Outros livros que poderiam interessá-lo

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  Women’s Clothing And Fashion -...

  Owen Jones

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  In the vibrant tapestry of human expression, fashion serves as a dynamic medium through which individuals communicate their identities, aspirations, and creativity. For women, in particular, clothing is a canvas upon which they paint their unique stories. It reflects their evolving rôles, cultural influences, and personal preferences. ‘Women’s Clothing and Fashion’ embarks on a journey through this ever-changing landscape, offering insights into the artistry, trends, and cultural significance that define women’s fashion. 
  This book explores the variations of women’s attire. Through the chapters, we’ll navigate the nuances of dressing for various occasions, celebrating the power of fashion to empower, inspire, and express. 
  But ‘Women’s Clothing and Fashion’ is more than a historical account or a style guide. It’s an invitation to embrace the diversity and creativity that fashion offers, encouraging readers to curate wardrobes that not only reflect their personalities but also elevate their confidence. Whether one finds solace in timeless classics or delights in embracing the cutting-edge trends of the moment, this book celebrates the boundless possibilities that fashion presents. 
  Join us on this exploration of women’s clothing and fashion, where each page unfurls a new layer of understanding, appreciation, and inspiration. Let’s celebrate the artistry that we wear daily, recognizing that every outfit tells a story, and every woman is an artist in her own right.

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  The Monster Movies of Universal...

  James L. Neibaur

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  In 1931 Universal Studios released Dracula starring Bela Lugosi. This box office success was followed by a string of films featuring macabre characters and chilling atmospherics, including Frankenstein, The Mummy, and The Invisible Man. With each new film, Universal established its place in the Hollywood firmament as the leading producer of horror films, a status it enjoyed for more than twenty years. 
  In The Monster Movies of Universal Studios, James L. Neibaur examines the key films produced by the studio from the early 1930s through the mid-1950s. In each entry, Neibaur recounts the movie's production, provides critical commentary, considers the film's commercial reception, and offers an overall assessment of the movie's significance. Neibaur also examines the impact these films had on popular culture, an influence that resonates in the cinema of fear today. 
  From the world premiere of Dracula to the 1956 release of The Creature Walks among Us, Universal excelled at scaring viewers of all ages—and even elicited a few chuckles along the way by pitting their iconic creatures against the comedic pair of Abbott and Costello. The Monster Movies of Universal Studios captures the thrills of these films, making this book a treat for fans of the golden age of horror cinema.

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  Let Every Little Thing Make You...

  Peach Martine

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  Meet your new best friend and let every little thing make you happy!Alongside her refreshingly honest and magnetic lyrics, which have caught the attention of millions of fans across the globe, singer-songwriter Peach Martine has dreamed up a dazzling collection of poems to make you laugh, cry, forget your ex and find your chosen family.Take a bite of her sumptuous musical cores with refreshing ways to manifest your best life, feel fierce and choose joy at every turn.Peach Martine follows up her debut EP Love, Peach with a collection of poems to inspire, entertain and heal your heart.

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  The Carry On Girls

  Gemma Ross, Robert Ross

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  CELEBRATING THE WOMEN WHO SHAPED BRITISH COMEDY
  Whether it is the seaside postcard bubbly blondes of Barbara Windsor, the hysterically historical leading ladies of Joan Sims, the coquettish authoritarians of Hattie Jacques, or the statuesque confidence of Valerie Leon, the Carry On girls are stoic, sexy and fiercely independent.
  In this lavish celebration of a pioneering generation of comedy actresses who continue to radiate charm and contemporary relevance, a few home truths are revealed and some myths are debunked; but, above all, some of the best-loved icons of British entertainment are given fitting affection and respect.
  'Carry On … Girl Power!' - Natasha Harding, The Sun
  'As we all know, behind every good man there is a great woman!' - Anita Harris, Woman's Hour
  'All praise to Gemma and Robert Ross for defending the films as social history.' - Roger Lewis, Daily Mail
  'Robert and Gemma are the Masters of Carry On.' - Madeline Smith

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  How Documentaries Went...

  Nora Stone

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  Since the 1960s, documentary films have moved closer to the mainstream, thanks to the popularity of rockumentaries, association with the independent film movement, support from public and cable television, and the rise of streaming video services. Documentary films have become reliable earners at the US box office and ubiquitous on streaming platforms, while historically they existed on the margins of mainstream media. 
   
   
   
  The growing commercialization of documentary film has not gone unnoticed, but it has not been sufficiently explained. Streaming and the growing interest in reality TV are usually offered as explanations whenever a documentary enters the cultural conversation or breaks a box-office record, but neither of those causes grapple with the overlapping causal mechanisms that commercialized documentary film. How Documentaries Went Mainstream provides a more comprehensive and meaningful periodization of the commercialization of documentary film. Although the commercial ascension of documentary films might seem meteoric, it is the culmination of decades-long efforts that have developed and fortified the audience for documentary features. Author Nora Stone refines rough explanations of these efforts through a robust history of the market for documentary films, using knowledge of film economics and the norms of industry discourse to tell a richer story.

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  Motorcycles Minotaurs & Banjos -...

  Steven Sherrill

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  This book is about twenty-one days, and sixty years. A motorcycle ride down the spine of Appalachia, with a little banjo  and big myth for company, to play and sing at the graves of dead banjo heroes. About making a life about making work. This book is about outsiders. Interlopers. Class migrants. Death. Awakening. Creative Process. Growth through risk-taking. It’s a book about ghosts. Music. Writing. Not writing. What’s this book not about? “Finding myself.” I know who I am.  
  Steven Sherrill is a high school dropout, a nearly retired professor, a family man, a ne'er-do-well banjo player, a motorcyclist, an aquarist, a sonic/video muckraker, and a novelist with five books in the world, one of which (The Minotaur Takes a Cigarette Break) is a cult classic. 

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