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  The Poetry of Weddings

  W B Yeats, Kahlil Gibran,...

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  Whilst those of us old enough to remember the sixties might have thought weddings would become obsolete for all but the faithful, they still seem for the majority of us to be the benchmark, the gold standard of a relationship. 
   
  This symbol of love, commitment and sacrifice between two people, albeit for most, no longer mirroring the union between God and His Church, endures.  Others have found other words with which to celebrate, share and state their love, their spiritual and emotional commitment in front of family, friends and the wider world. 
   
  This wide-ranging and inclusive volume contains some of the most beautiful verses ever created in the English language from some of its greatest classic poetical voices including Shakespeare, John Donne, John Keats, Edna St Vincent Millay and Sara Teasdale.   
   
  Whether conventional, convenient or gimmicky, love is the theme and the feeling and used to offer the vows without focusing on the religious but still providing the personal and universal of that very mysterious emotion, love.

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  Pig Heart Boy

  Malorie Blackman

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  'I used to love swimming. Won medals for it. But when your heart has been affected by an infection it's like having a ticking time bomb inside you… tick… tick… tick… tick…'
  Cameron is thirteen, and all he wants is to be normal – have friends, go to school, and dive to the bottom of his local swimming pool. But he desperately needs a heart transplant and time is running out.
  When he's finally offered a new heart, Cameron must choose between a pig's heart that works… or a human heart that doesn't. How far will he go to get his life back?
  Malorie Blackman's celebrated novel Pig Heart Boy was shortlisted for the Carnegie Medal and adapted by the BBC into a BAFTA Award-winning TV series. This stage adaptation by Winsome Pinnock was directed by Tristan Fynn-Aiduenu and first performed in 2025 at the Unicorn Theatre, London, in a co-production between Unicorn Theatre, Sheffield Theatres and Children's Theatre Partnership.
  'A powerful story about friendship, loyalty and family'Guardian on the novel Pig Heart Boy

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  The Eclogues and Georgics

  Virgil

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  Though it is for the sparkling epic, Aeneid, that the Roman poet Virgil is best known, it was these two poems, The Eclogues and Georgics, which first established his reputation.  Cast in the tradition of pastoral poetry, The Eclogues were written between 41 BCE and 37 BCE when Virgil (Publius Vergilius Maro, to give him his full name) was in his thirties. The Eclogues (the word means ‘Selections’ in Greek) contain 10 poems, a combination of dialogues and monologues. They drew on the ‘bucolic’ (rural) style of the ancient Greek poet Theocritus (c 300BCE-c 260 BCE), but Virgil weaves many references to contemporary Roman events. Though The Eclogues have perhaps existed in the shadow of Georgics, they have been highly regarded and studied by academics and poets down the centuries. They are presented here in the 20th century translation by the British poet R. C. Trevelyan, and read in multi-voice format as they were originally written, with clearly delineated characters bringing the content to life with verve and temperament. 
  Though also pastoral in nature, Georgics is very different in style. Published in 29 BCE, the main subject is agriculture (the title reflects the Greek word ‘georgika’, agricultural things), and vigorously promotes traditional means of farming. Again, Virgil weaves into his verse cultural and political themes. Cast in four Books, the dynamic expression draws on numerous Classical, mythical and contemporary references, while explaining the best methods for ploughing, animal husbandry, observing weather patterns, the life of bees and the like. Increasingly, the rise and fall of man’s endeavours can be reflected in the vicissitudes of agricultural life. The 20th century translation of Georgics used on this recording is by the highly respected translator of Latin poetry, Smith Palmer Bovie. It is read by Jamie Parker. Closer study of both works while listening is possible through the complete texts that come with the recording. 
   
  PLEASE NOTE: When you purchase this title, the accompanying PDF will be available in your Audible Library along with the audio.

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  The Poetry of Michael Drayton -...

  Michael Drayton

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  Michael Drayton was born in 1563 at Hartshill, near Nuneaton, Warwickshire, England. The facts of his early life remain unknown.  
  Drayton first published, in 1590, a volume of spiritual poems; The Harmony of the Church.  Ironically the Archbishop of Canterbury seized almost the entire edition and had it destroyed. 
  In 1593 he published Idea: The Shepherd's Garland, 9 pastorals celebrating his own love-sorrows under the poetic name of Rowland. This was later expanded to a 64 sonnet cycle. 
  With the publication of The Legend of Piers Gaveston, Matilda and Mortimeriados, later enlarged and re-published, in 1603, under the title of The Barons' Wars. His career began to gather interest and attention.  
  In 1596, The Legend of Robert, Duke of Normandy, another historical poem was published, followed in 1597 by England's Heroical Epistles, a series of historical studies, in imitation of those of Ovid. Written in the heroic couplet, they contain some of his finest writing. 
  Like other poets of his era, Drayton wrote for the theatre; but unlike Shakespeare, Jonson, or Samuel Daniel, he invested little of his art in the genre. Between 1597 and 1602, Drayton was a member of the stable of playwrights who worked for Philip Henslowe. Henslowe's Diary links Drayton's name with 23 plays from that period, and, for all but one unfinished work, in collaboration with others such as Thomas Dekker, Anthony Munday, and Henry Chettle. Only one play has survived; Part 1 of Sir John Oldcastle, which Drayton wrote with Munday, Robert Wilson, and Richard Hathwaye but little of Drayton can be seen in its pages. 
  By this time, as a poet, Drayton was well received and admired at the Court of Elizabeth 1st. If he hoped to continue that admiration with the accession of James 1st he thought wrong.  In 1603, he addressed a poem of compliment to James I, but it was ridiculed, and his services rudely rejected.  
  In 1605 Drayton reprinted his most important works; the historical poems and the Idea. Also published was a fantastic satire called The Man in the Moon and, for the for the first time the famous Ballad of Agincourt. 
  Since 1598 he had worked on Poly-Olbion, a work to celebrate all the points of topographical or antiquarian interest in Great Britain. Eighteen books in total, the first were published in 1614 and the last in 1622.  
  In 1627 he published another of his miscellaneous volumes.  In it Drayton printed The Battle of Agincourt (an historical poem but not to be confused with his ballad on the same subject), The Miseries of Queen Margaret, and the acclaimed Nimphidia, the Court of Faery, as well as several other important pieces. 
  Drayton last published in 1630 with The Muses' Elizium.  
  Michael Drayton died in London on December 23rd, 1631.  He was buried in Westminster Abbey, in Poets' Corner.  A monument was placed there with memorial lines attributed to Ben Jonson. 
   This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing.  Our range is large and growing and covers single poets, themes, and many compilations.

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  Walking On The Stars - Poems...

  Rachel Lawson

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  A pretty, dark and eclectic book of poetry by Allpoetry.com's Poet called The Poette.Requiem 
  Under the moon's silver glow, 
  I could forget everything and live in this moment forever, 
  tugs on the heartstrings like a beautiful voice in song, 
  words are the dreams the heart makes, 
  all now of the dream I have is a requiem.

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  Mastering the Philly Accent - A...

  Oscar Stanley

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  This comprehensive audio guide helps actors and language enthusiasts master the distinctive sounds of Philadelphia speech. Perfect for performers preparing for auditions, dialect coaches, and anyone fascinated by American regional accents.
   
  Discover the unique "wooder" phenomenon, where locals transform "water" into something entirely different. Learn the complex Short-A Split System that gives Philadelphia speech its characteristic melody. The guide breaks down distinctive consonant patterns like L-vocalization and subtle R-dropping that create authentic Philly speech rhythm.
   
  Explore how nasal resonance uniquely shapes vowel sounds and understand unexpected stress patterns in multi-syllabic words. Follow along with practice phrases and exercises developed by a dialect expert to internalize these speech patterns naturally.
   
  The course includes contemporary and traditional pronunciations, showing how the accent evolves across generations while maintaining its core character. Build an authentic vocabulary with regional expressions like "jawn," "youse," and "down the shore."
   
  Whether you're studying dialect for acting roles, preparing for an upcoming Philadelphia-based production, or simply interested in American regional speech patterns, this audio resource provides everything needed to convincingly reproduce this distinctive urban dialect.
   
  Keywords: Philadelphia accent, Philly dialect training, acting preparation, regional American speech, dialect coaching, wooder pronunciation, short-a split, L-vocalization

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