Outros livros que poderiam interessá-lo

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  Pessimism is for Lightweights -...

  Salena Godden

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  One of the very first publications to come off the Rough Trade Books press, Pessimism is for Lightweights began life as thirteen pieces of courage and resistance from the pen of the one and only Salena Godden. These are poems written for the Women's March, poems that salute peaceful protest, poems on sexism and racism, class discrimination, poverty and homelessness, immigration and identity. This new edition expands the collection to full book length and shows Godden at her inimitable best—deft technique and powerful emotional heft, with additional new poems reflecting on our fast- changing world with her trademark humour and resilience. This is a book full of light, courage and most of all hope..

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  Spoken - A Spoken Word Poetry...

  Enoch Black, Kimberly McAfee,...

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  Spoken, Quillkeeprs Press' inaugural installment of spoken word poetry audiobook is curated with spoken word pieces by five poets who excel at the orated word. Each track is enhanced with background music that compliments their poetry. Some poets provided their own tracks, like that of Lee Frank. The music for Azianami's pieces "Dark in the Light" and "Butterflies in the Skies" was produced by music by Zander X. 

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  The Ruins of Nostalgia

  Donna Stonecipher

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  What is it to feel nostalgia, to be skeptical of it yet cleave intently to the complex truths of feeling and thought? In a series of 64 gorgeous, ramifying, unsettling prose poems addressing late-twentieth- and twenty-first century experience and its discontents, The Ruins of Nostalgia offers a strikingly original exploration of the misunderstood phenomenon of nostalgia as both feeling-state and historical phenomenon. Each poem, also titled The Ruins of Nostalgia, is a kind of lyrical mini-essay, playful, passionate, analytic. Some poems take a location, memory, conceit, or object as their theme. Throughout the series, the poems recognize and celebrate the nostalgias they ironize, which are in turn celebrated and then ironized again. Written often in the fictional persona of the first-person plural, The Ruins of Nostalgia explores the rich territory where individual response meets a collective phenomenon.[sample poem]The Ruins of Nostalgia 13Where once there had been a low-end stationery store minded by an elderly beauty queen, there was now a store for high-end espresso machines minded by nobody. Where once there had been an illegal beer garden in a weedy lot, there was now a complex of luxury lofts with Parisian-style ivory façades. Where once there had been a bookstore and a bike shop and a bakery, there was now a wax museum for tourists. Where once there had been an empty lot there was now a building. Where once there had been an empty lot there was now a building. Where once there had been an empty lot there was now a building. Where once there had been an empty lot there was now a building. Where once there had been farms there were now subdivisions. Where once there had been subdivisions there were now sub-subdivisions. We lived in a sub-subdivision of a subdivision. We ourselves had become subdivided—where once we had merely been of two minds. * Where once there had been a river there was now a road. A vocal local group had started a movement to break up the road and "daylight" the river, which still flowed, in the dark, underneath the road. * Could we daylight the farms, the empty lots, the stationery store, the elderly beauty queen, the city we moved to? Was it still flowing somewhere, under the luxury lofts, deliquescing in the dark, inhabited by our luxury selves, not yet subdivided, because not yet whole? * Could we daylight the ruins of nostalgia?

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  Wing Over Wing

  Julie Cadwallader Staub

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  Wing Over Wing clears a path in the midst of everyday life to reveal the holy— whether catching fireflies at night, waiting at a bus stop, or experiencing the death of a loved one. This collection of beautiful poems lives at the intersection of the sacred and the ordinary, from the swirling flight of birds to conversations with the homeless. Wing Over Wing brims with compassion. The reader will find comfort and sustenance, as well as surprise and laughter, in these pages.

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  Lift the Mask - A short...

  Kristin Houlihan

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  Join Kristin in her poetic and heartfelt musings on life, parenting, and faith, told through the lens of a chronically ill and disabled mom. 
  The poetry and lyrical prose featured in this chapbook provide an honest look at Kristin’s journey with Myalgic Encephalomyelitis (ME) and her growing commitment to writing as other parts of her life are stripped away by chronic illness. Inspired by one-word prompts, every piece tells a story in 240 characters or less. 
  Lift the Mask reminds those of us who live with chronic illness that we aren’t alone, and that creativity can sometimes be found in our greatest struggles.

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  A Secret Frozen in Time by...

  Shunrō Oshikawa, Michael Henrik...

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  Shunrō Oshikawa (1876-1914) was one the two most important founders of Japanese science fiction (the other being Unno Juza, 1897-1949). This story is a charming tribute to all those engaged in historical research. A young Portuguese child discovers an empty beer bottle on a beach. Her father, a well known scientist, discovers a message inside that may solve one of the greatest mysteries in the West African chronicles.  
  This is a radio version, and not a translation. It has been adapted for historyradio.org by Michael Henrik Wynn, and he also plays the part of the traveler.

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