Outros livros que poderiam interessá-lo

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  The Sacred Nine Wisdom Of The...

  Justin Wesenberg

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  The Sacred Nine is a channeled poetry book about unlocking the ancient wisdom that lies within. 
  This poetry book is for soul seekers who are ready to unravel the mystery, and discover who they are. 
  Unlock the wisdom 
  Of the Sacred Nine 
  And come to find 
  Your light divine 
  Radiant and impenetrable 
  Holy and pure 
  Discovering this 
  Will make you strong and sure 
  This wisdom has been shared 
  For countless generations 
  Here to bring peace 
  And healing to our nations 
  So that we can live 
  Aligned and true 
  Let love come forth 
  In all that you do 
  Now is the time 
  To create your reality 
  As you come to exist 
  In your full totality 
  This channeled poetry book was inspired by the Sacred Nine, and their divine wisdom and guidance. 
  If you’re stepping into the divine mystery, ready to discover more of who you are, allow The Sacred Nine Wisdom Of The Ancients to guide you back to yourself!

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  The Strange Egg - A Symptoms Diary

  Kirstie Millar

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  'Doctor, I had a terrible dream.
  In my dream I saw my own body, and I saw what you will do to it.'
  A woman is faced, month after month, with the birth of a strange egg. Her doctor asks that she take notes on her symptoms, documenting black blood clots as big as pennies, winking stars in her eyes, and relentless pain. As the woman waits for aid from her doctor, she begins to have strange premonitions of what will be done to her body. The egg, meanwhile, is watchful and demanding. Impatient.
  The Strange Egg is as gorgeous as it is horrifying. Highly original, it challenges long-held beliefs that people of marginalised genders are unreliable and irrational witnesses to our own bodies.
  The Strange Egg is a luminous gothic prose poem that delves into the mythopoeic to express injustice at the hands of abusive medical systems.

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  Conjure Volume 2 - Dark Poetry

  Rena Aliston

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  Conjure Volume 2 is a haunting exploration of the soul’s deepest wounds where death and spirituality intertwine. Each poem delves into the complex nature of healing and spirituality. This second book in the Conjure series illuminates the possibility of rebirth through ancestral connection and urges readers to grasp onto the spark of healing found within.

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  Silica to Quartz - Whispers of...

  Johanita Viljoen

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  O Reader, so special and dear!  
  Perhaps, in a corner, you sit today,  
  spirit broken, tears rolled, you sway.  
  A grain of sand, swept off, só confused;  
  struggling, searching, your heart suffered, bruised!  
  Many uncertainties weigh on your soul-  
  unexpected illness, violence, death a toll.  
  May poetic words ease your heart's silent plea-  
  heavenly comfort to help you be free!  
  To relax and smile through both joy and despair,  
  read Isaiah 43, find solace in prayer!  
  And may that tiny grain of silica becomes bright,  
  unfolding like quartz, bringing beauty and light!  
  Wishes from my heart, 
  Johanita

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  Age of Arousal

  Linda Griffiths

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  It's a time of passion and confusion. Virtue is barely holding down its petticoats. People are bursting their corsets with unbridled desire. It's 1885, and the typewriter and the suffrage movement are sending things topsy-turvy. In the midst of it all, five ambitious New Women and one Newish Man struggle to find their way. Miss Mary Barfoot runs a school for secretaries with her young lover, Miss Rhoda Nunn. But when the Misses Madden - spinsters Virginia and Alice and beautiful young Monica - arrive, along with the attractive Dr. Everard Barfoot, things can never be the same.
    
     
    
    
     
     Age of Arousal  is a lavish, sexy, frenetic ensemble piece about the forbidden and gloriously liberated self - genre-busting, rule-bending, and ambitiously original.
    
     
    
    
     
    The book includes notes and a rousing, thoughtful essay on Victorian women's suffrage by the playwright.
    
    
    
     
    'Endlessly witty, vigorous, funny...  brilliantly inventive.' -  Calgary Herald 
    
     
    'Griffiths is one of Canada's 'originals' known not only for the quality of her work, but for the sheer range of her career.' -  Maclean's

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  To My Most Dearly Beloved Friend...

  Michael Drayton

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  Michael Drayton was born in 1563 at Hartshill, near Nuneaton, Warwickshire, England. The facts of his early life remain unknown.  Drayton first published, in 1590, a volume of spiritual poems; The Harmony of the Church.  Ironically the Archbishop of Canterbury seized almost the entire edition and had it destroyed.  In 1593 he published Idea: The Shepherd's Garland, 9 pastorals celebrating his own love-sorrows under the poetic name of Rowland. This was later expanded to a 64 sonnet cycle.  With the publication of The Legend of Piers Gaveston, Matilda and Mortimeriados, later enlarged and re-published, in 1603, under the title of The Barons' Wars. His career began to gather interest and attention.  In 1596, The Legend of Robert, Duke of Normandy, another historical poem was published, followed in 1597 by England's Heroical Epistles, a series of historical studies, in imitation of those of Ovid. Written in the heroic couplet, they contain some of his finest writing.  Like other poets of his era, Drayton wrote for the theatre; but unlike Shakespeare, Jonson, or Samuel Daniel, he invested little of his art in the genre. Between 1597 and 1602, Drayton was a member of the stable of playwrights who worked for Philip Henslowe. Henslowe's Diary links Drayton's name with 23 plays from that period, and, for all but one unfinished work, in collaboration with others such as Thomas Dekker, Anthony Munday, and Henry Chettle. Only one play has survived; Part 1 of Sir John Oldcastle, which Drayton wrote with Munday, Robert Wilson, and Richard Hathwaye but little of Drayton can be seen in its pages.  By this time, as a poet, Drayton was well received and admired at the Court of Elizabeth 1st. If he hoped to continue that admiration with the accession of James 1st he thought wrong.  In 1603, he addressed a poem of compliment to James I, but it was ridiculed, and his services rudely rejected.  In 1605 Drayton reprinted his most important works; the historical poems and the Idea. Also published was a fantastic satire called The Man in the Moon and, for the for the first time the famous Ballad of Agincourt.  Since 1598 he had worked on Poly-Olbion, a work to celebrate all the points of topographical or antiquarian interest in Great Britain. Eighteen books in total, the first were published in 1614 and the last in 1622.  In 1627 he published another of his miscellaneous volumes.  In it Drayton printed The Battle of Agincourt (an historical poem but not to be confused with his ballad on the same subject), The Miseries of Queen Margaret, and the acclaimed Nimphidia, the Court of Faery, as well as several other important pieces.  Drayton last published in 1630 with The Muses' Elizium.  Michael Drayton died in London on December 23rd, 1631.  He was buried in Westminster Abbey, in Poets' Corner.  A monument was placed there with memorial lines attributed to Ben Jonson.

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