morgan

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  This fourth book of poems from award-winning author Robin Morgan has an almost-novelistic shape, with plot twists that are realizations of self, other, and the nature of change In this book of transitions, Robin Morgan’s poetry crosses the boundaries of age, race, culture, and gender. The lifelong love-hate passion between mother and daughter is here, as is a vivid, rhetoric-free depiction of the suffering and rage of women cross-culturally. Morgan also traces the slow dissolution of a marriage, parsed in poems of alternating hope and despair, humor and fury—and also in a tragicomic, two-character, one-act verse play, “The Duel: A Masque.” The play, which inverts the Orpheus-Eurydice myth, was performed at the Public Theater in New York City.   Praised by the literary world for her technique, but dedicated to keeping her craft accessible and impassioned, Morgan takes us through inevitable deaths and resurrections of the self in pitch-perfect language shot through with dazzling imagery and irony.

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  The Poetry of Hymns

  John Donne, James Thomson, Ann...

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  Through the centuries in the solace of a church we hear music.  These soaring vaulted often beautiful pieces of architecture have borne witness to hymns that change our emotions and fortify our spirit through life, death and celebrations and memorials of every type in between.  Whether you are of a Christian faith or not, it is difficult to deny that these hymns create something stirring something magical which shouldn't be surprising when you hear the original poems.  They speak with clarity and purpose, uplifting the heart and the soul, rejoicing God’s work and man’s pledge to do better in His eyes.  But Hymns also have a wider duty to perform as there are many facets, themes and help on how to live lives as ourselves and appreciate each other as well as nature.  In listening each of us can be swayed and persuaded on a number of levels. 
   
  However many poets have called their work ‘a Hymn’ and have explored its theme and its definition, in different ways. They can be more irreverent and suggest that hymns can come not from churches but other places - even watermelon pavilions. 
   
  One of the purposes of poems, of verse, of words, is to bring a subject into our view, imbue it with a little understanding and perhaps help us to confirm our opinions or hear in a way we might not have originally thought of it.  Seeing and hearing through others can be a way to find more complex ripples of knowledge or to challenge what we hold and adjust that thinking. 
   
  In this volume we bring you a wide range of Hymns from the religious and the devotional to the humane and the wonderful.

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  Titus Andronicus

  William Shakespeare

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  Titus Andronicus may be Shakespeare's earliest tragedy; it is believed to have been written in the early 1590s. It depicts a Roman general who is engaged in a cycle of revenge with his enemy Tamora, the Queen of the Goths. The play is by far Shakespeare's bloodiest work. It lost popularity during the Victorian era because of its gore, and it has only recently seen its fortunes revive. (Summary by Wikipedia)Cast: 
  Aaron: David GoldfarbAemilius: Algy PugBassianus: John KoozCaptain: David LawrenceChiron: StrawhengeClown: sprideDemetrius: Arielle LipshawFirst Goth: Arielle LipshawLavinia: Elizabeth BarrLucius: John FrickerMarcus Andronicus: Matthew ReeceMartius: Algy PugMessenger: Elizabeth KlettMutius: Ric FNurse: rashadaPublius: David LawrenceQuintus: Amy GramourSaturninus: om123Second Goth: Arielle LipshawTamora: Elizabeth KlettThird Goth: Ric FTitus Andronicus: Michael IrskensTribunes: Elizabeth KlettYoung Lucius: Arielle LipshawNarrator: Lauren McCulloughAudio edited by: Arielle Lipshaw

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  Henry V

  William Shakespeare

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  This widely-studied play is one of the best sellers of the Shakespeare canon. This production is the seventh Shakespeare play in the series undertaken by Naxos AudioBooks in conjunction with Cambridge University Press.

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  How To Be A Kid (NHB Modern Plays)

  Sarah McDonald-Hughes

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  Warning: Contains dancing, chocolate cake and an epic car chase.
  Molly cooks. Molly does the dishes. Molly gets her little brother Joe ready for school. Molly is only twelve, but she doesn't feel much like a kid any more.
  Now her mum is feeling better, maybe things will get back to normal. Maybe Molly can learn to be a kid again.
  A touching and funny story of family, friends and fitting in, How To Be A Kid is ideal for seven- to eleven-year-olds to watch, read and perform. It was first produced in 2017 by Paines Plough in their pop-up theatre, Roundabout, in a co-production with Theatr Clywd and the Orange Tree Theatre.

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  Cold War (NHB Modern Plays) -...

  Conor McPherson, Pawel Pawlikowski

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  Poland, 1949. Zula is bold and brilliant, a singer who ignites the stage. Wiktor is withdrawn and damaged, a composer longing to write. Irresistibly drawn to each other, they dream of escape. But in Communist-controlled Poland, the desire for freedom can be a dangerous thing.
  Based on the film by Academy Award winner Paweł Pawlikowski, Cold War is an epic love story spanning the decades and breadth of Europe at its most divided, and a compelling story of passion, redemption, and the journey to be free.
  This stage adaptation by Conor McPherson was first performed at the Almeida Theatre, London, in November 2023, directed by Rupert Goold, and featuring traditional Polish songs alongside music by Elvis Costello.

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