Otros libros que te pueden interesar

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  Good Morning Olive - Haunted...

  Robert Viagas

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  Hamlet calls death "that undiscovered country from whose bourn no traveler returns."But he's wrong. Some do return.Each night after the applause dies, the curtain falls, the audience vanishes, the cleaners dust, and the lights are killed, great theatres become dark and silent places. But not always quite empty.That's when the theatre ghosts make their entrance and strut and fret their hour upon the shadowed boards, illuminated only by the ghost light, the solitary lamp that is required to burn through the night on every Broadway stage.Many of Broadway's busiest theatres continue to be just as busily haunted by spirits, some with well-known names and histories.Good Morning, Olive (named for one of the most beautiful and temperamental of Broadway's ghosts) is about the ghosts that haunt theatres in New York and around the world.Broadway is the playground of stars, so it's probably not surprising to learn that even its ghosts are stars. Meet some of Broadway's best known—and most active—celebrity ghosts. Don't worry: like Casper, they tend to be friendly. For the most part.

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  The Irresistible Mr Wrong

  Jeremy Scott

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  Why do women go for bastards? Not all women certainly, but an identifiable number of them - including almost all heiresses - find themselves drawn to, even marrying, a thoroughgoing wrong'un who steals their money, cheats on them and sometimes beats them up. Why, to these educated, rational, rich and otherwise balanced young women, is Mr Wrong irresistible? What is it about him, what is it in them? In short, what is the nexus between wealth, celebrity, sex and self-destruction? The Irresistible Mr Wrong is the serial biography of five women who were all serially married to the same man: Porfirio Rubirosa. From the Jazz Age to the mid-sixties, through Café Society, Hitler's Berlin, occupied Paris and the post-war fleshpots of the Jet Set, Jeremy Scott charts the glamour and tragedy of the wives and mistresses of the ultimate playboy.

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  The Nose - Gogol uses the absurd...

  Nikolai Gogol

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  Nikolai Vasilievich Gogol was born on 1st April 1809 to a father, descended from Ukrainian Cossacks and a mother with a military background in the Ukrainian town of Sorochyntsi, then part of the Russian Empire and rich in Cossack traditions and folklore.   
   
  His father wrote poetry and plays which the young Gogol helped stage at his uncle’s home theatre.  This helped ignite in him a love of literature and blossomed when he attended, what is now, the Nizhyn Gogol State University at the age of 12.  Here he participated in school theatre productions and refined his mastery of his native Ukrainian and also the Russian of his Imperial masters. 
   
  In 1828 he went to St Petersburg and unsuccessfully tried to begin a career as an actor after finding that with no money and no connections the civil service was barred to him. 
   
  Embezzling money from his mother he embarked on a trip to Germany. When the money ran out, he returned to St Petersburg but the experiences were used in a series of stories he contributed to periodicals.  These tales were steeped in his childhood memories of the Ukrainian landscape and peasantry enlivened with the supernatural of its folklore woven with realistic events of the day.  He wrote in Russian in a whimsical, colloquial style with a smattering of Ukrainian words and phrases that provided an authenticity.  Eight stories were published as ‘Evenings on a Farm near Dikanka’.  Seemingly all at once fame and fortune arrived. Gogol was hailed by his contemporaries, including Pushkin, as a pre-eminent writer of Russian literature.   
   
  His success continued with his brilliant plays ‘The Inspector General’ and the comedy ‘The Marriage for the Theatre’, both being highly acclaimed.   
   
  In 1834 he became Professor of Medieval History at the University of St. Petersburg but with little academic or teacher training, failed to adequately fulfil many of his duties and soon resigned this post.  With no obligations and using his earnings from his writing, which now included the impressionistic and immortal ‘Dead Souls’, Gogol travelled around Europe, spending the most time in Rome where he studied art, read Italian literature and developed a passion for opera.  
   
  In the 1840s Gogol became preoccupied with a need to purify his soul and embarked on a pilgrimage to Jerusalem. In tandem he fell under the influence of a strict and austere spiritual ascetic who persuaded him to observe strict fasts that, allied with his depression and deteriorating health, contributed to his death on 21st April 1852 at the age of only 43. 
   
  In the Nose Gogol reaches out with the absurd premise that a Nose can have, and enjoy, a life of its own regardless of the complications and consequences to its former owner.

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  Walden

  Henry David Thoreau

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  In 1845 Henry David Thoreau, one of the principal New England Transcendentalists, left the town for the country. Beside the lake of Walden, he built himself a log cabin and returned to nature, to observe and reflect – while surviving on eight dollars a year. From this experience emerged one of the great classics of American literature, a deeply personal reaction against the commercialism and materialism that he saw as the main impulses of mid-nineteenth-century America.

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  The End of Empire - The Cyprus:...

  Martin Bell

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  Martin Bell, the former BBC was reporter and Independent MP, served as a soldier in the Suffolk Regiment during the Cyprus emergency between 1957 and 1959. In a chocolate box in the attic many years later he found more than 100 letters that he had sent home to his family. He was not a journalist then, but the letters give a vivid impression of what it was like to be a conscript on active service during the EOKA rebellion against British rule. They describe road blocks and cordons and searches, murders and explosions and riots  and a strategy of armed repression that ultimately failed. From this beginning he has written The End of Empire.His narrative is a powerful and personal account of the violent process of decolonization, of the character of the British Army at the time and the impact of National Service on young men who were not much more than kids in uniform. It also gives a graphic insight into the ultimate futility of the use of force in wars among people and it reveals the true story of the insurgency and the campaign to defeat it.By drawing on recently declassified documents, he shows that Cyprus in the late 1950s was run not by the governor but by a military junta. The army commanders were looking for the knockout blow that would deliver victory, but their misguided tactics served only to strengthen support for their enemy.So The End Of Empire is much more than a personal reminiscence. It is an absorbing account of the experience of army life from the perspective of a private soldier, and it is the inside story of how Britain tried to crush a violent rebellion sixty years ago.

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  Floating - A Life Regained

  Joe Minihane

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  The British journalist explores self-healing in wild waters across the UK—from Yorkshire to Jura and Wales—in this “genuine and refreshing nature memoir” (Kirkus Reviews).   Following the example of naturalist Roger Deakin in his classic memoir Waterlog, journalist Joe Minihane becomes obsessed with wild swimming and its restorative qualities. Putting one arm over the other, sometimes resting on his back, he begins to confront his personal demons while rekindling old friendships and forging new ones. Through Minihane’s thoughtful description, the act of swimming becomes both strange and beautiful as the wild water puts him in touch with nature and himself.   From Hampstead to Yorkshire, from Dorset to Jura, from the Isles of Scilly to Wales, Floating is a love letter to different wild stretches of water. But it also captures Minihane’s struggle to understand his life and move forward. Steeped in the anti-authoritarian and naturalistic spirit of Roger Deakin, Minihane celebrates the joy of taking time out to feel better.

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