Outros livros que poderiam interessá-lo

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  The Revisionist

  Jesse Eisenberg

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  A play by the multitalented actor: “[Eisenberg] has a wry ear and a knack for unsentimental poignancy that keeps The Revisionist emotionally compelling.”—USA Today 
   
  Though he first became known for his acting in films ranging from The Squid and the Whale to The Social Network, Jesse Eisenberg has also emerged as an acclaimed literary talent—a regular contributor to the New Yorker and a highly praised playwright. 
   
   
  In The Revisionist, his second play, young writer David arrives in Poland with a crippling case of writer’s block and a desire to be left alone. His seventy-five-year-old second cousin, Maria, welcomes him with a fervent need to connect with her distant American relative. As their relationship develops, she will reveal details about her postwar past that test their ideas of what it means to be a family. 
   
  This “tightly structured, deeply human play about the truthful mess of human experience” (Exeunt Magazine) had its world premiere at the Cherry Lane Theatre in New York in spring 2013, starring Jesse Eisenberg and Vanessa Redgrave and directed by Kip Fagan. 
   
   
  “A rewarding account of cultural collision that yields unexpected reflections on the centrality of family in our lives—whether we idealize them or take them for granted…As a playwright, Eisenberg’s intentions seem clear. He takes a critical swipe at himself, and by extension, his entitled generation.”—Hollywood Reporter

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  This Is Not Your Final Form -...

  Richard O'Brien

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  This Is Not Your Final Form showcases the best of Birmingham: a rich, varied and vibrant city capable of inspiring a range of contemporary poetic responses. This anthology, bringing together entries from the inaugural Verve Poetry Festival Competition, depicts a second city which is no longer content to play second fiddle. Poets take on the area's musical past, its complex industrial history, its unique blend of architectural styles and the experiences of its many immigrant communities. Writers celebrate the lives of significant figures, from Matthew Boulton to Benjamin Zephaniah, and ordinary Brummies alike. Ranging from spoken word-inspired pieces to more traditional styles, much of the work collected here channels the energy and the political anger that runs like a seam through centuries of Birmingham history. Taken together, This Is Not Your Final Form is a tough, unsentimental love letter to the Midlands metropolis, which finds beauty in concrete and unity in contradiction.

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  Island The (Librovox)

  Lord Byron

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  Written late in his career, Byron's narrative poem The Island tells the famous story of the mutiny on board the Bounty, and follows the mutineers as they flee to a South Sea island, "their guilt-won Paradise." (Summary by Elizabeth Klett)

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  Hiawatha

  Henry Wadsworth Longfellow

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  Longfellow’s great narrative poem has been unjustly neglected in recent years though it gives a sympathetic portrait especially of Hiawatha, reared by Nokomis, daughter of the Moon, and his bride Minehaha. It is famously underpinned by its hypnotic rhythm, which makes it ideal listening.

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  Seeds (NHB Modern Plays)

  Mel Pennant

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  'What would you do to save your son? Everything? Anything? Lie?'
  It's Michael Thomas's birthday. A cake sits in his mother Evelyn's living room, its candles burning undisturbed.
  On the fifteenth anniversary of Michael's fatal stabbing, Jackie wants to clear her conscience, whilst Evelyn's got a big speech to deliver. Are some things better left unsaid?
  Mel Pennant's play seeds explores the human story behind a tragedy, through the eyes of those left behind: two mothers united in sorrow, and sharing the hardship of protecting their sons – one in life, and one in death.
  seeds was shortlisted for the Alfred Fagon Award, and first produced on a UK tour in 2020 by tiata fahodzi and Wrested Veil, in association with Leeds Playhouse, Soho Theatre and Tara Finney Productions.

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  Why I Was Late

  Charlie Petch

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  With kitchen-table candour and empathy, Charlie Petch’s debut collection of poems offers witness to a decades-long trans/personal coming of age, finding heroes in unexpected places.   
  Why I Was Late fuses text with performance, bringing a transmasculine wisdom, humour, and experience to bear upon tailgates, spaceships, and wrestling rings. Fierce, tender, convention re-inventing—Petch works hard. And whether it’s as a film union lighting technician, a hospital bed allocator, a Toronto hot dog vendor, or a performer/player of the musical saw, the work is survival. Heroes are found in unexpected places, elevated by both large and small gestures of kindness, accountability and acceptance. No subject—grief, disability, kink, sexuality, gender politics, violence—is off limits.  
  A poet so good at drag they had everyone convinced that they were a woman for the first forty years of their life, Petch has somehow brought the stage and its attendant thrills into the book. Better late than. And better.

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