Otros libros que te pueden interesar

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  The Napoleonic War In 100 Facts

  Jem Duducu

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  Sparked by the French Revolution, the Napoleonic Wars became one of the largest European conflicts in history as Napoleon fought to expand his French Empire. The wars were instrumental in the formation of Europe as we know it today, and confirmed Britain's dominance as a seafaring nation. It was a period famous for strategic warfare and cunning battle tactics. From this background emerged Nelson as national hero and politician. The Napoleonic Wars in 100 Facts covers the twenty-five years of war from the 1790s to the final victory in 1815 at the Battle of Waterloo. Jem Duducu guides us through some of the key figures and their stories, for example Wellington, Napoleon and Nelson, as well some of the major battles and tactics in this era of epic conflict that took British troops to Egypt, Argentina, America and of course a little town in Belgium called Waterloo.

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  Gallus - Scotland England and...

  Michael McEwan

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  There are two kinds of people in this world. Those who insist that football is just a game, and those who know better. Take the April 1967 clash between England and Scotland. Wounded by their biggest rivals winning the World Cup just nine months earlier, Bobby Brown's Scots travelled to Wembley on the mother of all missions. Win and they would take a huge step towards qualifying for the 1968 European Championship, end England’s formidable 19-game unbeaten streak, and, best of all, put Sir Alf Ramsey’s men firmly back in their box. Lose? Well, that was just unthinkable.  
  
  Meanwhile, off the pitch, the winds of change were billowing through Scotland. Nationalism, long confined to the margins of British politics, was starting to penetrate the mainstream, gaining both traction and influence. Was England’s World Cup victory a defining moment in the Scottish independence movement? Or did it consign Scotland to successive generations of myopic underachievement?
  
  Michael McEwan, author of The Ghosts of Cathkin Park, returns to 1967 to explore a crucial ninety minutes in the rebirth of a nation.

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  Imperial Japan - Expansion World...

  Rolf Hedger

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  The rise of Imperial Japan is a remarkable story of transformation and ambition. It was a journey from isolation to global power, marked by rapid modernization, industrialization, and an expanding empire. At the start of the 19th century, Japan was still a feudal society, deeply rooted in its traditional ways, with the Tokugawa shogunate governing the country in relative peace for over two centuries. However, Japan’s world would change forever when the United States, under Commodore Matthew Perry, forced the country to open its ports in 1854 after a period of strict isolation. 
  This marked the beginning of the Meiji Restoration in 1868, a pivotal event that reshaped Japan’s destiny. The Meiji Restoration was a time of intense reform, where Japan sought to modernize in order to survive and compete with the Western powers. The young Emperor Meiji played a crucial role in transforming Japan from a feudal society into a centralized, modern state. The Japanese government adopted Western methods of governance, education, and technology, while also developing a new sense of national pride and unity. The feudal system was dismantled, and Japan was rapidly industrialized, building a powerful military and a burgeoning economy. 
  The Meiji government’s aggressive modernization policies allowed Japan to catch up with the West in terms of technological and military advancements. Railroads, factories, and telegraphs quickly spread throughout the country. The education system was restructured, producing a new generation of skilled workers and intellectuals who were eager to contribute to Japan’s growing power. By the late 19th century, Japan had established a modern, strong economy capable of competing on the world stage.

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  Sylvia Plath Reads Her Poetry

  Sylvia Plath

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  Sylvia Plath born on October 27, 1932, in Boston, MA, was an American poet, novelist, and short story writer. She is credited with advancing the genre of confessional poetry and is best known for two of her published collections, The Colossus and Other Poems (1960) and Ariel (1965), and also The Bell Jar, a semi-autobiographical novel published shortly before her suicide on February 11, 1963. In this recording, Plath reads "Black Rook in Rainy Weather," "A Secret, Stopped Dead," "A Birthday Present," "November Graveyard," "Medusa," "The Disquieting Muses," "The Stones," and "Cut."

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  Camera Orientalis - Reflections...

  Ali Behdad

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  In the decades after its invention in 1839, photography was inextricably linked to the Middle East. Introduced as a crucial tool for Egyptologists and Orientalists who needed to document their archaeological findings, the photograph was easier and faster to produce in intense Middle Eastern light—making the region one of the original sites for the practice of photography. A pioneering study of this intertwined history, Camera Orientalis traces the Middle East’s influences on photography’s evolution, as well as photography’s effect on Europe’s view of “the Orient.” Considering a range of Western and Middle Eastern archival material from the late nineteenth and early twentieth centuries, Ali Behdad offers a rich account of how photography transformed Europe’s distinctly Orientalist vision into what seemed objective fact, a transformation that proved central to the project of European colonialism. At the same time, Orientalism was useful for photographers from both regions, as it gave them a set of conventions by which to frame exotic Middle Eastern cultures for Western audiences. Behdad also shows how Middle Eastern audiences embraced photography as a way to foreground status and patriarchal values while also exoticizing other social classes. An important examination of previously overlooked European and Middle Eastern photographers and studios, Camera Orientalis demonstrates that, far from being a one-sided European development, Orientalist photography was the product of rich cultural contact between the East and the West.  

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  For No Reason at All - The...

  Jeffrey A. Hinkelman

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  The years following the signing of the Armistice saw a transformation of attitudes regarding military conflict as America attempted to digest the First World War. During these years popular film culture in the US created new ways of addressing the impact of the war on individuals and society. Filmmakers created works that promoted their own ideas about the depiction of wartime service—ideas that frequently conflicted with established, heroic tropes for the portrayal of warfare on film. 
   
   
   
  Filmmakers spent years modifying existing standards and working through storytelling options before achieving a consensus regarding the fitting method for rendering war on screen. This process reached its peak during the Pre-Code Era of the early 1930s when the initially prevailing narrative would be briefly supplanted by an entirely new approach that questioned the premises of wartime service. The rhetoric of these films argued for an antiwar stance that questioned the wartime experience. 
   
   
   
  For No Reason at All: The Changing Narrative of the First World War in American Film discusses a variety of Great War–themed films made from 1915 to the present, tracing the changing approaches to the conflict over time.

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