Outros livros que poderiam interessá-lo

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  Caterpillar (NHB Modern Plays)

  Alison Carr

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  Bayview is the only B&B closed for business on the busiest weekend of the year in this faded seaside town. Greasy fish 'n' chips, sticks of rock and pot-bellied Spiderman is throwing himself off the pier. The annual 'Birdman' competition is in full flight.
  Alison Carr's play Caterpillar is a darkly funny, searing and tender drama about the moment when we find ourselves standing on the edge, and wonder if we dare to step off.
  A finalist in the prestigious Theatre503 Playwriting Award, Caterpillar premiered at Theatre503, London, in August 2018, prior to the Stephen Joseph Theatre in Scarborough.

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  Meister Eckhart's Book of the...

  Jon M. Sweeney, Mark S. Burrows

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  This fresh translation of poetry by the fourteenth-century Christian mystic “sets the heart ablaze and the spirit soaring” (Christine Valters Paintner, PhD, author of The Artist’s Rule). 
   
  Meister Eckhart (1260–1328) influenced a wide range of spiritual teachers and mystics both inside and outside the Christian tradition. Erich Fromm, Eckhart Tolle, Richard Rohr, D. T. Suzuki, and Rudolf Steiner have all credited Eckhart as being an important influence on their thought. In addition, his work has influenced the development of twentieth-century American Buddhism and the Theosophical tradition. 
   
  Eckhart wrote at a time—much like our own—when society appeared to be coming apart at the seams. In the midst of all that chaos and uncertainty, he captured the many forms and stages of God’s love, the mystic path, and the journey of transformation. His writings were so startling that he was even accused of heresy. 
   
  Now, seven centuries later, this fresh rendering of his work translates the essence of one of Christianity’s greatest poetic and spiritual voices, conveying the heart of his teachings about loving God and embarking on a spiritual journey characterized by mystery, paradox, and an embrace of the unknown.

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  Hedda Gabler

  Henrik Ibsen

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  Hedda and George have just returned from their honeymoon, but when her former lover Eilert appears with a brilliant new manuscript, George’s hopes for a professorship are dimmed. Hedda’s desperate dissatisfaction with her life leads to dangerous choices in this startling portrait of a woman hell-bent on destruction. Recorded before a live audience at the UCLA James Bridges Theater in June 2019.Directed by Debbie DevineProducing Director Susan Albert LoewenbergJosh Bitton as Eilert LovborgJD Cullum as George TesmanGregory Harrison as Judge BrackShannon Holt as Aunt Julie TesmanElizabeth Ruscio as BertaJocelyn Towne as Hedda GablerKaren Malina White as Mrs. Thea Elvsted Associate Artistic Director: Anna Lyse EriksonRecording Engineer, Sound Designer, Mixer: Mark Holden for The Invisible Studios, West HollywoodSenior Radio Producer: Ronn LipkinFoley Artist: Brian WallaceProduction Manager: Elena CruzEditor: Neil Wogenson

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  The Verge

  Susan Glaspell

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  This play is Glaspell’s recognition of the way in which Victorian society left some women feeling trapped in roles for which they were unsuited. Because of the play’s non-realistic speech patterns and expressionistic elements, it was dismissed by most critics as being muddled and confusing. It has recently been ‘‘rediscovered’’ by feminist theorists, however, who see the work as an important contribution to theatre history. In 1921 when this play was first produced, women were still expected to stay at home and be dutiful wives and mothers. Many women began to voice dissatisfaction with their lack of opportunities and tried to change the situation. Thus, the feminist movement began to take hold. Other women rebelled by retreating into despondency, depression and, sometimes, madness. The Verge also reflects the fascination with Freudian theory that was sweeping the United States at the time. Freud had delivered his first U.S. lectures in 1909, and his theories of psychoanalysis and dream interpretation were widely discussed in many popular publications of the day. (Summary by by Michele Eaton)CastAnthony: Algy PugHarry Archer: tovarischHattie: Victoria PClaire: Michele EatonRichard Demming: balaTom Edgeworthy: Chuck WilliamsonElizabeth: Elizabeth KlettAdelaide: Amanda FridayDr. Emmons: Sarah ParshallNarrator: Tricia GAudio edited by Michele Eaton

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  The Poetry Of Ella Wheeler Wilcox

  Ella Wheeler Wilcox

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  The Poetry of ELLA WHEELER WILCOX. American poet Ella Wheeler Wilcox was born on 5th November, 1850 in Wisconsin. She started writing poetry at the age of 7 and derived an income from her poems as a teenager.  She married Robert Wilcox and together they shared a deep interest in mysticism, spiritualism and theosophy, travelling the world to learn more and socialising and spreading their ideas back in their home in Conneticut which was named Bungalow Court. Popularly known as the poetess of passion her work is often quoted by a wide variety of public figures from Diana, the Princess of Wales and Margaret Thatcher to F Scott Fitzgerald and Jack London.  The universal themes and simple expression often convey fundamental truths.  Laugh and the world laughs with you,  Weep, and you weep alone; and  "Love lights more fires than hate extinguishes" are just a couple of her insightful lines that live on for every new generation. These poems are read by Richard Mitchley & Ghizela Rowe.

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  Song (Donne version)

  John Donne

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  Librivox volunteers bring you seven different readings of the short poem Song by John Donne, a weekly poetry project. Song is a bitter little poem on the falsity of women: search the world for ages, see mythical wonders, but you’ll not find a true woman. Deep hurt is the bane of the loving heart. (Summary by Peter Yearsley)

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