Outros livros que poderiam interessá-lo

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  What Breaks Us - a love letter...

  Megan Davis

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  “What Breaks Us” by Megan Davis is a cathartic collection of poetry that channels pain and angst into strength for healing and self-discovery. This poetry collection is a candid reflection on heartache, loss, and the difficult work of self-examination to uncover unhealed wounds. With topics ranging from love to spirituality, grief to psychology, Davis’s poetry is an outpouring of emotion that balances the deeply personal with the universality of the human experience. 
    
  Davis initially began writing poetry in lieu of journaling, using creative writing as a way to process tumultuous feelings of attraction, loneliness, struggles with mental health, her relationship with spirituality, and the suffering faced by people around the world. She wrote the poems without intending to share them with an audience, and the palpable honesty in each piece of work reflects that intimacy, as well as the author’s approach to poetry as personal catharsis. 
    
  As the sections of the collection progress, readers move through phases of the author’s life alongside her, from heartbreak and anger to battles with addiction, through to growing self-acceptance, connection with others, and ultimately, a sense of empowerment built on perseverance and a willingness to engage with pain as a source of strength. 
    
  Beautifully written and poignantly capturing the internal battles faced by many, Davis’s poems are a touching portrait of the things that hurt us – and the ways these damaging experiences can be alchemized into sources of hope and growth.

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  A Palace of Waning - A...

  Pamela Nocerino

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  Palace of Waning explores longing for a sense of home. Through themes of place, loss, and self, images wander into uneasy complexities of truth where the search for home distorts the view of its presence everywhere. Readers are invited as far as space and as near as the sound of moving fabric. 
  Review: 
  In A Palace of Waning, Pamela Nocerino’s luminous new chapbook, the poet traces the shifting landscapes of home, self, loss, and place. Here, “Red neon blinks / like it celebrates the danger” of icy roads, even as we are reminded that “The sun doesn’t rise / We rotate to see it.” Nocerino invites us into a world where beauty and peril intertwine, and where perception itself becomes a kind of illumination. 
  –Leah Huete de Maines, Poet-in-Residence Emerita at Northern Kentucky University

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  The Tent Generations -...

  Fadwa Tuqan, Salem Jubran,...

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  From the Introduction by Mohammed Sawaie:
  The Palestinian poets included in The Tent Generations, Palestinian Poems represent different age groups and backgrounds, yet they all express a strong sense of "Palestinian-ness". They include Israeli citizens, the offspring of those who remained in Palestine after 1948. They also include poets who lived or continue to live in the West Bank and Gaza, areas that are still occupied, or controlled by Israelis as of this writing. Finally, they include poets born in Palestine, but whose families were expelled, or migrated to neighboring Arab countries as a result of the Arab-Israeli wars of the Nakba in 1948, and then of 1967 and 1973.
  The educational backgrounds of the poets represented here vary. Salem Jubran, Samih al-Qasim, Tawfiq Zayyad, and Marwan Makhoul, for example, were products of the Israeli educational system. Others attended institutions of learning in various Arab countries. Fadwa Tuqan received little formal education in her city of Nablus; she, however, acquired instruction in language, support in writing poetry, and encouragement to publish her poems from her brother, the well-known poet Ibrahim Tuqan, mentioned previously.
  All these poems are written in fusha Arabic, Modern Standard Arabic, the codified literary, written language shared by educated speakers of Arabic in their various respective regions. Palestinian folkloric poetry, referred to as al-Shi'r al-Sha'bi or Shi'r al-'Ammiyya, is not included in this work. Folk poetry, richly expressed orally in the Palestinian dialect, 'Ammiyya, embraces a variety of themes (national pride, panegyric, love, generosity toward guests/strangers, and so on), including the political themes expressed in the poems in this work. There is a rising interest in collecting and preserving this folkloric poetry, and several anthologies of oral poetry as well as studies have recently appeared.
  The 1948 Nakba, the wars of 1967 and 1973, and their subsequent tragic impact find expression in the work of Palestinian poets. Some of the authors in this collection had firsthand experience of the loss of home, and the up-rootedness from and destruction of their villages and cities. Others acquired knowledge of such experiences, the tragedy that befell Palestinians, through stories told by grandparents or parents, stories of hardship and deprivation transmitted from one generation to another. Thus, poets express in vocabulary specific to the Palestinian experience of the dispossession of homeland, the forced expulsion, the pain of living in the miserable conditions of refugee camps in the diaspora.

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  Julius Caesar (Argo Classics)

  William Shakespeare

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  William Collins Books and Decca Records are proud to present ARGO Classics, a historic catalogue of classic prose and verse read by some of the world’s most renowned voices. Originally released as vinyl records, these expertly remastered stories are now available to download for the first time. 
  ‘The fault, dear Brutus, is not in our stars, but in ourselves.’ 
  Shakespeare's political thriller tells the story of the conspiracy against Caesar, his assassination and the defeat of his conspirators. 
  Jealous conspirators convince Caesar's friend Brutus to join their assassination plot against Caesar. To stop Caesar from gaining too much power, Brutus and the conspirators kill him on the Ides of March. Mark Antony drives the conspirators out of Rome and fights them in a battle. Brutus and his friend Cassius lose and kill themselves, leaving Antony to rule in Rome. 
  All of the Shakespeare plays within the ARGO Classics catalogue are performed by the Marlowe Dramatic Society and Professional Players. The Marlowe was founded in 1907 with a mission to focus on effective delivery of verse, respect the integrity of texts, and rescue neglected plays by Shakespeare’s contemporaries and the less performed plays of Shakespeare himself. The Marlowe has performed annually at Cambridge Arts Theatre since its opening in 1936 and continues to produce some of the finest actors of their generations. 
  Thurston Dart, Professor of Music at London University and a Fellow of Jesus College Cambridge, directed the music for this production. 
  The full cast includes: John Wilders; George Rylands; Anthony White; Clive Swift; John Dover Wilson; Donald Beves; John Barton; Anthony Jacobs; Tony Church; Roger Prior; Denys Robertson; Michael Jaffe; Gary Watson; Roderick Cook;John Arnott; David Buck; John Arnott; Noel Annan; David Buck; Gary Watsom; Julian Pettifer; John Bird; John Arnott; Chris Renard; Chris Renard; Mark Griffiths; Clive Swift; Wendy Gifford; Dorothy Mulcahy. 
  The theatre production, short in duration but rich in content, showcases the best of European dramatic arts. The performing skills of the actors are truly commendable. 
  For fans of Barbara A. Mowat (The Taming of the Shrew), Paul Werstine (The Two Noble Kinsmen), Sparknotes (Merchant of Venice), and Arthur Miller (Death of a Salesman).

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  Wound from the Mouth of a Wound...

  torrin a. greathouse

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  A Minnesota Book Award Finalist in Poetry 
  A CLMP Firecracker Award Finalist in Poetry 
  “Some girls are not made,” torrin a. greathouse writes, “but spring from the dirt.” Guided by a devastatingly precise hand, Wound from the Mouth of a Wound—selected by Aimee Nezhukumatathil as the winner of the 2020 Ballard Spahr Prize for Poetry—challenges a canon that decides what shades of beauty deserve to live in a poem. greathouse celebrates “buckteeth & ulcer.” She odes the pulp of a bedsore. She argues that the vestigial is not devoid of meaning, and in kinetic and vigorous language, she honors bodies the world too often wants dead. 
  These poems ache, but they do not surrender. They bleed, but they spit the blood in our eyes. Their imagery pulses on the page, fractal and fluid, blooming in a medley of forms: broken essays, haibun born of erasure, a sonnet meant to be read in the mirror. greathouse’s poetry demands more of language and those who wield it. “I’m still learning not to let a stranger speak / me into a funeral.” 
  Concrete and evocative, Wound from the Mouth of a Wound is a testament to persistence, even when the body is not allowed to thrive. greathouse—elegant, vicious, “a one-girl armageddon” draped in crushed velvet—teaches us that fragility is not synonymous with flaw.

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  Top 10 Poets The - Restoration -...

  John Milton, John Dryden, Andrew...

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  The language of Poetry is an art that most of us attempt at some point in our lives.  Although its commonplace exposure has been somewhat marginalised in today’s often fast-paced lives we all recognise good verse that can empathise with our thoughts or open us up to experience new things in new ways, to better understand and to enjoy the many strands of our lives. 
  But finding a starting point can be overwhelming, even off-putting, so in this series we offer up our Top 10 classic poets, who brim with talent and verse, on a range of subjects and themes that we can all enjoy. 
  In this volume we gather together those poets and their verse who celebrated the return of the Monarchy to the country after the volatile upheavals of the Puritan years.

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