Outros livros que poderiam interessá-lo

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  Darkness Box

  Ursula K. Le Guin

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  This is the first story I ever got paid for; the second story I ever got published; and maybe the thirtieth or fortieth story I wrote. I had been writing poetry and fiction ever since my brother Ted, tired of having an illiterate five-year-old sister around, taught me to read. At about twenty I began sending things off to publishers. Some of the poetry got printed, but I didn’t get systematic about sending out the fiction till I was getting on to thirty. It kept systematically coming back. 
  “April in Paris” was the first “genre” piece—recognizably fantasy or science fiction—that I had written since 1942, when I wrote an Origin-of-Life-on-Earth story for Astounding, which for some inconceivable reason rejected it (I never did synch with John Campbell). At age twelve I was very pleased to get a genuine printed rejection slip, but by age thirty-two I was very pleased to get a check. “Professionalism” is no virtue; a professional is simply one who gets paid for doing what an amateur does for love. But in a money economy, the fact of being paid means your work is going to be circulated, is going to be read; it’s the means to communication, which is the artist’s goal. Cele Goldsmith Lalli, who bought this story in 1962, was as enterprising and perceptive an editor as the science fiction magazines have ever had, and I am grateful to her for opening the door to me.

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  Spanking Naughty Girls 3 - James...

  Peter Michaels

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  James spanks Evelyn and her naughty daughter Emma 
  Evelyn Harris hears that James solved Kate’s problem and she asks him to do the same for her. Emma, her daughter, has got into bad company and needs some parental guidance, but Evelyn is a single mum and finds it challenging to spank Emma when she is naughty. James comes up with an idea and Evelyn agrees to be spanked when Emma is naughty until Emma agrees she should take the spanking. Emma agrees but calls the police to accuse James of assault. Luckily James has been recording all the spanking sessions so Emma is proven to be a liar so she gets an extra spanking for that. Soon Emma agrees that she has been naughty and her behaviour improves. Evelyn eventually marries the policeman who helped solve their problem.

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  Spanking Older Women 4 - Ken...

  Paul Amann

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  Ken Barnard is a computer software designer who has had a series of unrewarding relationships with women his own age. He lives in the bottom half of an old Victorian semi-detached house in Hendon, London, and he is enthusiastic about just two things, computer programming and spanking. Recently he has discovered the pleasure in spanking older women who are often not only willing but desperate to be over Ken’s knee getting their bottoms warmed. In this book, Ken spanks Rose again and sleeps with her. He also spanks Maggie and her two lesbian friends Bridget and Holly. Finally, he meets an older lady on a train and she invites him over for a spanking. 
  Philip Vincent 
  Fantastic: Loved the book there was nothing bad in the book I really liked the ending you are a brilliant writer I am going to read some more of your stories  
  Jason Roberts 
  Another fun spanking series: Sweet older ladies can benefit from spankings just as much as naughty little girls. I’m really enjoying this author's genre-busting sexy spanking stories.  
  NJSpank 
  Enjoyable: With so many stories about thin young ladies and men being spanked this perspective was very enjoyable. Some nice erotic moments but spanking was the main theme. Well done and a very nice read

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  Great Expectations

  Charles Dickens

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  Great Expectations is the thirteenth novel by Charles Dickens and his penultimate completed novel. It depicts the education of an orphan nicknamed Pip (the book is a bildungsroman; a coming-of-age story). It is Dickens' second novel, after David Copperfield, to be fully narrated in the first person. The novel was first published as a serial in Dickens's weekly periodical All the Year Round, from 1 December 1860 to August 1861. In October 1861, Chapman and Hall published the novel in three volumes.The novel is set in Kent and London in the early to mid-19th century and contains some of Dickens's most celebrated scenes, starting in a graveyard, where the young Pip is accosted by the escaped convict Abel Magwitch. Great Expectations is full of extreme imagery – poverty, prison ships and chains, and fights to the death – and has a colourful cast of characters who have entered popular culture. These include the eccentric Miss Havisham, the beautiful but cold Estella, and Joe, the unsophisticated and kind blacksmith.Dickens's themes include wealth and poverty, love and rejection, and the eventual triumph of good over evil. Great Expectations, popular with readers and literary critics, has been translated into many languages and adapted numerous times into various media.

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  Lilliputin - Tales from a War...

  Jan Němec

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  Written in the first four months of the war in Ukraine, fuelled by anger towards mindless violence, Němec's stories tackle the present moment and confront what really matters at times of abundant destruction.
  
  A Czech man in Ukraine in search of his alter ego. A gang of homeless kids driven from a cellar by tenants using it as a shelter from the war. A German couple who 'rented a womb' in Ukraine, whose child is now stuck in Kyiv. A teenager partnered with a Valkyrie for the distribution of lavash in besieged Mariupol delays his flight until it is too late. A Russian academic mounting a protest in the center of Moscow dressed in a costume from Swan Lake. They may not be soldiers at the front, but for the characters in these stories, life will never again be as it was before the Russian invasion of Ukraine. In this collection of short stories-two set in Ukraine, two in the West, and one in Russia-Czech author Jan Němec has produced a work of remarkable immediacy.

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  Casting the Runes & Other Ghost...

  M. R. James

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  When we think of ghost stories, we tend to think of cub scouts cringing by a fire, s'mores at the ready, as some aging camp counselor tries to scare them witless with yet another tale from the crypt.  
  M.R. James had a great, and simple, formula for writing ghost stories. Establish the mundane and everyday detail (which is heightened by the Victorian academic settings), and then introduce, briefly, the supernatural, which cracks the surface of everything normal that has been so carefully established. 
  This IS a book of CLASSIC horror stories. They don't depend nor do they need buckets of blood slung against a wall or descriptions of disembowelments or decapitations. 
  "M. R. James is to the ghost story as Petrarch to the sonnet: he didn't invent the form but he perfected it and no one since has been able to write one without acknowledging the master."

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