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  White Fang

  Jack London

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  It was the she-wolf who had first caught the sound of men's voices and the whining of the sled-dogs; and it was the she-wolf who was first to spring away from the cornered man in his circle of dying flame. The pack had been loath to forego the kill it had hunted down, and it lingered for several minutes, making sure of the sounds, and then it, too, sprang away on the trail made by the she-wolf. Running at the forefront of the pack was a large grey wolf—one of its several leaders.    It was he who directed the pack's course on the heels of the she-wolf. It was he who snarled warningly at the younger members of the pack or slashed at them with his fangs when they ambitiously tried to pass him. And it was he who increased the pace when he sighted the she-wolf, now trotting slowly across the snow. She dropped in alongside by him, as though it were her appointed position, and took the pace of the pack. He did not snarl at her, nor show his teeth, when any leap of hers chanced to put her in advance of him.    On the contrary, he seemed kindly disposed toward her—too kindly to suit her, for he was prone to run near to her, and when he ran too near it was she who snarled and showed her teeth. Nor was she above slashing his shoulder sharply on occasion. At such times he betrayed no anger. He merely sprang to the side and ran stiffly ahead for several awkward leaps, in carriage and conduct resembling an abashed country swain. This was his one trouble in the running of the pack; but she had other troubles.    On her other side ran a gaunt old wolf, grizzled and marked with the scars of many battles. He ran always on her right side. The fact that he had but one eye, and that the left eye, might account for this. He, also, was addicted to crowding her, to veering toward her till his scarred muzzle touched her body, or shoulder, or neck. As with the running mate on the left, she repelled these attentions with her teeth; but when both bestowed their attentions at the same time she was roughly jostled, being compelled, with quick snaps to either side, to drive both lovers away and at the same time to maintain her forward leap with the pack and see the way of her feet before her.    At such times her running mates flashed their teeth and growled threateningly across at each other. They might have fought, but even wooing and its rivalry waited upon the more pressing hunger-need of the pack. After each repulse, when the old wolf sheered abruptly away from the sharp-toothed object of his desire, he shouldered against a young three-year-old that ran on his blind right side. This young wolf had attained his full size; and, considering the weak and famished condition of the pack, he possessed more than the average vigour and spirit. Nevertheless, he ran with his head even with the shoulder of his one-eyed elder. When he ventured to run abreast of the older wolf (which was seldom), a snarl and a snap sent him back even with the shoulder again.    Sometimes, however, he dropped cautiously and slowly behind and edged in between the old leader and the she-wolf. This was doubly resented, even triply resented. When she snarled her displeasure, the old leader would whirl on the three-year-old. Sometimes she whirled with him. And sometimes the young leader on the left whirled, too. At such times, confronted by three sets of savage teeth, the young wolf stopped precipitately, throwing himself back on his haunches, with fore-legs stiff, mouth menacing, and mane bristling. This confusion in the front of the moving pack always caused confusion in the rear. The wolves behind collided with the young wolf and expressed their displeasure by administering sharp nips on his hind-legs and flanks. He was laying up trouble for himself, for lack of food and short tempers went together; but with the boundless faith of youth he persisted in repeating the manoeuvre every little while, though it never succeeded in gaining anything for him but discomfiture.

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  Not Without Laughter

  Langston Hughes

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  Not Without Laughter is drawn in part from the author's own recollections of youth and early manhood. This stirring coming-of-age tale unfolds in 1930s rural Kansas. A poignant portrait of African-American family life in the early twentieth century, it follows the story of young Sandy Rogers as he grows from a boy to a man. We meet Sandy's mother, Annjee, who works as a housekeeper for a wealthy white family; his strong-willed grandmother, Hager; Jimboy, Sandy's father, who travels the country looking for work; Aunt Tempy, the social climber; and Aunt Harriet, the blues singer who has turned away from her faith. 
   
   
   
  A fascinating chronicle of a family's joys and hardships, Not Without Laughter is a vivid exploration of growing up and growing strong in a racially divided society. A rich and important work, it masterfully echoes the black American experience.

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  The Shadow Over Innsmouth FINAL...

  H. P. Lovecraft

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  Title: The Shadow Over Innsmouth 
  Author: H. P. Lovecraft 
  Narrator: Jonathan Dunne 
  Original Publication: 1936 
  Public Domain: Yes 
  Series Placement: Final Part 5 of Number 56 in the Timeless Terrors series 
  Description: 
  The Shadow Over Innsmouth is Lovecraft’s classic tale of a decaying seaside town bound to an ancient horror from the deep. 
  The story follows a traveler who visits the isolated port of Innsmouth, only to discover its inhabitants bear unsettling, amphibious traits — bulging eyes, flabby lips, and a strange, slinking gait. Through whispered rumors and a terrifying night on the run, he uncovers the truth: generations ago, the townsfolk struck a pact with the Deep Ones, an ancient ocean-dwelling race that offers wealth and longevity at a terrible cost. 
  As the narrator flees through collapsing streets and foggy wharves, pursued by inhuman figures emerging from the sea, he confronts a revelation far more disturbing than the town itself — one that ties his own fate to Innsmouth’s monstrous legacy. 
  Narrated by Amazon-bestselling horror author Jonathan Dunne, this public-domain classic is revived in a fresh, chilling performance. The Shadow Over Innsmouth remains a cornerstone of maritime horror and one of Lovecraft’s most enduring nightmares.

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  The Importance of Being Earnest...

  Oscar Wilde

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  "The Importance of Being Earnest" is a comedic play written by Oscar Wilde, first performed in 1895. Regarded as one of Wilde's masterpieces, the play is celebrated for its wit, humor, and satirical examination of the social conventions and manners of the Victorian era. The plot revolves around the lives of two friends, Algernon Moncrieff and Jack Worthing. To escape social obligations and responsibilities, both men create fictional identities. Algernon invents an imaginary friend named "Bunbury," whom he uses as an excuse to avoid unwelcome social events. On the other hand, Jack assumes the identity of "Ernest" whenever he wishes to engage in more adventurous and carefree pursuits in the city.The central conflict arises when both Algernon and Jack become romantically involved with women who are attracted to the name "Ernest." Gwendolen Fairfax, Jack's love interest, is enamored with the idea of marrying a man named Ernest, while Algernon's romantic pursuit, Cecily Cardew, shares the same sentiment. The play cleverly exploits the comedic potential of mistaken identities, love affairs, and the absurdity of social expectations. Wilde's razor-sharp wit is evident in the dialogue, filled with epigrams, puns, and clever wordplay. The characters engage in delightful banter, and the play satirizes the trivialities of upper-class society while highlighting the importance placed on appearances and social status. "The Importance of Being Earnest" is known for its comedic absurdity, intricate plot twists, and exploration of the theme of identity. Beyond the surface-level humor, Wilde uses the play to critique the hypocrisy and artificiality of societal norms, exposing the ridiculousness of the characters' obsessions with names and titles.

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  Found Guilty

  Josiah Flynt Willard, Francis...

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  Josiah Flynt Willard (1869-1907) was an American sociologist and author. After several years of experience as a vagrant, he wrote fiction and nonfiction as a kind of expert on tramps and tramping. His further works dealing with the lower and criminal classes include Found Guilty, part of a collection of stories written in collaboration with Francis Walton, an American author and attorney. 
  When not in the recording studio, Robert Walcott plays base guitar and sings for his folk band, Dreamscapers. In addition to narrating fiction, he enjoys doing commercial voiceovers and deep river flyfishing in eastern Montana.

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  Ann Veronica

  H. G. Wells

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  "Ann Veronica" is a novel written by H.G. Wells and published in 1909. It tells the story of Ann Veronica Stanley, a young woman who rebels against the restrictive social norms and expectations placed upon women in Edwardian society. The novel explores themes of feminism, women's rights, and the pursuit of personal freedom and self-fulfillment. 
   
  The protagonist, Ann Veronica, is a strong-willed and independent-minded young woman who seeks to break free from the constraints of her conventional middle-class life. She yearns for intellectual and personal growth, desiring a life beyond societal expectations of marriage and domesticity. The novel follows Ann Veronica's journey as she challenges societal norms, engages in political activism, and navigates romantic relationships. 
   
  "Ann Veronica" is considered a significant work in the feminist literature of its time. Wells uses the character of Ann Veronica to highlight the limitations placed on women in a patriarchal society and to advocate for their rights and autonomy. The novel explores issues such as women's suffrage, gender inequality, and the double standards applied to men and women in matters of love and sexuality. 
   
  Wells' writing in "Ann Veronica" is characterized by his sharp social commentary and his portrayal of the complexities of gender dynamics. The novel reflects the changing attitudes and aspirations of women during the early 20th century and raises questions about the role of women in society and their struggle for equality. 
   
  "Ann Veronica" remains relevant today as a reflection of the ongoing fight for gender equality and the pursuit of individual freedom and self-determination. The novel stands as a testament to Wells' progressive views and his contribution to the feminist movement.

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