Other books that might interest you

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  A Ballade of Suicide

  G.K. Chesterton

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  LibriVox volunteers bring you 18 recordings of A Ballade of Suicide by G. K. Chesterton. This was the Fortnightly Poetry project for May 20, 2012.Gilbert Keith Chesterton was an English writer. He published works on philosophy, ontology, poetry, plays, journalism, public lectures and debates, literary and art criticism, biography, Christian apologetics, and fiction, including fantasy and detective fiction. Chesterton has been called the "prince of paradox". Time magazine, in a review of a biography of Chesterton, observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out."  For example, Chesterton wrote "Thieves respect property. They merely wish the property to become their property that they may more perfectly respect it." (Summary by Wikipedia )

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  Winter’s Tale The (Argo Classics)

  William Shakespeare

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  William Collins Books and Decca Records are proud to present ARGO Classics, a historic catalogue of classic prose and verse read by some of the world’s most renowned voices. Originally released as vinyl records, these expertly remastered stories are now available to download for the first time. 
  ‘Though I am not naturally honest, I am sometimes so by chance.’ 
  Based on Robert Greene’s story Pandosto, The Winter’s Tale play tells the story of Leontes, king of Sicilia, and his childhood friend, Polixenes, king of Bohemia. In a jealous rage, Leontes mistakenly accuses Polixenes and his own his wife, Hermione, of adultery and her newborn daughter as illegitimate, casting her into the wilderness, causing their son to die of grief and Hermione to seemingly follow suit. With his family dead or believed dead, Leontes must face the tragic consequences of his actions. With unbridled honesty and the pain of love, the final act is one of Shakespeare’s most moving reconciliation scenes. 
  All of the Shakespeare plays within the ARGO Classics catalogue are performed by the Marlowe Dramatic Society and Professional Players. The Marlowe was founded in 1907 with a mission to focus on effective delivery of verse, respect the integrity of texts, and rescue neglected plays by Shakespeare’s contemporaries and the less performed plays of Shakespeare himself. The Marlowe has performed annually at Cambridge Arts Theatre since its opening in 1936 and continues to produce some of the finest actors of their generations. 
  Thurston Dart, Professor of Music at London University and a Fellow of Jesus College Cambridge, directed the music for this production. 
  The full cast includes: William Squire; Denis McCarthy; Terrence Hardiman; Corin Redgrave; Toby Robertson; Anthony White; George Rylands; John Barton; Michael Bates; Margaretta Scott; Mary Conroy; Joan Hart; Jill Daltry; Janette Richer; Clive Swift; Ian McKellen; Richard Marquand; Donald Beves; Anthony Arlidge. 
  The Winter's Tale, a masterpiece from the best of Shakespeare's less performed plays, has been brought to life by the Marlowe Dramatic Society, a top performing group in the European theatre scene. Their interpretation of the play, steeped in unbridled honesty and the pain of love, has been hailed as one of the finest of their generation. 
  For fans of Richard Parsons (GCSE English Shakespeare Text Guide), and Arthur Miller (Incident at Vichy).

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  The Broken String - Poems

  Grace Schulman

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  An award-winning contemporary poet celebrates the joyful, impossible language of music in this collection that “surpasses her distinguished previous work” (Harold Bloom).    One of the finest poets writing today, Grace Schulman finds order in art and nature that enables her to stand fast in a threatened world. The title refers to Itzhak Perlman’s performance of a violin concerto with a snapped string, which inspires a celebration of life despite limitations. For her, song imparts endurance: Thelonious Monk evokes Creation; John Coltrane’s improvisations embody her own heart’s desire to “get it right on the first take”; the wind plays a harp-shaped oak; and her immigrant ancestors remember their past by singing prayers on a ship bound for New York. In the words of Wallace Shawn, “When I read her, she makes me want to live to be four hundred years old, because she makes me feel that there is so much out there, and it’s unbearable to miss any of it.”   “Grace Shulman has developed into one of the permanent poets of her generation.” —Harold Bloom   “[An] extended paean to the triumph of art over adversity or, perhaps, to the birth of beauty in adversity.” —The Seattle Times

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  Fierce Fairytales - Poems and...

  Nikita Gill

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  Poet, writer, and Instagram sensation Nikita Gill returns with a  collection of fairytales poetically retold for a new generation of  women. 
  Traditional fairytales are rife with cliches and gender stereotypes: beautiful, silent princesses; ugly, jealous, and bitter villainesses; girls who need rescuing; and men who take all the glory. 
  But in this rousing new prose and poetry collection, Nikita Gill gives Once Upon a Time a much-needed modern makeover. Through her gorgeous reimagining of fairytale classics and spellbinding original tales, she dismantles the old-fashioned tropes that have been ingrained in our minds. In this book, gone are the docile women and male saviors. Instead, lines blur between heroes and villains. You will meet fearless princesses, a new kind of wolf lurking in the concrete jungle, and an independent Gretel who can bring down monsters on her own. 
  Fierce Fairytales is an empowering collection of poems and stories for a new generation.

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  We Have Been Friends Together

  Caroline Elizabeth Sarah Norton

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  LibriVox volunteers bring you 17 recordings of We Have Been Friends Together by Caroline Norton. This was the Fortnightly Poetry project for November 1st, 2009.

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  Iphigenia Among the Taurians

  Euripedes

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  The brilliant and gripping classical drama of mistaken identities, divine intervention, a long-suffering family, and the rescue of a long-lost sister. 
   
  I am Iphigenia, daughter of the daughter of Tyndareus. 
   
  My father killed me. 
   
  Few contemporary poets elicit such powerful responses from readers and critics as Anne Carson. The New York Times Book Review calls her work “personal, necessary, and important,” while Publishers Weekly says she is “nothing less than brilliant.” Her poetry—enigmatic yet approachable, deeply personal yet universal in scope, wildly mutable yet always recognizable as her distinct voice—invests contemporary concerns with the epic resonance and power of the Greek classics that she has studied, taught, and translated for decades. 
   
  Iphigenia Among the Taurians is the latest in Carson’s series of translations of the plays of Euripides. Originally published as part of the third edition of Chicago’s Complete Greek Tragedies, it is published here as a stand-alone volume for the first time. In Carson’s stunning translation, Euripides’s play—full of mistaken identities, dangerous misunderstandings, and unexpected interventions by gods and men—is as fierce and fresh as any contemporary drama. Carson has accomplished one of the rarest feats of translation: maintaining fidelity to a writer’s words even as she inflects them with her own unique poetic voice. 
   
  Destined to become the standard translation of the play, Iphigenia Among the Taurians is a remarkable accomplishment, and an unforgettable work of poetic drama.

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