Outros livros que poderiam interessá-lo

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  Minority Report - The Ultimate...

  Film Trivia Metaverse

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  MINORITY REPORT 
  THE ULTIMATE TRIVIA COLLECTION 
    
  FROM THE MOVIE DIRECTED BY STEVEN SPIELBERG 
    
  CREATED BY FILM TRIVIA METAVERSE 
    
  ABOUT THE FILM 
  Minority Report is a 2002 science fiction thriller directed by Steven Spielberg, set in a dystopian future where a specialized police unit, PreCrime, prevents crimes before they occur. The system relies on three psychics, called "Precogs," who foresee murders, allowing the police to apprehend perpetrators before they commit the crime. The story follows John Anderton, the head of PreCrime, who is accused of a future murder and becomes a fugitive. The film explores themes of free will versus determinism, the morality of preemptive justice, and the ethical implications of surveillance and control in a highly technological society. 
    
  TRIVIA SAMPLES: 
    
  “The "Precogs" were named after famous mystery writers: Dashiell Hammett, Sir Arthur Conan Doyle, and Agatha Christie.” 
    
  “For the scene where Anderton holds his breath in the bathtub, Steven Spielberg planned to create the rising air bubble using CGI, but Tom Cruise took the time to learn how to do it himself.” 
    
  “Tom Cruise and Steven Spielberg both agreed to waive their usual salary to help keep the film's budget under $100 million. Instead, they agreed to take 15% of the film's gross.” 
    
  “Initially, Steven Spielberg wanted Greta (Dr. Eddie’s assistant) to sing a song by ABBA, but Peter Stormare suggested something more absurd: the Swedish children's song "Små grodorna" ("The Small Frogs"), traditionally sung during Midsummer Eve parties in Sweden.”

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  Jackie Brown - The Ultimate...

  Film Trivia Metaverse

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  JACKIE BROWN 
  THE ULTIMATE TRIVIA COLLECTION 
    
  FROM THE MOVIE DIRECTED BY QUENTIN TARANTINO 
    
  CREATED BY FILM TRIVIA METAVERSE 
    
  ABOUT THE FILM 
  Jackie Brown (1997), directed by Quentin Tarantino, is a crime thriller based on Elmore Leonard's novel Rum Punch. The film follows Jackie Brown, a flight attendant who smuggles money for a gunrunner, Ordell Robbie. After being caught by law enforcement, she devises a plan to double-cross everyone involved in the deal, including Ordell, the police, and a bail bondsman named Max Cherry. The film explores themes of betrayal, survival, and deception, with a strong focus on complex characters and intricate plotting. Set against the backdrop of 1990s Los Angeles, Jackie Brown blends crime, suspense, and Tarantino's signature sharp dialogue. 
    
  TRIVIA SAMPLES: 
    
  “Pam Grier had auditioned for a part in Pulp Fiction that eventually went to Rosanna Arquette. Tarantino, however, had not forgotten about her and created the role of Jackie Brown specifically for her.” 
    
  “Michael Keaton desperately tried to talk Tarantino out of casting him as Ray Nicolette, claiming he was not right for the role. Tarantino found Keaton’s reluctance endearing and ultimately cast him.” 
    
  “Tarantino compared Jackie Brown to the film Rio Bravo, saying it's a "hangout movie" that gets better with each viewing. He noted that the film rewards multiple viewings by allowing audiences to enjoy the hangout scenes rather than focusing on the plot.” 
    
  “In the first mall scene, Max Cherry (Robert Forster) is seen exiting a movie theater while the music for the ending credits is playing, which is actually the closing music for the film.”

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  Rhythm of Resistance - The...

  Eroms Ehiagwina

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  "Rhythm of Resistance: The Soulful Echoes of Black Musicians in the Era of Martin Luther King Jr. (1957-1968)" is a must-read book that sheds light on the pivotal role of music in the Civil Rights Movement. It provides a comprehensive overview of the social, political, and cultural context of the era, highlighting how music served as a powerful tool for expressing the aspirations and frustrations of African Americans. Through songs such as "We Shall Overcome" and "A Change Is Gonna Come," music became an anthem of the movement, inspiring activists and mobilizing communities across America and beyond, it also highlights the struggles of people of color in the United Kingdom at this time. This book is a testament to the enduring spirit of resistance and resilience that drives us towards a more just and equitable society. It serves as a reminder that the struggle for racial justice is ongoing, and the power of music to inspire social change remains as relevant today as it was during the Civil Rights era. Get ready to be inspired and motivated by the transformative power of music in the fight for civil rights. 
   

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  Black Country Music - Listening...

  Francesca Royster

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  Black Country Music tells the story of how Black musicians have changed the country music landscape and brought light to Black creativity and innovation. 
  After a century of racist whitewashing, country music is finally reckoning with its relationship to Black people. In this timely work—the first book on Black country music by a Black writer—Francesca Royster uncovers the Black performers and fans, including herself, who are exploring the pleasures and possibilities of the genre. 
   
  Informed by queer theory and Black feminist scholarship, Royster’s book elucidates the roots of the current moment found in records like Tina Turner’s first solo album, Tina Turns the Country On! She reckons with Black “bros” Charley Pride and Darius Rucker, then chases ghosts into the future with Valerie June. Indeed, it is the imagination of Royster and her artists that make this music so exciting for a genre that has long been obsessed with the past. The futures conjured by June and others can be melancholy, and are not free of racism, but by centering Black folk Royster begins to understand what her daughter hears in the banjo music of Our Native Daughters and the trap beat of Lil Nas X’s “Old Town Road.” A Black person claiming country music may still feel a bit like a queer person coming out, but, collectively, Black artists and fans are changing what country music looks and sounds like—and who gets to love it.

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  Don’t Call It Hair Metal - Art...

  Seana Kelly

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  A love letter to the hard-rocking, but often snubbed, music of the era of excess: the 1980s
  		 
  There may be no more joyous iteration in all of music than 1980s hard rock. It was an era where the musical and cultural ideals of rebellion and freedom of the great rock ’n’ roll of the ’50s, ’60s, and ’70s were taken to dizzying heights of neon excess. Attention to songcraft, showmanship, and musical virtuosity (especially in the realm of the electric guitar) were at an all-time high, and radio and MTV were delivering the goods en masse to the corn-fed children of America and beyond.
  		 
  Time hasn’t always been kind to artists of that gold and platinum era, but Don’t Call It Hair Metal analyzes the sonic evolution, musical diversity, and artistic intention of ’80s commercial hard rock through interviews with members of such hard rock luminaries as Twisted Sister, Def Leppard, Poison, Whitesnake, Ratt, Skid Row, Quiet Riot, Guns N’ Roses, Dokken, Mr. Big, and others.

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  Here - Where the Black Designers...

  Cheryl D. Holmes-Miller, Crystal...

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  Designer, activist, and educator Cheryl D. Holmes-Miller is legendary for her  
  decades of scholarship and advocacy, and as a touchstone and conscience for the  
  design profession. In HERE: Where the Black Designers Are, Holmes-Miller  
  documents the history of—and answers to—the question she has been asking for  
  decades: “Where are the Black designers?”  
  Holmes-Miller explores this essential question through the lens of her own  
  development as a designer and leader, beginning with her own family and its rich  
  multiethnic history. She narrates her experiences as a design student at Rhode  
  Island School of Design (RISD), Maryland Institute College of Art (MICA), and Pratt  
  Institute, leading up to her oft-cited Pratt thesis examining barriers to success for  
  Black designers. Holmes-Miller describes the work of her eponymous studio for  
  noted clients that included NASA, Time Inc., and the nascent Black Entertainment  
  Television (BET), as well as the story of her later critiques of the industry in Print 
  magazine and other design publications. Holmes-Miller also recounts the parallel  
  history of collective efforts by fellow scholars and advocates over the past fifty  
  years to identify and celebrate Black designers. 
  HERE is part memoir, part historical investigation, and an urgent call for justice  
  and recognition for Black designers. 
  “This book is representative of the shoulders on which we, as Black graphic  
  designers, stand. These are the legacies we are fighting to uphold and the torches  
  we must continue to carry. The journey of the Black designer has not been easy. It  
  isn’t easy. And while we may be left out of history books, this is a reminder that we  
  are here. Always have been. Always will be.”—Tré Seals, Vocal Type

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