Outros livros que poderiam interessá-lo

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  Father Myself

  James McDermott

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  In 2022, James McDermott lost his sixty-year-old father to COVID after three weeks in intensive care. In* Father Myself*, his second collection from Nine Arches Press, McDermott explores his father's complex illness and death; grief; growth and how as a queer boy then a bereaved son, he had to learn to father himself.
  In clear-sighted and often hard-hitting poems, McDermott takes the reader onto the frontline of the pandemic – documenting the experience and trauma of a COVID-bereaved family with an unflinching eye. Both powerful and compassionate, these extraordinary poems have the capacity to go beyond simply a record of events, reaching sensitively for the human details that matter – the beat of a heart and movement of breath, the touch of a hand, the words we use for goodbye.

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  The Red Shoes

  Nancy Harris

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  'What's wrong with wanting to dance?'
  When an orphaned young woman is taken in by some local do-gooders, she is expected to be seen and not heard.
  Dazzled by a pair of beautiful shoes, she sees in them an opportunity to shine – but soon her feet betray her, taking her to places she does not wish to go.
  Nancy Harris's version of The Red Shoes is a contemporary retelling of Hans Christian Andersen's extraordinary fairytale of dance, desire and destruction. It was first performed at the Gate Theatre, Dublin, in 2017 and revived in the version published here in 2024 at the Swan Theatre, Stratford-upon-Avon, by the Royal Shakespeare Company, directed by Kimberley Rampersad.

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  The Tragedy of Timon of Athens

  William Shakespeare

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  The Tragedy of Timon of Athens (The Life of Tymon of Athens) is a play by William Shakespeare, probably written in collaboration with Thomas Middleton in about 1605–1606, which was published in the First Folio in 1623. It is about the fortunes of an Athenian named Timon. The central character is a beloved citizen of Athens who through tremendous generosity spends his entire fortune on corrupt hangers-on only interested in getting the next payout.
  The earliest-known production of the play was in 1674, when Thomas Shadwell wrote an adaptation under the title The History of Timon of Athens, The Man-hater. Multiple other adaptations followed over the next century, by writers such as Thomas Hull, James Love and Richard Cumberland. The straight Shakespearean text was performed at Smock Alley in Dublin in 1761, but adaptations continued to dominate the stage until well into the 20th century.
  ... Flavius arrives. He wants the money as well, but he also wants Timon to come back into society. Timon acknowledges that he has had one true friend in Flavius, a shining example of an otherwise diseased and impure race, but laments that this man is a mere servant. He invites the last envoys from Athens, who hoped Timon might placate Alcibiades, to go hang themselves, and then dies in the wilderness. Alcibiades, marching on Athens, then throws down his glove, and ends the play reading the bitter epitaph Timon wrote for himself, part of which was composed by Callimachus:
  "Here lies a wretched corpse of wretched soul bereft:
  Seek not my name: a plague consume you wicked caitiffs left!"
  Here lie I, Timon, who alive, all living men did hate,
  Pass by, and curse thy fill, but pass and stay not here thy gait...
  Among the most significant works William Shakespeare: Hamlet, Othello, King Lear, Macbeth, Orpheus, Romeo and Juliet, Julius Caesar, Troilus and Cressida, The Tempest, Venus and Adonis, Antony and Cleopatra, Measure for Measure, The Winter's Tale and many more.

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  Cutting Room

  Sarah Pinder

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  Cutting Room both describes and pushes against the anxious hum of the technologically saturated present. Sarah Pinder's poems navigate domestic and 'natural' spaces as landscapes charged with possible violence and desire. Using hyper-focus and the long gaze, they draw the eye to the corners and seams of these spaces, slowing us down, shifting our focus to worn detail, asking us to seek pattern and possibility in a hyper-paced present tense. Theseare little ominous films, documenting the minutiae around us that can be our undoing.

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  Sunset Gun - Poems by Dorothy...

  Dorothy Parker

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  In this follow up to her best-selling debut collection of poetry ("Enough Rope" from 1926) Dorothy Parker published "Sunset Gun" (1928) her second of three volumes of short verse. One of the 20th century's most celebrated and renowned humorists, Parker once again delivers a biting, satiric and insightful look at love, life and literature in this brilliant collection.  Dorothy Parker - social commentator, political reformer and legendary wit - has enjoyed a special place in American culture and "Sunset Gun" is another early example of Parker's unique and wry commentary on modern life. It is presented here in its original and unabridged format.

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  A Good House

  Amy Jephta

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  'Once they've been here long enough, they're no longer squatters. Then they're simply…
  Neighbours.'
  In the quaint suburban community of Stillwater, a mysterious shack springs up from the dust with the inhabitants nowhere to be seen. As speculation abounds, new residents Sihle and Bonolo are recruited by their neighbourhood to be the face of a campaign to demolish the shack.
  Funny, thrilling and provocative, Amy Jephta's play A Good House is an explosive exploration of race, resentment and community politics, about a couple who discover the limits of good neighbourliness and what is required to fit in.
  It was first performed at the Royal Court Theatre, London, in 2025, directed by Nancy Medina, in a co‑production with Bristol Old Vic in association with The Market Theatre, Johannesburg.

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