Otros libros que te pueden interesar

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  Social Network The - The...

  Film Trivia Metaverse

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  THE SOCIAL NETWORK 
  THE ULTIMATE TRIVIA COLLECTION 
    
  FROM THE MOVIE DIRECTED BY DAVID FINCHER 
    
  CREATED BY FILM TRIVIA METAVERSE 
    
  ABOUT THE FILM 
  The Social Network is a 2010 biographical drama directed by David Fincher, depicting the founding of Facebook and the legal battles that followed. The film centers on Mark Zuckerberg, a Harvard student who creates a social networking site that becomes a global phenomenon. As Facebook grows in popularity, Zuckerberg faces betrayal and lawsuits from former friends and business partners, including Eduardo Saverin and the Winklevoss twins. The movie explores themes of ambition, friendship, betrayal, and the cost of success in the digital age, highlighting the complex dynamics of power and identity in the tech world. 
    
  TRIVIA SAMPLES: 
    
  “Mark Zuckerberg originally planned to never watch this movie. However, he ended up going with several of his employees and later commented that despite some inaccuracies, they got his clothing right.” 
    
  “Jesse Eisenberg, who has obsessive-compulsive disorder (OCD), said that one of the hardest parts of his role was intentionally acting in ways that contradicted his natural behavior, something he had struggled against his whole life.” 
    
  “David Fincher's favorite line in the movie is, "I'm just checking your math on that. Yes, I got the same thing." 
    
  “Jesse Eisenberg and Andrew Garfield became close friends during filming. Eisenberg revealed that the dramatic rivalry between their characters was emotionally challenging for them, as it affected their relationship in real life.”

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  A Short Introduction to the...

  Graham Ley

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  Contemporary productions on stage and film, and the development of theater studies, continue to draw new audiences to ancient Greek drama. With observations on all aspects of performance, this volume fills their need for a clear, concise account of what is known about the original conditions of such productions in the age of Pericles.  Reexamining the surviving plays of Aeschylus, Sophocles, Euripides, and Aristophanes, Graham Ley here discusses acting technique, scenery, the power and range of the chorus, the use of theatrical space, and parody in their plays. In addition to photos of scenes from Greek vases that document theatrical performance, this new edition includes notes on ancient mime and puppetry and how to read Greek playtexts as scripts, as well as an updated bibliography. An ideal companion to The Complete Greek Tragedies, also published by the University of Chicago Press, Ley’s work is a concise and informative introduction to one of the great periods of world drama. "Anyone faced with Athenian tragedy or comedy for the first time, in or out of the classroom, would do well to start with A Short Introduction to Ancient Greek Theater."—Didaskalia

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  The Imaginary Invalid

  Molière Molière, John Wood...

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  France's master comic playwright has a field day with the subjects of hypochondria and our blind obedience to doctors. Molière’s witty attack on the medical profession has more than a little resonance today. Translated by John Wood, adapted by Beth Milles.
   
  
   
  Recorded before a live audience at the Doubletree Guest Suites, Santa Monica in December 1997.
   
  
   
  Directed by Beth Milles
   
  Producing Director: Susan Albert Loewenberg
   
  
   
  An L.A. Theatre Works full-cast recording, starring:
   
  
   
  The Actor’s Gang Theatre Company:
   
  Molly Bryant as Toinette
   
  Tom Fitzpatrick as Diaforirus
   
  Laurence O’Keefe as Cleante
   
  Dan Parker as Argan
   
  Evie Peck as Louison
   
  Dina Platias as Angelique
   
  Stephen M. Porter as Thomas
   
  Michael Rivkin as Purgon
   
  Dean Robinson as Beralde
   
  Patti Tippo as Berline
   
  Chris Wells as Fleurant
   
  
   
  Technical Director: Raymond Guarna
   
  Foley Artist and Stage Manager: John Lovick
   
  Associate Producer: Susan Raab Simonson
   
  Original Music by Laurence O’Keefe

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  Rockin’ in the Ivory Tower -...

  James M. Carter

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  Histories of American rock music and the 1960s counterculture typically focus on the same few places: Woodstock, Monterey, Altamont. Yet there was also a very active college circuit that brought edgy acts like the Jefferson Airplane and the Velvet Underground to different metropolitan regions and smaller towns all over the country. These campus concerts were often programmed, promoted, and reviewed by students themselves, and their diverse tastes challenged narrow definitions of rock music. 
   
    
   
  Rockin' in the Ivory Tower takes a close look at two smaller universities, Drew in New Jersey and Stony Brook on Long Island, to see how the culture of rock music played an integral role in student life in the late 1960s. Analyzing campus archives and college newspapers, historian James Carter traces connections between rock fandom and the civil rights protests, free speech activism, radical ideas, lifestyle transformations, and anti-war movements that revolutionized universities in the 1960s. Furthermore, he finds that these progressive students refused to segregate genres like folk, R&B, hard rock, and pop. Rockin' in the Ivory Tower gives listeners a front-row seat to a dynamic time for the music industry, countercultural politics, and youth culture.

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  Learn Flower Painting Quickly -...

  Trevor Waugh

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  A fun and accessible guide to painting flowers in watercolour with step-by-step exercises.
  World-renowned artist Trevor Waugh reveals the secrets of painting flowers in watercolour in this fun, easy-to-follow book. Focusing on the techniques that matter the most, you'll be able to start producing better flower paintings in the space of an afternoon. 
  The book includes expert guidance on all aspects of flower painting in watercolour, including the basic shapes and how to combine them, how to design the perfect composition and how to create subtle and evocative effects. The author shares tips on how to use colour to create realistic-looking flowers and foliage, his go-to basic palette and details on how to create beautiful, nuanced colour mixes. There is also a section on how to achieve real artistry in your work, using hard and soft edges, clever observation and different angles to perfect your work. 
  Armed with this beautiful book, packed with breathtaking inspirational paintings and a selection of helpful step-by-step demonstration sequences, you'll become an expert flower painting in no time at all.

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  Elton John's Blue Moves

  Matthew Restall

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  By 1976, Elton John was the best-selling recording artist and the highest-grossing touring act in the world. With seven #1 albums in a row and a reputation as a riveting piano-pounding performer, the former Reggie Dwight had gone with dazzling speed from the London suburbs to the pinnacles of rock stardom, his songs never leaving the charts, his sold-out shows packed with adoring fans. Then he released Blue Moves, and it all came crashing down.Was the commercially disappointing and poorly reviewed double album to blame? Can one album shoot down a star? No, argues Matthew Restall; Blue Moves is a four-sided masterpiece, as fantastic as Captain Fantastic, as colorful as Goodbye Yellow Brick Road, a showcase for the three elements--piano-playing troubadour, full orchestra, rock band--with which Elton John and his collaborators redirected the evolution of popular music. Instead, both album and career were derailed by a perfect storm of circumstances: Elton’s decisions to stop touring and start his own label; the turbulent shiftings of popular culture in the punk era; the minefield of attitudes toward celebrity and sexuality. The closer we get to Blue Moves, the better we understand the world into which it was born--and vice versa. Might that be true of all albums?

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