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  The 1 & The 0 - Binary

  Mike Blake

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  The One (1) and the Zero (0). Binary:About the intrinsic use of computer code down to Binary base level.They're all around us now, computers. In our heads with social media, and the internet is now part of our dna (so to speak).All fed by the 1's & the 0's !https://www.amazon.com/dp/B07GRC3428*MORE POEMS by the Author:https://www.amazon.com/-/e/B00SG40RM8To contact the Author: Please add me Mike Miko on Facebook & then message me, thanks.https://www.facebook.com/mike.cco1 I will then contact the Author your behalf.or on Twitter: miko_1_dollar ~ Tumblr : ccobes ~ Instagram: wild_poetrys   //  wild.poetry.websTikTok: @wild_poetrysWebsite: www.wild-poetry.comFacebook: WOW https://www.facebook.com/wow.fact

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  Standing at the Sky's Edge -...

  Richard Hawley, Chris Bush

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  Hailed as 'the most exciting new British musical in years' (WhatsOnStage), Standing at the Sky's Edge was originally written as a love letter to Sheffield, charting the hopes and dreams of three generations over the course of six tumultuous decades, navigating universal themes of love, loss and survival.
  With irresistible songs by legendary singer-songwriter Richard Hawley and a beautiful, hilarious and gut-wrenching book by Chris Bush, Standing at the Sky's Edge reveals the history of modern Britain through the stories of a landmark housing estate. It is a heartfelt exploration of the power of community and what it is we all call home.
  It was first performed at Sheffield Theatres in 2019, directed by Robert Hastie, before transferring to the National Theatre in 2023, and then the Gillian Lynne Theatre in London's West End in 2024. It won the Olivier Award for Best New Musical, the UK Theatre Award for Best Musical Production and the South Bank Sky Arts Award for Theatre.

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  In a Few Minutes Before Later

  Brenda Hillman

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  Finalist for the Four Quartets Prize, given by Poetry Society of America, 2023An iconoclastic ecopoet who has led the way for many young and emerging artists, Brenda Hillman continues to re-cast innovative poetic forms as instruments for tracking human and non-human experiences. At times the poet deploys short dialogues, meditations or trance techniques as means of rendering inner states; other times she uses narrative, documentary or scientific materials to record daily events during a time of pandemic, planetary crisis, political and racial turmoil. Hillman proposes that poetry offers courage even in times of existential peril; her work represents what is most necessary and fresh in American poetry. During an enchantment in the lifeDo you love a living person         absolutely? Tell them now.In a half-unwieldy life you made, underthe hyaline sky, while the dead         drank from zigzag pools nearby,if they saved you in your wild incapacities,         in timing of the world's harmin a little pettiness in your own heart while others took         your madrigals in shreds to a tribunal,         when others said you should feel grateful        to be minimally adequate for the world'striple exposure or some tired committee...         The ones who love us, how do theybreak through our defenses?         We're tired today. Come back later.Their baffled voices melting our wax wallswith a candle, the ones who understandwhat being is—the glowing, the broken,the wheels, the brave ones—        they have their courage,you have yours,,,;         when you meet the one you love,it is so rare. When you meetthe one who loves you, it is extremely rare.

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  The Tragedy of Timon of Athens

  William Shakespeare

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  The Tragedy of Timon of Athens (The Life of Tymon of Athens) is a play by William Shakespeare, probably written in collaboration with Thomas Middleton in about 1605–1606, which was published in the First Folio in 1623. It is about the fortunes of an Athenian named Timon. The central character is a beloved citizen of Athens who through tremendous generosity spends his entire fortune on corrupt hangers-on only interested in getting the next payout.
  The earliest-known production of the play was in 1674, when Thomas Shadwell wrote an adaptation under the title The History of Timon of Athens, The Man-hater. Multiple other adaptations followed over the next century, by writers such as Thomas Hull, James Love and Richard Cumberland. The straight Shakespearean text was performed at Smock Alley in Dublin in 1761, but adaptations continued to dominate the stage until well into the 20th century.
  ... Flavius arrives. He wants the money as well, but he also wants Timon to come back into society. Timon acknowledges that he has had one true friend in Flavius, a shining example of an otherwise diseased and impure race, but laments that this man is a mere servant. He invites the last envoys from Athens, who hoped Timon might placate Alcibiades, to go hang themselves, and then dies in the wilderness. Alcibiades, marching on Athens, then throws down his glove, and ends the play reading the bitter epitaph Timon wrote for himself, part of which was composed by Callimachus:
  "Here lies a wretched corpse of wretched soul bereft:
  Seek not my name: a plague consume you wicked caitiffs left!"
  Here lie I, Timon, who alive, all living men did hate,
  Pass by, and curse thy fill, but pass and stay not here thy gait...
  Among the most significant works William Shakespeare: Hamlet, Othello, King Lear, Macbeth, Orpheus, Romeo and Juliet, Julius Caesar, Troilus and Cressida, The Tempest, Venus and Adonis, Antony and Cleopatra, Measure for Measure, The Winter's Tale and many more.

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  The Boy - Special Edition

  Reno Bachman

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  This audiobook is narrated by an AI Voice.   
  A brutal coming-of-age Western set in blood, dust, and redemption. The Boy follows a young Black gunman forged by tragedy and raised by an outlaw prospector in a violent American frontier where justice is paid for in gunfire, silence, and consequence. 
  When the boy’s father—feared across the territory as the man who could outdraw any living soul—is murdered and left without dignity, the boy swears revenge. Guided only by harsh lessons, instinct, and the code of the dying West, he grows into a quiet storm: patient, disciplined, and lethal. 
  But revenge is never simple, and the trail forces him to confront more than his father’s killer. Along the way he finds love, betrayal, cruelty, unexpected mercy, and the terrifying truth that a man must decide whether violence defines him—or frees him. 
  Dark, poetic, and cinematic, The Boy blends Western grit with emotional depth and cultural legacy. It explores the cost of survival, the burden of history, and the myth of the gunfighter through a voice both intimate and unforgiving. 
  For listeners who enjoy Cormac McCarthy, Sergio Leone stylings, or stories rooted in justice, rage, and resilience, this is a Western that doesn’t just aim—it hits.

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  When I Was the Wind

  Hannah Lee Jones

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  In her debut poetry collection, Hannah Lee Jones brings readers on a mythic journey across a vast physical and metaphysical landscape. Four cardinal directions point the way through this inner wilderness, through trials and initiations, suffering and discovery, on a restless quest for deeper connection and wholeness. What emerges is a richly textured map of love and loss, a tapestry of hard-won truths both personal and universal. At turns mysterious, dreamlike, intimate, and illuminating, these poems explore what is wild and timeless in the human soul.

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