Junte-se a nós em uma viagem ao mundo dos livros!
Adicionar este livro à prateleira
Grey
Deixe um novo comentário Default profile 50px
Grey
Assine para ler o livro completo ou leia as primeiras páginas de graça!
All characters reduced
The Woman's Prize - aka The Tamer Tam'd "I find the medicine worse than the malady" - cover

Nos desculpe! A editora ou autor removeu este livro do nosso catálogo. Mas não se preocupe, você ainda tem mais de 500.000 livros para escolher para seguir sua leitura!

The Woman's Prize - aka The Tamer Tam'd "I find the medicine worse than the malady"

John Fletcher

Editora: Stage Door

  • 0
  • 0
  • 0

Sinopse

John Fletcher was born in December, 1579 in Rye, Sussex.  He was baptised on December 20th.   As can be imagined details of much of his life and career have not survived and, accordingly, only a very brief indication of his life and works can be given.   Young Fletcher appears at the very young age of eleven to have entered Corpus Christi College at Cambridge University in 1591.  There are no records that he ever took a degree but there is some small evidence that he was being prepared for a career in the church.   However what is clear is that this was soon abandoned as he joined the stream of people who would leave University and decamp to the more bohemian life of commercial theatre in London.   The upbringing of the now teenage Fletcher and his seven siblings now passed to his paternal uncle, the poet and minor official Giles Fletcher. Giles, who had the patronage of the Earl of Essex may have been a liability rather than an advantage to the young Fletcher.  With Essex involved in the failed rebellion against Elizabeth Giles was also tainted.   By 1606 John Fletcher appears to have equipped himself with the talents to become a playwright. Initially this appears to have been for the Children of the Queen's Revels, then performing at the Blackfriars Theatre.   Fletcher's early career was marked by one significant failure; The Faithful Shepherdess, his adaptation of Giovanni Battista Guarini's Il Pastor Fido, which was performed by the Blackfriars Children in 1608.   By 1609, however, he had found his stride. With his collaborator John Beaumont, he wrote Philaster, which became a hit for the King's Men and began a profitable association between Fletcher and that company. Philaster appears also to have begun a trend for tragicomedy.   By the middle of the 1610s, Fletcher's plays had achieved a popularity that rivalled Shakespeare's and cemented the pre-eminence of the King's Men in Jacobean London. After his frequent early collaborator John Beaumont's early death in 1616, Fletcher continued working, both singly and in collaboration, until his own death in 1625.  By that time, he had produced, or had been credited with, close to fifty plays.
Disponível desde: 10/12/2017.

Outros livros que poderiam interessá-lo

  • Pagliacci - cover

    Pagliacci

    Thomson Smillie

    • 0
    • 0
    • 0
    Pagliacci may be the most completely compelling short opera in the repertory and owes much of its impact to a brilliant story based, it is said, on true life and told through the device of a play-within-a-play. The action is set in Calabria in the deep south of Italy where the jealousies and illicit passions of a troupe of strolling actors precisely intersect with the play they are performing – to both touching and tragic effect. Leoncavallo was his own librettist, and his literary skills, allied to great melodic creativity, guarantee that in its two short acts Pagliacci – ‘Clowns’ – delivers an overwhelming emotional experience.
    Ver livro
  • Movies Are Prayers - How Films Voice Our Deepest Longings - cover

    Movies Are Prayers - How Films...

    Josh Larsen

    • 0
    • 0
    • 0
    "Movies are our way of telling God what we think about this world and our place in it. . . . Movies can be many things: escapist experiences, historical artifacts, business ventures, and artistic expressions, to name a few. I'd like to suggest that they can also be prayers." Movies do more than tell a good story. They are expressions of raw emotion, naked vulnerability, and unbridled rage. They often function in the same way as prayers, communicating our deepest longings and joys to a God who hears each and every one. In this captivating book, Filmspotting co-host Josh Larsen brings a critic's unique perspective to how movies function as expressions to God of lament, praise, joy, confession, and more. His clear expertise and passion for the art of film, along with his thoughtful reflections on the nature of prayer, will bring you a better understanding of both. God's omnipresence means that you can find him whether you're sitting on your sofa at home or in the seats at the theater. You can talk to him wherever movies are shown. And when words fail, the perfect film might be just what you need to jump-start your conversations with the Almighty.
    Ver livro
  • Vincent Van Gogh and artworks - cover

    Vincent Van Gogh and artworks

    Vincent Van Gogh

    • 1
    • 2
    • 0
    Vincent van Gogh’s life and work are so intertwined that it is hardly possible to observe one without thinking of the other. Van Gogh has indeed become the incarnation of the suffering, misunderstood martyr of modern art, the emblem of the artist as an outsider. An article, published in 1890, gave details about van Gogh’s illness. The author of the article saw the painter as “a terrible and demented genius, often sublime, sometimes grotesque, always at the brink of the pathological.” Very little is known about Vincent’s childhood. At the age of eleven he had to leave “the human nest”, as he called it himself, for various boarding schools. The first portrait shows us van Gogh as an earnest nineteen year old. At that time he had already been at work for three years in The Hague and, later, in London in the gallery Goupil & Co. In 1874 his love for Ursula Loyer ended in disaster and a year later he was transferred to Paris, against his will. After a particularly heated argument during Christmas holidays in 1881, his father, a pastor, ordered Vincent to leave. With this final break, he abandoned his family name and signed his canvases simply “Vincent”. He left for Paris and never returned to Holland. In Paris he came to know Paul Gauguin, whose paintings he greatly admired. The self-portrait was the main subject of Vincent’s work from 1886c88. In February 1888 Vincent left Paris for Arles and tried to persuade Gauguin to join him. The months of waiting for Gauguin were the most productive time in van Gogh’s life. He wanted to show his friend as many pictures as possible and decorate the Yellow House. But Gauguin did not share his views on art and finally returned to Paris. On 7 January, 1889, fourteen days after his famous self-mutilation, Vincent left the hospital where he was convalescing. Although he hoped to recover from and to forget his madness, but he actually came back twice more in the same year. During his last stay in hospital, Vincent painted landscapes in which he recreated the world of his childhood. It is said that Vincent van Gogh shot himself in the side in a field but decided to return to the inn and went to bed. The landlord informed Dr Gachet and his brother Theo, who described the last moments of his life which ended on 29 July, 1890: “I wanted to die. While I was sitting next to him promising that we would try to heal him. [...], he answered, ‘La tristesse durera toujours (The sadness will last forever).’”
    Ver livro
  • Off the Planet - Music Sound and Science Fiction Cinema - cover

    Off the Planet - Music Sound and...

    Rebecca Leydon, Shuhei Hosokawa,...

    • 0
    • 0
    • 0
    Essays on the use of music and sound in films from Godzilla to Star Wars and beyond.   In recent years, music and sound have been increasingly recognized as an important, if often neglected, aspect of film production and film studies. Off the Planet comprises a lively, stimulating, and diverse collection of essays on aspects of music, sound, and science fiction cinema.   Following a detailed historical introduction to the development of sound and music in the genre, individual chapters analyze key films, film series, composers, and directors in the postwar era. The first part of the anthology profiles seminal 1950s productions such as The Day the Earth Stood Still, the first Godzilla film, and Forbidden Planet. Later chapters analyze the work of composer John Williams, the career of director David Cronenberg, the Mad Max series, James Cameron’s Terminators, and other notable SF films such as Space Is the Place, Blade Runner, Mars Attacks!, and The Matrix. Off the Planet is an important contribution to the emerging body of work in music and film, with contributors including leading film experts from Australia, Canada, Japan, New Zealand, the United Kingdom, and the United States.
    Ver livro
  • 5 Elements of Sound Healing - The Art of Vibrational Medicine and Sonic Ceremony - cover

    5 Elements of Sound Healing -...

    Bodhi Starwater

    • 0
    • 0
    • 0
    What is Sound? What is Healing? Do you love the magical and mystical feelings that arise during a sound healing experience? Would you like to include a sonic healing component to an existing practice? Do you have a vision to create your own ceremonial journeys using sound as vibrational medicine? 
    Using the five elements of nature as our guide, we will explore the techniques of intuitive sound healing and how to apply these in a practical way. Our body has a natural capacity to regenerate itself. With the right nurturing environments, rest and nutrition, our body repairs itself. The healing comes from within. All medicine, including sound, simply facilitates this process. 
    In this book You will learn: The nature of the elementsKey sound healing principlesWhat are the sound healing instruments and how to use themA brief history of sound healing instrumentsHow to create a sound healing journey 
    Through years of experience as a musician and sound healer, having studied many different schools and styles of music, I discovered my own method for achieving balance and harmony with the power of sound. I have synthesized my own practice, blending music with sound healing principles. This book is a guide for understanding the different elements and how to use them effectively in your sound healing practice. These ideas can be used by anyone, whether you are new to sound healing or an experienced practitioner.
    Ver livro
  • Ties That Bind - Stories of Love and Gratitude from the First Ten Years of StoryCorps - cover

    Ties That Bind - Stories of Love...

    David Isay

    • 0
    • 0
    • 0
    In celebration of StoryCorps’ ten year anniversary, Ties That Bind goes to the heart of the project’s great mission, sharing stories that are a testament to family and to the diversity of American experience. From the story of one couple separated temporarily by divorce and then permanently by the tragedy of 9/11, to the amazing power of forgiveness shown by a mother toward her son’s repentant killer, these are moving, uplifting, real-life stories from everyday Americans, gathered by StoryCorps and heard on NPR’s Morning Edition. 
    This highlight edition features exclusive audio contents, including StoryCorps founder Dave Isay in conversation with NPR’s Scott Simon, as well as oral historian Studs Terkel’s memorable dedication of the StoryCorps booth in Grand Central Terminal. These moving, humanity-drenched, first-person accounts epitomize the strength of the ties that bind us to each other, against the pull of powerful forces. 
    Ver livro