Weitere Bücher, die Sie mögen werden

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  The Knotsman

  Math Jones

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  The Knotsman does not exist, you will not find him in history books or collections of 'bygone' skills. But Math Jones has created him, and his fellows, in a time very like the English Civil War. There he is, going from house to house, village to village, battlefield to gallows, unravelling knots and problems, physical, emotional and psychological; a new kind of cunning man, not always welcome, not always quite as clever as his fingers and picks would have him believe.

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  Hothouse

  Carys D. Coburn

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  A play that tackles climate breakdown with big ideas, a lot of laughs, and some truly grotesque cabaret numbers.
  Cruise ships, horny/murderous songbirds, fecund/fatalistic rabbits, loving/bruising parents and Minnie Riperton all make an appearance in this play with songs, which asks if things can ever get better.
  HOTHOUSE by Carys D. Coburn with MALAPROP Theatre was first staged at Project Arts Centre, Dublin, as part of the 2023 Dublin Fringe Festival.
  MALAPROP Theatre is an award-winning collective of Irish theatremakers, who seek to challenge, delight and speak to the world we live in (even when imagining different ones).

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  Voices of Poetry Volume 1

  J. R. R. Tolkien, Edith Sitwell,...

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  Hear rare recordings from some of the world's most-respected poets reading their own works: J.R.R. Tolkien, The Hoard; E.E. Cummings, Prose Jottings; Archibald Macleish, The Old Man to the Lizard; Ted Hughes, Six Young Men; May Swenson, Naked in Borneo; Marilyn Hacker, The Dark Twin; Kenneth Patchen, 23rd Street Runs into Heaven; Edith Sitwell, An Old Woman; Theodore Roethke, The Bat. 
  Recording obtained and published by Rick Sheridan. 
  ©2009 Rick Sheridan (P)2009 Rick Sheridan

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  Lovin Safari II

  Dean Hamid

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  Lovin Safari II: Gunzz and roses 
  Safari Kennedy and Zues Beloit finally get a Opportunity to share life and love together. The beautiful shores of Belize, Mexico is the backdrop for their well deserved bliss. 
  Gunzz Black has been put away for good. Or has he? 
  Gunzz has escaped from his maximum security prison and is hell bent on revenge, causing havoc and murder along the way. Extending as far away as their own front door. 
  Zues and Safari realize that until Gunzz is stopped permanently, they will never be free of him. Zues takes it on himself to put a end to his devious tirades, and makes a move on his own, not telling Safari. Along with Thomi, his brother in law, he prepares for the insinuating standoff between them. 
  Safari enlist the help of friends, Missouri District Attorney, Tabitha Wallace, and another friend, Private Detective Aniah Myers to not only seek out the whereabouts of Zues, but to finally end St. Louis of Gunzz's scourge. 
  Will Zues finally come face to face with his mortal enemy Gunzz? Will Safari struggles put a end to Gunzz's never ending efforts to rid her of obtaining happiness? Or will something or someone stand in her way. 
  Dean Hamid weaves a genuine classic tale of action-thriller, romance and drama in the telling of Lovin Safari ll / Gunzz and roses...

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  Disconnect - Chapter 6

  Open Boundaries

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  Chapter 6 - Disconnect - Disconnect is about the psychological action of disconnecting from everything that influences you in a negative manner. To not listen to the thoughts and voices of others who begin to steer your life, but instead, to focus on what you want and what you believe in.  
   
  In short, it is the disconnection from outside influences, replaced with the connection to what's inside. 
   
  Author Bio: 
  Set on creating a worldwide movement and bridging the gap between mental health and EDM music. Open Boundaries looks at music as a piece of the mind, something that transgresses languages, borders and backgrounds, a form of emotive connection that lets people forget, love, release, bring joy, cry, and expose their inner selves. The music itself is a form of expression based on personal self-realizations, with each release being built from pieces of the artists mind and then encapsulated in hard hitting beats, melodic rap flows, highly relatable lyrics and heart-felt vocals, all blended together and realized into in 3 versions; including the exclusively unique 'Message Bound' mixes. 
   
  Each release is then supported by the storytelling within the release of the ‘Chapters’, which define the meaning behind each song. 
   
  The artist remains anonymous for the purposes of being all inclusive to every person out there, there is no connection to any country or any background with all the focus being on the music and the lyrics, rather than the person behind it. This has allowed Open Boundaries to attract a global reach and fanbase who proclaim their devotion to the artist, along with their unwavering support to the ethos behind it.

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  From From - Poems

  Monica Youn

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  LONGLISTED FOR THE 2023 NATIONAL BOOK AWARD FOR POETRY 
   
   
   
  "Where are you from . . . ? No—where are you from from?" It's a question every Asian American gets asked as part of an incessant chorus saying you'll never belong here, you're a perpetual foreigner, you'll always be seen as an alien, an object, or a threat. 
   
   
   
  Monica Youn's From From brilliantly evokes the conflicted consciousness of deracination. If you have no core of "authenticity," no experience of your so-called homeland, how do you piece together an Asian American identity out of Westerners' ideas about Asians? Your sense of yourself is part stereotype, part aspiration, part guilt. In this dazzling collection, one sequence deconstructs the sounds and letters of the word "deracinations" to create a sonic landscape of micro- and macroaggressions, assimilation, and self-doubt. A kaleidoscopic personal essay explores the racial positioning of Asian Americans and the epidemic of anti-Asian hate. Several poems titled "Study of Two Figures" anatomize and dissect the Asian other: Midas the striving, nouveau-riche father; Dr. Seuss and the imaginary daughter Chrysanthemum-Pearl he invented while authoring his anti-Japanese propaganda campaign; Pasiphaë, mother of the minotaur, and Sado, the eighteenth-century Korean prince, both condemned to containers allegorical and actual.

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