Outros livros que poderiam interessá-lo

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  Artaban and the Quest for the...

  Jason Markiewitz, Henry van Dyke

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  Upon his return home from the battlefields of Europe in 1918, Col Blackwood, a UK Army infantry officer, is reunited with his family on Christmas Eve after nearly four years away. In the midst of telling his children a bedtime story, we learn of Artaban, a Magi priest, and the fourth wise man to present gifts to the newborn King. As a result of dissension among his fellow Magians, Artaban has no other choice but to embark on this journey alone. Though his quest is fraught with challenges along the way that test his courage and stir his compassion, his faith never wavers.Artaban and the Quest for the King is based upon the 1895 novella "The Story of the Other Wise Man" by Henry Van Dyke.  Jason Markiewitz adapted the story and developed the script used in this production.  This dramatization is performed by a full cast of international, award-winning voice actors and is surrounded by majestic sounds and cinematic music.  More importantly, this story is suitable for all ages and is a heartwarming story of family, hope, perseverance, faith, and love. Artaban and the Quest for the King is a Markiewitz Audioworks Production.

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  Reunion

  Mark O'Rowe

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  A family gathers for a celebration on an island off the west coast of Ireland. When an unexpected visitor drops by, tensions begin to surface. Over the next twenty-four hours, scores will be settled, beliefs challenged and truths disclosed, ultimately jeopardising their entire future together.
  Mark O'Rowe turns his laser focus on the deep currents of family life with a masterfully orchestrated drama which resonates with biting humour, profound insights and extraordinary authenticity.
  An exhilarating, high-wire ensemble piece, Reunion was first produced by Landmark Productions and Galway International Arts Festival in 2024, directed by O'Rowe himself.

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  Sorry You're Not a Winner (NHB...

  Samuel Bailey

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  Liam and Fletch grew up together. Born on the same street. Best mates since primary. Inseparable. The only difference was while Fletch was getting suspended from school, Liam was studying. And now he's going to Oxford. But with Liam gone, who's going to keep Fletch out of trouble?
  Sorry, You're Not a Winner explores aspiration, social mobility and getting caught between classes. It asks: if 'making it' means leaving everything you know and everyone you love behind – what's the point?
  This powerful and striking play by Samuel Bailey was first produced in 2022 by Paines Plough and Theatre Royal Plymouth, in association with the University of Plymouth's School of Society and Culture, before touring nationally.
  'An intricate and moving study of social mobility... gripping and nuanced... Bailey continues his development as one of the most socially engaged writers working in theatre today' - Guardian

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  Domesticated Volume Two

  James Domestic

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  In the second Domesticated instalment, East Anglian punk poet, James Domestic, is once again taking potshots at work, so-called-punk-rock, outdoor and indoor pursuits, aging, right wing lunatics, politics, feet, and himself. As if that wasn’t enough, you’ll also find his trademark surrealism, sarcasm, and quintessentially British whimsy applied to animals, emails, food, and the power of music, alongside his idiosyncratic illustrations, and photographs from his murky past. 
    
  A man in too many bands to count, a solo artist, a vocalist, a songwriter, a DJ, a poet, a painter, and a punk. James Domestic failed miserably at school through the distractions of music, alcohol, and girls, spent his early post-school life between the chemical factory and the dole, and somehow now has a PhD. A square peg in life’s round hole. A face that never fitted. He couldn’t care less. Come along for the ride. 
    
  “A sardonic, sarcastic wit, a penchant for the surreal, and a dynamic pace” (Nathan Brown, Louder Than War) 
    
  “Words that bite, belch, and bleed in their brilliance” (Mark Grist, multi-award-winning poet and battle rapper) 
    
  “A unique collection of poetic ventures into the human condition, with humour, anger, and a canny use of language: inspired and inspiring!” (Dick Lucas, Subhumans, Culture Shock etc.) 
    
  “Relentless” (Attila the Stockbroker, social surrealist poet and songwriter).

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  A Lick and a Promise

  Imelda May

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  The audiobook version of A Lick and a Promise read by Imelda May.
  A Lick and a Promise is the debut poetry collection of one of Ireland's most famed female musicians, Imelda May.
  Following the release of her first poetry EP Slip Of The Tongue  in 2020, this collection contains 100 poems, including two each from both her father and young daughter. Using the themes of Breast, Below, Blood, Eyes, Tongue and Temple, the poems are written in May's absorbing, visceral style and encapsulate heartbreak, sex, nature and womanhood. Included in the collection is 'You Don't Get to be Racist and Irish', the powerful poem which was written in support of the Black Lives Matter movement and was recently used by Rethink Ireland campaign.

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  Clockfire

  Jonathan Ball

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  Finalist for the Aqua Books Lansdowne Prize for Poetry!
     
  A spotlight appears to light a large, ornate grandfather clock. The clock displays the correct time and is in perfect working order.
     
  The actors sneak behind the audience and set the theatre on ?re.
     
  Exeunt.
     
  
     
  
     
  Jonathan Ball’s Clock?re is a suite of poetic blueprints for imaginary plays that would be impossible to produce – plays in which, for example, the director burns out the sun, actors murder their audience or the laws of physics are de?led. The poems in a sense replace the need for drama, and are predicated on the idea that modern theatre lacks both ‘clocks’ and ‘?re’ and thus fails to offer its audiences immediate, violent engagement. They sometimes resemble the scores for Fluxus ‘happenings,’ but replace the casual aesthetic and DIY simplicity of Fluxus art with something more akin to the brutality of Artaud’s theatre of cruelty. Italo Calvino as rewritten by H. P. Lovecraft, Ball’s ‘plays’ break free of the constraints of reality and artistic category to revel in their own dazzling, magni?cent horror.
    
     
  ‘In these spare, nightmarish theatrescapes, Ball directs our ‘impossible dreams’ by blurring the script between actor and audience, the real and the staged, the lived and the dreamed, the self and the other ... At times reading more as horror-film treatments than prose poems(no doubt Ball’s intention), Clockfire finds its strength in irony.’ – Winnipeg Free Press
    
     
  ‘[Ball is] one of our most exciting young poets.’ – Robert Kroetsch, author of The Studhorse Man

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