Other books that might interest you

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  Fruit Punch - A Memoir

  Kendra Allen

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  An arresting and one-of-a-kind memoir about the alternately exultant and harrowing trip growing up as a Black child desperate to create a clear reality for herself in this country 
  Written in a distinctive voice and filled with personality, humor, and pathos, Fruit Punch is a memoir unlike any other, from a one-of-a-kind millennial talent. Growing up in Dallas, Texas, in the nineties and early 2000s, Kendra Allen had a complicated, loving, and intense family life filled with desire and community but also undercurrents of violence and turmoil. “We equate suffering to perseverance and misinterpret the weight of shame,” she writes. As she makes her way through a world of obscureness, Kendra finds herself slowly discovering outlets to help navigate growing up and against the expected performance of being a young Black woman in the South—a complex interplay of race, class, and gender that proves to be ever-shifting ground. 
  Fruit Punch touches on everything from questions of beauty and how we form concepts of ourselves—as a small rebellion, young Kendra scratched a hole into every pair of stockings she was forced to wear—to what it means to grow up in her great uncle’s Southern Baptist church—with rules including “No uncrossed ankles” and “No questions.” Inflected by a powerful sense of place and touched by poetry, Fruit Punch is a stunning achievement—a memoir born of love and endurance, fight or flight, and what it means to be a witness, from a blisteringly honest and observant voice. 

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  Bruce Lee: Book Of Quotes (100+...

  Quotes Station

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  BRUCE LEE: BOOK OF QUOTES 
    
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  ABOUT BRUCE LEE 
  Lee Jun-fan (November 27, 1940 – July 20, 1973), commonly known as Bruce Lee (Chinese: 李小龍), was a Hong Kong American martial artist, actor, director, martial arts instructor and philosopher. He was the founder of Jeet Kune Do, a hybrid martial arts philosophy drawing from different combat disciplines that is often credited with paving the way for modern mixed martial arts (MMA). Lee is considered by commentators, critics, media, and other martial artists to be the most influential martial artist of all time and a pop culture icon of the 20th century, who bridged the gap between East and West. He is credited with helping to change the way Asians were presented in American films. 
    
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  QUOTES SAMPLES 
    
  “I fear not the man who has practiced 10,000 kicks once, but I fear the man who has practiced one kick 10,000 times.” 
    
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  “The more we value things, the less we value ourselves.” 
    
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  “Mistakes are always forgivable, if one has the courage to admit them.” 
    
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  “If you spend too much time thinking about a thing, you’ll never get it done. Make at least one definite move daily toward your goal.” 
    
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  “To know oneself is to study oneself in action with another person.” 
    
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  “A goal is not always meant to be reached, it often serves simply as something to aim at.” 
    
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  “Never waste energy on worries or negative thoughts, all problems are brought into existence– drop them.”

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  There Is No Blue

  Martha Baillie

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  THE GLOBE AND MAIL: BOOKS TO READ IN FALL 2023 
  THE GLOBE AND MAIL BEST 100 BOOKS OF 2023 
  CBC BOOKS BEST CANADIAN NONFICTION OF 2023 
  Martha Baillie’s richly layered response to her mother’s passing, her father's life, and her sister’s suicide is an exploration of how the body, the rooms we inhabit, and our languages offer the psyche a home, if only for a time.  
  Three essays, three deaths. The first is the death of the author’s mother, a protracted disappearance, leaving space for thoughtfulness and ritual: the washing of her body, the making of a death mask. The second considers the author’s father, his remoteness, his charm, a lacuna at the centre of the family even before his death, earlier than her mother’s. And then, the shocking death of the author’s sister, a visual artist and writer living with a diagnosis of schizophrenia, who writes three reasons to die on her bedroom wall and then takes her life. 
  "Martha Baillie’s novels are thrillingly, joyously singular, that rare combination of sui generis and just plain generous. That There Is No Blue, her memoir, is all of those things too, is no surprise; still, she has gone somewhere extraordinary. This triptych of essays, which exquisitely unfolds the “disobedient tale” of the lives and deaths of her mother, her father, and her sister, is a meditation on the mystery and wonder of grief and art making and home and memory itself. It made me think of kintsugi, the Japanese art of repair, in which the mending is not hidden but featured and beautifully illuminated. Baillie’s variety of attention, carved out of language, is tenderness, is love." – Maud Casey, author of City of Incurable Women 
  "This is a stunning memoir, intense and meticulous in its observations of family life. Baillie subtly interrogates and conveys the devastating mistranslations that take place in childhood, the antagonism and porousness of siblings,  and the tragedy of schizophrenia as it unfolds.  I couldn’t put it down." – Dr. Lisa Appignanesi, author of Mad, Bad and Sad and Everyday Madness 
  "Exquisite." – Souvankham Thammavongsa, author of How to Pronounce Knife 
  "I am grateful for this profound meditation on family and loss.” – Charlie Kaufman, filmmaker 
  "This strange, unsettling memoir of outer life and inner life and their bizarre twining captures the author’s identity by way of her mother’s death, her sister’s failing battle with mental illness, and the mysterious figure of her father.  It combines anguished guilt, deep tenderness, and bemused affection in highly evocative, often disturbing prose.  Its brave honesty is amplified by a persistent lyricism; its undercurrent of fear is uplifted by a surprising, resilient hopefulness.  It is both a plea for exoneration and an act of exoneration, an authentic meditation on the terrible difficulty of being human." – Andrew Solomon, author of The Noonday Demon

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  Mary E Mann - A Short Story...

  Mary E. Mann

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  Mary Rackham was born in Norwich on 14th August 1848 to a merchant family.  Little is known of her early life and her biography only re-appears in September 1871 with marriage to Fairman Joseph Mann, a farmer with 800 acres.   
   
  Mary moved to Shropham, Norfolk and became involved with the workhouse, visiting the sick and other unfortunates of the parish, her observations and experiences a valuable source for her later stories.  
   
  She took up writing, partly to offset the dreary village life of her surroundings, in the 1880s and published her first novel, ‘The Parish of Hilby’ (1883) at her own expense. It was well received by the critics.  
   
  Thus began a career that spanning three decades provided thirty-three novels, hundreds of short stories, and fourteen plays.? Her work was largely focused on rural life in Norfolk and centered on the fictional town of Dulditch, with grim but authentic accounts of poverty and deprivation.  
   
  Her marriage produced one boy and three girls. With her husband's death in 1913, she moved to Sheringham.  
   
  She is regarded as a major contributor to East Anglian literature with particular praise given to her short stories. 
   
  Mary E Mann died on 19th May 1929.  She was 80.  Her grave-marker is a carved open book with the epitaph ‘We bring our years to an end, as if it were a tale that is told’. 
   
  1 - The Short Stories of Mary E Mann - An Introduction 
  2 - Wolf Charlie by Mary E Mann 
  3 - Ben Pitcher's Elly by Mary E Mann 
  4 - Some of the Shipwrecked by Mary E Mann 
  5 - Rats by Mary E Mann 
  6 - Clomayne's Clerk by Mary E Mann 
  7 - The Country Doctor by Mary E Mann 
  8 - Little Brother by Mary E Mann

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  Female Short Story The - A...

  Louisa May Alcott, Mary...

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  A wise man once said ‘The safest place for a child is in the arms of his mother’s voice’.  This is a perfect place to start our anthology of female short stories. 
   
  Some of our earliest memories are of our mothers telling us bedtime stories. This is not to demote the value of fathers but more to promote the often-overshadowed talents of the gentler sex. 
   
  Perhaps ‘gentler’ is a word that we should re-evaluate. In the course of literary history it is men who dominated by opportunity and with their stranglehold on the resources, both financial and technological, who brought their words to a wider audience.  Men often placed women on a pedestal from where their talented words would not threaten their own.   
   
  In these stories we begin with the original disrupter and renegade author Aphra Behn.  A peek at her c.v. shows an astounding capacity and leaves us wondering at just how she did all that. 
   
  In those less modern days to be a woman, even ennobled, was to be seen as second class.  You literally were chattel and had almost no rights in marriage.  As Charlotte Smith famously said your role as wife was little more than ‘legal prostitute’.  From such a despicable place these authors have used their talents and ideas and helped redress that situation.   
   
  Slowly at first.  Privately printed, often anonymously or under the cloak of a male pseudonym their words spread.  Their stories admired and, usually, their role still obscured from rightful acknowledgement. 
   
  Aided by more advanced technology, the 1700’s began to see a steady stream of female writers until by the 1900’s mass market publishing saw short stories by female authors from all the strata of society being avidly read by everyone.  Their names are a rollcall of talent and ‘can do’ spirit and society is richer for their works.   
   
  In literature at least women are now acknowledged as equals, true behind the scenes little has changed but if (and to mis-quote Jane Austen) there is one universal truth, it is that ideas change society.  These women’s most certainly did and will continue to do so as they easily write across genres, from horror and ghost stories to tender tales of love and making your way in society’s often grueling rut.  They will not be silenced, their ideas and passion move emotions, thoughts and perhaps more importantly our ingrained view of what every individual human being is capable of.    
   
  It is because of their desire to speak out, their desire to add their talents to the bias around them that we perhaps live in more enlightened, almost equal, times.   
   
  Within these stories you will also find very occasional examples of historical prejudice.  A few words here and there which in today’s world some may find inappropriate or even offensive.  It is not our intention to make anyone uncomfortable but to show that the world in order to change must reconcile itself to the actual truth rather than put it out of sight.  Context is everything, both to understand and to illuminate the path forward.  The author’s words are set, our reaction to them encourages our change. 
   
  01 - The Female Short Story. A Chronological History - An Introduction - Volume 3 
  02 - A Witch's Den by Helena Blavatsky 
  15 - The Ghost in the Clock Room by Hesba Stretton 
  04 - The Last of Squire Ennismore by Charlotte Riddell 
  05 - The Brothers by Louisa May Alcott 
  06 - Carnivorine by Lucy Hamilton Hooper 
  04 - The Face in the Glass by Mary Elizabeth Braddon 
  08 - The Moonstone Mass by Harriet Prescott Spofford 
  09 - The General's Will by Vera Jelihovsky 
  10 - The Story of the RipplingTrain by Mary Louisa Molesworth 
  11 - The Truth, the Whole Truth and Nothing But the Truth by Rhoda Broughton 
  12 - A Twin Identity by Edith Stewart Drewery&

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  Summary of Jenny Lawson’s Broken

  Falcon Press

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  Buy now to get the key takeaways from Jenny Lawson’s Broken 
    
  Sample Key Takeaways: 
  1) Jenny Lawson is bad in public with her awkwardness and oversharing but takes pride in it during conversations and no one can convince her otherwise. She believes relatable people who share their vulnerabilities are generally liked. 
  2) People like knowing that they are not the only ones that make mistakes, and sharing our silly moments brings us all together. You should disregard people who make you feel bad for glorifying odd behavior and questionable decisions which make you who you are, which are perfectly acceptable.

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