Outros livros que poderiam interessá-lo

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  Troilus and Cressida (Argo...

  William Shakespeare

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  William Collins Books and Decca Records are proud to present ARGO Classics, a historic catalogue of classic prose and verse read by some of the world’s most renowned voices. Originally released as vinyl records, these expertly remastered stories are now available to download for the first time. 
  ‘He eats nothing but doves, love, and that breeds hot blood, and hot blood beget hot thoughts, and hot thoughts beget hot deeds, and hot deeds is love.’ 
  Shakespeare’s epic tale of war, love and loss 
  Trojan prince Troilus falls in love with Cressida, as war rages around them. After vowing to be faithful, Cressida is traded to the Greek camp, where she then agrees to see another man. Troilus witnesses Cressida's unfaithfulness and vows to put more effort into the war. The play ends after further deaths on both sides, and with no resolution in sight. 
  All of the Shakespeare plays within the ARGO Classics catalogue are performed by the Marlowe Dramatic Society and Professional Players. The Marlowe was founded in 1907 with a mission to focus on effective delivery of verse, respect the integrity of texts, and rescue neglected plays by Shakespeare’s contemporaries and the less performed plays of Shakespeare himself. The Marlowe has performed annually at Cambridge Arts Theatre since its opening in 1936 and continues to produce some of the finest actors of their generations. 
  Thurston Dart, Professor of Music at London University and a Fellow of Jesus College Cambridge, directed the music for this production. 
  The full cast includes:John Sheppard; Gary Watson; Anthony White; Julian Pettifer; John Barton; David Gibson; Clive Swift; Donald Beves; John Wilders; Noel Annan; James Taylor‑Whitehead; Tony Church; George Rylands; John Barton; John Arnott; David Buck; Peter Woodthorpe; Anthony Jacobs; Wendy Gifford; Christine Baker; Dorothy Mulcahy; Irene Worth. 
  This top performing piece of European theatre, brought to life by the best in the field, continues to captivate audiences with its timeless themes. The intricate dance of love, betrayal, and war in Troilus and Cressida remains as poignant today as it was in Shakespeare's time. 
  For fans of Richard Parsons (GCSE English Shakespeare Text Guide), and Arthur Miller (Incident at Vichy).

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  The Suitable Surroundings

  Ambrose Bierce

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  Can a tale of terror invoke such horror that under the right circumstances it can scare its reader to death? Two gentlemen are about to find out.

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  Carmilla

  Sheridan Le Fanu

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  A Gothic Horror of the Vampire, predating Dracula by some 26 years. Carmilla is a tale of creeping horror, narrated by a young girl, who finds herself beset by a mysterious illness, that her newfound and mysterious friend, Carmilla surely can't have anything to do with... Considered one of the founding works within the Vampire genre, its influence can be found throughout popular horror fiction and other media. 
  Written by Sheridan Le Fanu and narrated by Michael Ward.

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  Mankind in the Making (Unabridged)

  H. G. Wells

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  Mankind in the Making (1903) is H.G. Wells's sequel to Anticipations (1901). Mankind in the Making analyzes the "process" of "man's making," i.e. "the great complex of circumstances which mould the vague possibilities of the average child into the reality of the citizen of the modern state." Taking an aggressive tone in criticizing many aspects of contemporary institutions, Wells proposed a doctrine he called "New Republicanism," which "tests all things by their effect upon the evolution of man.

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  Christs in the Tirol

  D H Lawrence

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  'Christs in the Tirol' is more of an essay on this peculiar art form than a short story, it is included in this series as forming part of Lawrence's record of his wanderings in Europe and partly as a record of Lawrence's attitude to religion and death and foreshadowing his own eventual suffering and death.

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  A Father

  Anton Chekhov

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  A tragic father, Old Musatov, finds himself lucky to have very dedicated children. Musatov is a drunkard and is constantly seeking out money from his sons, which they routinely give to him over and over again. Musatov is drunkenly relating the pride and appreciation he feels for all of his sons to one of his sons, Boris, while also admitting his own flaws. His children indulge their father continually, even though he doesn't deserve it for all the trouble he causes them and the fact that he has nothing to give them in return.

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