Otros libros que te pueden interesar

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  The Governor of St Kitt's

  Arthur Conan Doyle

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  The Governor of St. Kitt's is a short story written by Arthur Conan Doyle first published in the Pearson's Magazine in january 1897. 1st story of the Captain Sharkey saga.Captain John Scarrow, of the ship Morning Star, rescues Hiram Evanson, the sole survivor of a schooner which had been scuttled by the dreadful pirate Sharkey. When they sail back to Basseterre, Sharkey is in jail. The Governor of St. Kitt's, Sir Charles, with a weak health accompanied by his doctor Dr. Larousse ask Captain Scarrow to sail them back to England. The voyage on the Morning Star is a successful one, and in about three weeks she is at the mouth of the British Channel. Captain Scarrow, the Governor and Dr. Larousse meet for a last turn of cards in the captain cabin. The Governor suddenly gets all the big stake and reveals he is Captain Sharkey, helped by his quartermaster Ned Galloway which was a fake doctor. Scarrow is tied in his cabin and Sharkey leaves the boat, which he had previously scuttled. With a dinghy, he then meets a fishermen boat, kills the crew, and the little craft crept out with her nose to the Atlantic.

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  Boarding House The (Unabridged)

  James Joyce

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  James Augustine Aloysius Joyce (2 February 1882 - 13 January 1941) was an Irish novelist, short story writer, poet and literary critic. He contributed to the modernist avant-garde movement and is regarded as one of the most influential and important writers of the 20th century.
  THE BOARDING HOUSE: Mrs Mooney was a butcher's daughter. She was a woman who was quite able to keep things to herself: a determined woman. She had married her father's foreman and opened a butcher's shop near Spring Gardens.

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  Father Brown: The Secret Garden...

  G.K. Chesterton

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  "The Secret Garden" is a short story by G. K. Chesterton. It was originally published in The Story-Teller in October, 1910. It is the second story in the collection The Innocence of Father Brown. It is the second story about the French detective Valentin and completes his plot arch, begun in The Blue Cross.

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  The Child that Went with the...

  Joseph Sheridan Le Fanu

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  "They come in a grand carriage of gold and silk, but where they take you, the sun never shines."
  
  In the shadow of the brooding Slieve-na-mon mountain, a poor widow struggles to raise her children in an isolated cottage. Their world is upended when a magnificent, out-of-place carriage—drawn by coal-black horses and carrying a lady of otherworldly beauty—appears on the lonely road. What follows is not a fairytale of rescue, but a nightmare of abduction. Le Fanu weaves a terrifyingly atmospheric tale of the "Good People" and their desire for human children, exploring the thin veil between our world and the eerie, timeless realm of the Sidhe.
  
  The Horror of the Uncanny: Le Fanu excels at making the supernatural feel physically present. The carriage isn't a ghostly mist; it is heavy, opulent, and real. The horror lies in the contrast between the family's humble, earthy reality and the cold, artificial perfection of the fairy gentry.
  
  A Tale of Loss and Longing: Unlike a traditional horror story, this is a tragedy of "the empty chair." Le Fanu focuses on the devastating psychological impact on the family left behind. It taps into the ancient "Changeling" fears of rural Ireland—the idea that a loved one can be stolen and replaced by something that looks like them but has no soul.
  
  The Master of Folk-Gothic: This story is a crucial bridge between traditional folklore and modern horror. Le Fanu's prose captures the "shiver" of the Irish countryside, where every gust of wind or strange light on the hill might be the arrival of those who never grow old and never forgive.
  
  Don't let them catch your eye. Purchase "The Child that Went with the Fairies" today.

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  Man in the Case

  Anton Chekhov

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  As two friends are sharing stories together, the story of the man in the box comes up. The man in the box, Byelikov, was an eccentric professor that often made his coworkers feel uneasy. One day, Byelikov finds himself enamored with the sister of a new teacher at the school, Kovalenko. The prospect of a relationship between Byelikov and the sister, Varinka, excited his colleagues as they thought it might help to make him more normal and approachable. However, when someone takes it upon himself to draw a humorous caricature of the couple, things fall apart. When Byelikov's concern over the picture is not taken seriously, he retreats further into himself and the reader discovers what makes him the man in the box.   
    Anton Chekhov (1860-1904) was a Russian writer and playwright, considered by many to be one of the best writers of short stories in the history of literature. Chekhov was also a successful physician, but writing was his true passion. He was quoted as saying "Medicine is my lawful wife and literature is my mistress."

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  Little Boy Lost

  Marghanita Laski

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  Marghanita Laski’s novel Little Boy Lost is as enthralling as it is heart-wrenching. A man grapples with questions of emotional responsibility, fatherhood, and memory. Laski describes a much-changed France, struggling to rebuild its morale after the ruin caused by wartime bombing and occupation.English writer Hilary Wainwright lost all trace of his young son when Lisa, his wife, was killed by the Gestapo in Paris. Several years later, an acquaintance travels to England with news that Hilary’s son may be alive in France. Doubting whether five-year-old Jean is indeed his, and determined not to feel vulnerable to love and tenderness again, Hilary travels to France to find the boy. Amidst a war-torn Northern French town, he gets to know young Jean, as well as the town’s inhabitants. In a matter of days Hilary must decide if this charming and intelligent child could be his own . . . and if he is prepared to take Jean home.Little Boy Lost is part of the Persephone Audiobook Collection, a series of forgotten classics including neglected fiction and non-fiction by women writers. First published in 1949, this edition includes a new afterword by Anne Sebba.

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