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  Much Ado About Nothing

  William Shakespeare

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  Shakespeare wrote Much Ado About Nothing towards the middle of his career, sometime between 1598 and 1599. It was first published in quarto in 1600 and later collected into Mr. William Shakespeare's Comedies, Histories, and Tragedies in 1623. The earliest recorded performance of Much Ado About Nothing was performed for the newly-married Princess Elizabeth and Frederick the Fifth, Elector Palatine in 1613.
  Shakespeare's sources of inspiration for this play can be found in Italian culture and popular texts published in the sixteenth century. Gossip involving lovers deceived into believing each other false was often spread throughout Northern Italy. Works like Ludovico Ariosto's Orlando Furioso and Edmund Spencer's Fearie Queene also feature tricked lovers like Claudio and Hero. Besides these similarities, the idea of tricking a couple like Benedick and Beatrice into falling in love was an original and unusual idea at the time.
  The play focuses on two couples: upon the noblemen's return to Messina, Claudio and Hero quickly fall in love and wish to marry in a week; on the contrary, Benedick and Beatrice resume their verbal war, exchanging insults with each other. To pass the time prior to the marriage a plot to trick Benedick and Beatrice into falling in love has been set in motion. Unbeknownst to both our couples, a fouler plot to crush the love and happiness between Hero and Claudio has also begun to unfold.

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  Reversing Entropy - Poems

  Luci Shaw

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  From the pen of beloved poet Luci Shaw comes a new collection that celebrates inspired creativity as an antidote to chaos.
  The poet's own words best describe the heart of this pinnacle collection of new work by beloved writer Luci Shaw:
  
  Entropy: A measure of the molecular disorder, or randomness, of a system, its lack of order or predictability, resulting in a gradual decline into disorder. 
  
  Our universe, and the systems within it, constantly shift from their created states of order towards disorder, or chaos. The second law of thermodynamics asserts that entropy, or disorder, always increases with time. Creative human activities such as art, architecture, music, story or film are human efforts to halt and reverse this loss of meaning. Thus, smaller systems, like individual poems, become highly ordered as they receive energy from outside themselves, from the poet. They reverse entropy because they are moving from a state of disorder (all the random ideas, words and phrases available to the writer) into an orderly form designed by the writer to create meaningful images and concepts in the reader's mind (which is where the word "imag-ination" comes from.) This transfer of images, concepts and ideas into the mind of a reader is the task of poetry and the calling of the poet. Just as a composer of music gathers rhythms, notes, melodies, or harmony, organizing them into fugues or sonatas or concertos, so poets work and write to discover ways of arranging their responses to the world in words that introduce meaning and beauty in the mind of the reader. 
  
  Which is what I've been trying to do for most of my life. 

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  Four One-Act Plays by WB Yeats

  W. B. Yeats

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  Set against the backdrop of Ireland’s struggle for freedom, "Cathleen Ní Houlihan" unfolds with quiet intensity as a young man’s ordinary life is gradually overtaken by a strange and irresistible call to something greater. In the presence of a beguiling visitor whose words seem to shimmer with myth and longing, dreams of marriage and home give way to visions of sacrifice and national pride. W.B. Yeats weaves a lyrical, otherworldly tale that blurs the line between reality and enchantment, capturing the powerful sway of idealism, identity, and the mysterious forces that drive people to give everything for a cause--the cause for Ireland's freedom. 
  Brimming with charm and mischief, "The Pot of Broth" is a delightful one-act comedy co-written with Lady Gregory in which a clever wanderer, armed with nothing but an empty pot and a silver tongue, convinces a wary country couple that he can brew a magical broth from a simple stone. As tall tales bubble up alongside the imaginary soup, the ordinary kitchen becomes a stage for trickery, laughter, and the quiet magic of believing in just a little more than what’s in front of you. Come into the Irish countryside, where even the poorest pot can cook up a most entertaining story. 
  W.B Yeats' "Purgatory" is a grim representation of generational guilt and spiritual entrapment, as a father confronts the ghosts of his family’s past in the ruins of a once-noble home, where memory and violence echo years afterwards. 
  Meanwhile, in "The Cat and the Moon," two beggars—one blind, one lame—make their way to a holy well where Saint Colman resides in the hopes of curing their respective ailments. But when given the opportunity of being healed or being blessed, both beggars are forced to reassess their convictions. Will they use their newfound gifts for justice, or will they accept placement in the hereafter?

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  The Ten Commandments In Poems

  Ron E. Hignite

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  Ronald E. Hignite - author of The Beatitudes in Poems - demonstrates in The Ten Commandments in Poems his poetic skills and provides greater understanding and meaning for God's laws for mankind. 
  Listeners will be inspired by the manner and design by which the events at Mt. Sinai are described in poetry and rhyme. This audio-book contains 12 poems, with one on each of the Ten Commandments, along with an introductory and closing poem. 
  Ronald E. Hignite was born in North Carolina and grew up in Connersville, Indiana. He returned to North Carolina with his family after high school and attended East Carolina University in Greenville, NC. There he earned both his undergraduate and graduate degrees. Following college, he taught English at Fork Union Military Academy in Fork Union, VA. After two years in Fork Union, he moved back to northeastern North Carolina where he spent most of his educational career in the towns of Washington, Camden, Murfreesboro, and Ahoskie. His interest in writing poetry was sparked while in college with his readings of the English poets, Byron, Shelley, and Keats. 
  ©2013 Ronald E. Hignite (P)2013 Ronald E. Hignite

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  The Beginning of the Empress

  Kiara George

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  Step into a world where the spoken word meets the beats of the streets. "The Beginning of the Empress" invites you on a poetic journey infused with the rhythm and flow of modern rap. In this audacious audiobook, each verse pulsates with energy, weaving tales of triumph, love, and self-discovery. 
  From the first track to the final crescendo, you'll find yourself entranced by the syncopated cadence of her verses, carried away on a wave of introspection and joy. With each track, she paints vivid landscapes of emotion, inviting you to dance in the rhythm of her words and lose yourself in the magic of her storytelling. 
  "The Beginning of the Empress" isn't just an audiobook; it's an experience—an invitation to embrace the power of language and music in perfect harmony. So, plug in your headphones, turn up the volume, and let the journey begin. Welcome to a new era of poetry, where the empress reigns supreme, and every word is a testament to her majesty.

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  Octaves - Poem from a Pulitzer...

  Edward Arlington Robinson

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  Edwin Arlington Robinson was born on the 22nd December 1869 in Tide in Lincoln County, Maine.  
  His childhood was described by him as ‘stark and unhappy’.  His name was drawn out of a hat from a fellow vacationer from Arlington Massachusetts when fellow holiday makers decided that his parents had waited long enough at 6 months to name him.  It was a name he despised and reflects the station to which his parents had placed him; their great hope at his birth were that he was a girl to complement their two sons. 
  His pessimistic mood carried him to adulthood and a doomed encounter with Emma Loehen Shepherd who constantly encouraged his poetry.  Edwin was thought too young to be her companion and so his elder, middle brother, Herman was assigned to her.  It was a great blow to Edwin and during their marriage on February 12th, 1890, he stayed home and wrote ‘Cortege’ 
  In the fall of 1891 Edwin entered Harvard, taking classes in English, French and Shakespeare.  He felt at ease with the Ivy League and made great efforts to be published in one of the Harvard literary journals.  Indeed, the Harvard Advocate published ‘Ballade of a Ship’ but then his career appeared to stall.  His father died and although he returned to Harvard for a second year it was to be his last but also the start of some life-long friendships. 
  In 1893 he returned to Gardiner Maine as the man of the household.  Herman by this time had become an alcoholic, having suffered business failures, and was now to become estranged from Emma. 
  Edwin began farming whilst he wrote and quickly developed a close relationship with Emma who had now moved back to Gardiner after Herman’s death with her children. 
  Although he proposed twice, he was rejected and in consequence moved to New York to start afresh. 
  But it was a salutary experience. Although surrounded by artists he had little money and life was difficult. 
  In 1896 he published his own book, ‘The Torrent and the Night Before’, paying 100 dollars for 500 copies.  Edwin wanted it to be a surprise for his Mother, but days before its arrival she died of diphtheria. 
  His second volume, ‘The Children of the Night’, had a wider circulation.  At the behest of President Roosevelt, whose son was an avid admirer, he was given a job in 1905 at the New York Customs Office although it appears his real job was “to help American letters”. 
  Either way his success began to widen and his influence proper.  During the 1920s he won the Pulitzer Prize for Poetry on three separate occasions. In 1922 for ‘Collected Poems’ again in 1925 for ‘The Man Who Died Twice’ and finally in 1928 for ‘Tristram’. 
  During the last twenty years of his life he became a regular summer resident at the MacDowell Colony in New Hampshire, where he became the object of fascination by several women.  But he never married. 
  Edwin Arlington Robinson died of cancer on the 6th April 1935 in the New York Hospital in New York. He was 65.

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