Outros livros que poderiam interessá-lo

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  Bolívar and the War of...

  Daniel Florencio O'Leary

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  “Without a doubt the best work ever published in the English language on the life and deeds of Simón Bolivar. . . . Full of interesting vignettes.” ―Inter-American Review of Bibliography   The overthrow of Spanish rule and the birth of new republican governments in northern South America at the dawn of the nineteenth century were in large part the work of one man—Simón Bolívar. Bolívar was not only the soldier who built a patriot army from a small band of exiles and led them victoriously across Venezuela and down the spine of the Andes as far as Potosí; he was also the statesman who framed the new republics and called the Congress of Panama in pursuit of his dream of uniting all the South American republics in a single confederation. He was, truly, the Liberator.   This narrative by his friend and chief aide, Daniel Florencio O’Leary, has long been recognized by Spanish American scholars as one of the most important historical sources for a major part of Bolívar’s life. O’Leary took an active part in the wars for independence, first as a young officer recruited in the British Isles, and later was entrusted with diplomatic missions. His firsthand knowledge of the events of the period, his access to relevant documents, and his close association with major figures in the struggle made O’Leary a particularly valuable chronicler and biographer. Bolívar himself, shortly before his death, requested that O’Leary write the story of his life. O’Leary’s meticulous attention to military and diplomatic maneuvers and his keen, sometimes acrid, comments on both men and events give not only a vivid portrait of Bolívar—the man and his achievements—but also a remarkable insight into the autocratic-minded O’Leary. Though O’Leary’s devotion to, and admiration for, his Chief make for an occasionally partisan view, his stark account of the hardships and disappointments that Bolívar and his armies overcame against almost impossible odds does much to balance the narrative. In his abridged translation, Robert McNerney has omitted the Apéndice, documents that O’Leary, had he lived, undoubtedly would have used as the source for completing his account of Bolívar’s life. Numerous letters and documents scattered through the original text also have been omitted, leaving a highly readable biography.

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  Simply Beethoven

  Leon Plantinga

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  Born in Bonn, Germany, Ludwig van Beethoven (1770-1827) showed musical talent from an early age and was first taught by his musician father, Johann, an alcoholic who often beat his son. At the age of 21, Beethoven moved to Vienna, where he studied with composer Joseph Haydn and quickly became renowned as a pianist and conductor, as well as a composer. He continued to perform until 1811 when increasing deafness made it impossible, but until his death in 1827, he continued to create timeless works, including such masterpieces as the Ninth Symphony and the late string quartets. Plagued by illness and repeatedly thwarted in love, Beethoven rarely achieved personal happiness; yet he transcended the many setbacks and disappointments in his life to produce some of the greatest music ever written, which has come to be identified with the indomitableness of the human spirit. 
  In Simply Beethoven, Professor Leon Plantinga offers the lay reader a fascinating account of Beethoven’s life and music in its singular historical context, a time that saw the upheaval of the French Revolution and the Napoleonic conquests, as well as the rise of the European middle class. It was in this milieu that Beethoven composed the groundbreaking, highly individual works that changed the course of music and have continued to inspire and delight listeners for more than two centuries. 
  For anyone who is interested in knowing more about the extraordinary music that has become an integral part of Western culture, as well as the troubled genius who created it, Simply Beethoven is a perfect introduction to the man and his work.

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  Good Grief - On Loving Pets Here...

  E.B. Bartels

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  An unexpected, poignant, and personal account of loving and losing pets, exploring the singular bonds we have with our companion animals, and how to grieve them once they’ve passed. 
  E.B. Bartels has had a lot of pets—dogs, birds, fish, tortoises. As varied a bunch as they are, they’ve taught her one universal truth: to own a pet is to love a pet, and to own a pet is also—with rare exception—to lose that pet in time. 
  But while we have codified traditions to mark the passing of our fellow humans, most cultures don’t have the same for pets. Bartels takes us from Massachusetts to Japan, from ancient Egypt to the modern era, in search of the good pet death. We meet veterinarians, archaeologists, ministers, and more, offering an idiosyncratic, inspiring array of rituals—from the traditional (scattering ashes, commissioning a portrait), to the grand (funereal processions, mausoleums), to the unexpected (taxidermy, cloning). The central lesson: there is no best practice when it comes to mourning your pet, except to care for them in death as you did in life, and find the space to participate in their end as fully as you can. 
  Punctuated by wry, bighearted accounts of Bartels’s own pets and their deaths, Good Grief is a cathartic companion through loving and losing our animal family. 
  Supplemental enhancement PDF accompanies the audiobook.

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  Horseshoes and Hand Grenades:...

  John Corabi, Paul Miles

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  NARRATED SELECTIONS FROM THE BOOK, WITH ORIGINAL SCORE 
  In Horseshoes and Hand Grenades, John Corabi recounts his life from the mean streets of Philadelphia to the Sunset Strip. Take a look behind the scenes at Corabi’s time fronting Mötley Crüe, Union, and The Dead Daisies, as well as his time playing rhythm guitar with Ratt and even his stint as a long-haul trucker. Whether it’s detailing his parents difficult divorce, his family’s dark history of abuse, his run-in with a serial killer, or simply the best way to arrive at a wedding—which maybe is by helicopter and maybe it isn’t—he pulls no punches and outlines the good and bad of it all in this raucous autobiography. 

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  Postcards from the Edge

  Carrie Fisher

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  Here are the excruciatingly funny adventures of Suzanne Vale—a young film star and drug addict—who survives a rehab clinic only to rejoin the equally harrowing world of Hollywood. Out there on the edge, despair flips into hilarity, and we're left laughing as Suzanne struggles to come to terms with her various fantasylands. This stunning literary debut—read by author and actress Carrie Fisher herself—evokes the deliciously irreverent humor that formed the lens through which Fisher looked at life in the '80s: the stardom, the success, the sex—as well as the drugs, the desperation, and the insecurity.

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  Covering - The Hidden Assault on...

  Kenji Yoshino

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  Everyone covers. To cover is to downplay a disfavored trait so as to blend into the mainstream. Because all of us possess stigmatized attributes, we all encounter pressure to cover in our daily lives. Given its pervasiveness, we may experience this pressure to be a simple fact of social life.Against conventional understanding, Kenji Yoshino argues that the demand to cover can pose a hidden threat to our civil rights. Though we have come to some consensus against penalizing people for differences based on race, sex, sexual orientation, religion, and disability, we still routinely deny equal treatment to people who refuse to downplay differences along these lines. Racial minorities are pressed to "act white" by changing their names, languages, or cultural practices. Women are told to "play like men" at work. Gays are asked not to engage in public displays of same-sex affection. In a wide-ranging analysis, Yoshino demonstrates that American civil rights law has generally ignored the threat posed by these covering demands. With passion and rigor, he shows that the work of civil rights will not be complete until it attends to the harms of coerced conformity.

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