Otros libros que te pueden interesar

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  The Star

  H. G. Wells

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  In January (about 1900, presumably), the people of Earth awaken to the news that a strange luminous object has entered the Solar System, disturbing the orbit of the planet Neptune. The object, a celestial body, is visible in the sky in the constellation of Leo.

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  Uncommon Measure - A Journey...

  Natalie Hodges

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  How does time shape consciousness and consciousness, time? Do we live in time, or does time live in us? And how does music, with its patterns of rhythm and harmony, inform our experience of time? Uncommon Measure explores these questions from the perspective of a young Korean American who dedicated herself to perfecting her art until performance anxiety forced her to give up the dream of becoming a concert solo violinist. Anchoring her story in illuminating research in neuroscience and quantum physics, Natalie Hodges traces her own passage through difficult family dynamics, prejudice, and enormous personal expectations to come to terms with the meaning of a life reimagined—one still shaped by classical music but moving toward the freedom of improvisation.

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  Gilded Age Murder & Mayhem in...

  Andrew K. Amelinckx

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  This criminal history of the Berkshires is brimming with unforgettable stories of greed, jealousy, and madness from the turn of the twentieth century.   The Berkshires of Western Massachusetts are known for their picturesque beauty, but this history offers a fascinating look at the region’s dark side. This chronicle includes true tales of greed, betrayal and violence in The Bay State.   In the summer of 1893, a tall and well-dressed burglar plundered the massive summer mansions of the upper crust . . .   A visit from President Teddy Roosevelt in 1902 ended in tragedy when a trolley car smashed into the presidential carriage, killing a Secret Service agent . . .   A psychotic millworker opened fire on a packed streetcar, leaving three dead and five wounded, shocking the nation . . .   These and many more stories—from axe murders to botched bank jobs—paint a stark portrait of the inequities that shadowed the extravagance of the Gilded Age.

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  Ilya Repin

  Grigori Sternin, Jelena Kirillina

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  Ilya Repin was the most gifted of the group known in Russia as “The Itinerants”. When only twelve years old, he joined Ivan Bounakov’s studio to learn the icon-painter’s craft. Religious representations always remained of great importance for him. From 1864 to 1873 Repin studied at the Academy of the Arts in Saint Petersburg under Kramskoï. Repin also studied in Paris for two years, where he was strongly influenced by outdoor painting without, becoming an Impressionist, a style that he judged too distant from reality. Taken with French pictorial culture, he worked to understand its role in the evolution of contemporary art. Most of Repin’s powerful work deals with the social dilemmas of Russian life in the nineteenth century. He established his reputation in 1873 with the celebrated picture Barge Haulers on the Volga, symbol of the oppressed Russian people pulling their chains. This struggle against the autocracy inspired many works. He also painted Russia’s official history in such works as Ivan the Terrible Meditating at the Deathbed of his Son Ivan. Seen as one of the masters of realist painting, he devoted himself to portraying the lives of his contemporaries: the most renowned Russian writers, artists, and intellectuals; peasants at work; the faithful in procession; and revolutionaries on the barricades. He understood the pains of the people perfectly, as well as the needs and the joys of ordinary lives. Kramskoï said on this subject: “Repin has a gift for showing the peasant as he is. I know many painters who show the moujik, and they do it well, but none can do so with as much talent as Repin.”Repin’s works, which depart from the academic constraints of their predecessors, are both delicate and powerful. He achieved a superior mastery of skill, and found new accents to transcribe the many-coloured and brilliant vibrations he sensed in the ordinary world around him.

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  Counterpoint - A Memoir of Bach...

  Philip Kennicott

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  A Pulitzer Prize–winning critic reflects on the meaning and emotional impact of a Bach masterwork. 
  As his mother was dying, Philip Kennicott began to listen to the music of Bach obsessively. It was the only music that didn't seem trivial or irrelevant, and it enabled him to both experience her death and remove himself from it. For him, Bach's music held the elements of both joy and despair, life and its inevitable end. He spent the next five years trying to learn one of the composer's greatest keyboard masterpieces, the Goldberg Variations. In Counterpoint, he recounts his efforts to rise to the challenge, and to fight through his grief by coming to terms with his memories of a difficult, complicated childhood. 
  He describes the joys of mastering some of the piano pieces, the frustrations that plague his understanding of others, the technical challenges they pose, and the surpassing beauty of the melodies, harmonies, and counterpoint that distinguish them. While exploring Bach's compositions he sketches a cultural history of playing the piano in the twentieth century. And he raises two questions that become increasingly interrelated, not unlike a contrapuntal passage in one of the variations itself: What does it mean to know a piece of music? What does it mean to know another human being?

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  Never Say No To A Rock Star - In...

  Glenn Berger

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  In 1974, at the age of seventeen, author Glenn Berger served as "schlepper" and apprentice to the legendary recording engineer Phil Ramone at New York City's A&R Studios, and was witness to music history on an almost daily and nightly basis as pop and rock icons such as Paul Simon, Bob Dylan, Mick Jagger, Frank Sinatra, Burt Bacharach, Bette Midler, and James Brown performed their hit-making magic, honed their sound, strutted their stuff, bared their souls, and threw epic tantrums. In this memoir, full of revelatory and previously unknown anecdotal observations of these musical giants, Berger recounts how he quickly learned the ropes to move up from schlepperhood to assistant to the tyrannical Ramone, and eventually, to become a recording engineer superstar himself. Not only is Never Say No to a Rock Star a fascinating, hilarious, and poignant behind-the-scenes look of this musical Mecca, but Berger, now a prominent psychologist, looking back through the prism of his youthful experience and his years working as a counselor and therapist, provides a telling and honest examination of the nature of fame and success and the corollaries between creativity, madness, and self-destruction.

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