Outros livros que poderiam interessá-lo

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  More American

  Sharon Hashimoto

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  Poetry. Asian & Asian American Studies. Winner of the 2021 Off the Grid Poetry Prize. In MORE AMERICAN, poet Sharon Hashimoto reconstructs a collective memory, conjuring the voices of grandparents, children, soldiers, and "those left to tell." In moving detail, these poems convey the realities of assimilation, service, and internment as experienced by Japanese Americans during, and in the decades following, the Second World War. In this stunning second collection, Hashimoto reckons with the limitations of language, and by extension, notions of citizenship. She deftly sounds the dissonances in the language of loyalty and allegiance.

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  For the Marriage of Faustus and...

  Hart Crane

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  Harold Hart Crane was born on the 21st July 1899 in Garrettsville, Ohio. 
  Crane was drawn to literature at an early age, becoming a voracious reader and pursuing self-education rather than attach himself to a more formal college education, although he did attend East High School in 1913.  His developing love of poetry was nurtured with the works of the English Romantics and the French Symbolists, as well as near contemporary American poets. 
  Much of his youth was spent shuttling between Cleveland and New York as his parents’ marriage descended into continuing conflict before they separated with Crane still in his teens.  Shortly after Crane attempted to enlist in the U S Military but was rejected for being a minor. 
  His first published poem also came in 1917 with ‘C33’ and its reference to the cell number that Oscar Wilde was incarcerated in. 
  Crane now centred more of his time in New York and immersed himself in the vibrant artistic scene of Greenwich Village.  Alongside this he dabbled in various jobs to support himself, including copywriting and work in a munitions factory, as he continued to develop his ambitions for a poetic career.   
  His early work was already being noticed for its lush and rich use of words and by the time ‘White Buildings’ was published in 1926 he was being critically acclaimed. 
  Despite this success his personal life was troubled.  It was both nourishing his work and fuelling complex patterns of despair as he sought to establish his identity.  In a time when homosexuality was openly condemned his openly gay attitude sat uneasily as he pursued relationships that were both intense and emotionally fraught. 
  His acclaimed work ‘The Bridge’ in 1930 was both ambitious and a foundation stone for new American poetry.  Against this his battles with depression and alcoholism were being lost. 
  Hart Crane died on the 27th April 1932 by jumping from the deck of a steamship into the Gulf of Mexico upon his return to the United States from Mexico.  He was 32.

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  The Tempest

  William Shakespeare

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  The Tempest is a play by English playwright William Shakespeare, probably written in 1610-1611, and thought to be one of the last plays that Shakespeare wrote alone. After the first scene, which takes place on a ship at sea during a tempest, the rest of the story is set on a remote island, where the sorcerer Prospero, a complex and contradictory character, lives with his daughter Miranda, and his two servants: Caliban, a savage monster figure, and Ariel, an airy spirit. The play contains music and songs that evoke the spirit of enchantment on the island. It explores many themes, including magic, betrayal, revenge, and family. In Act IV, a wedding masque serves as a play-within-a-play, and contributes spectacle, allegory, and elevated language.
  Although The Tempest is listed in the First Folio as the first of Shakespeare's comedies, it deals with both tragic and comic themes, and modern criticism has created a category of romance for this and others of Shakespeare's late plays. The Tempest has been put to varied interpretations, from those that see it as a fable of art and creation, with Prospero representing Shakespeare, and Prospero's renunciation of magic signaling Shakespeare's farewell to the stage, to interpretations that consider it an allegory of Europeans colonizing foreign lands.

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  Little Women (NHB Modern Plays)...

  Louisa May Alcott

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  Christmas Eve, 1862. With their father away on the frontline of the American Civil War, the four March sisters – Meg, Jo, Beth and Amy – journey into adulthood, each determined to pursue a life on their own terms. But growing up means contending with love and loss, as well as the myriad twists of fortune that shape a life.
  Published in 1868, Louisa May Alcott's Little Women was an immediate critical and commercial success, and remains one of the best-loved novels of all time.
  This joyful and spirited adaptation was first produced at Pitlochry Festival Theatre and Watford Palace Theatre in 2022, directed by Brigid Larmour. An earlier version was staged at the Gate Theatre, Dublin, in 2011.
  It provides rich opportunities for any amateur company looking for an uplifting version of a classic story that's guaranteed to delight audiences.

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  Pessimism is for Lightweights -...

  Salena Godden

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  One of the very first publications to come off the Rough Trade Books press, Pessimism is for Lightweights began life as thirteen pieces of courage and resistance from the pen of the one and only Salena Godden. These are poems written for the Women's March, poems that salute peaceful protest, poems on sexism and racism, class discrimination, poverty and homelessness, immigration and identity. This new edition expands the collection to full book length and shows Godden at her inimitable best—deft technique and powerful emotional heft, with additional new poems reflecting on our fast- changing world with her trademark humour and resilience. This is a book full of light, courage and most of all hope..

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  There is (still) love here

  Dean Atta

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  There is (still) love here, the compelling new collection of poetry by Dean Atta, is a personal and powerful exploration of relationships, love and loss, encompassing LGBTQ+ and Black history, Greek Cypriot heritage, pride and identity, dislocation and belonging.
  Atta's tender, precisely-crafted and generous poems seek consolation and affirmation. These are poems as an antidote for challenging times, whether facing prejudice or the challenges of the pandemic, experiencing grief or recovering from heartbreak. Here, we encounter blue feelings and homesickness, things lost in translation and the pressures of the many roles we play in life. We also find the recipes of home, gifts and giving, the togetherness of community and connection to help us to heal. There is still love here - and journeys towards forgiveness, acceptance, queer joy and the power to unapologetically be yourself and fully embrace who you are.

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