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  The Opium Gates - A tale from...

  Marcel Schwob

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  Mayer André Marcel Schwob was born in Chaville, Hauts-de-Seine, France on 23rd August 1867 into a cultivated Jewish family.  
   
  As a child he devoured the works of Poe and Stevenson in French and then again in English.  His attachment to the bizarre and dark was already forming. 
   
  His education at the Lycée of Nantes earned him the 1st Prize for Excellence.  In 1881, he was in Paris with his maternal uncle to study at the Lycée Louis-le-Grand.  Schwob quickly developed his multilingual abilities and then studied philology and Sanscrit at the École pratique des hautes études before completing his military service in Vannes with the artillery. 
   
  After completing a Bachelor of Arts in 1888 he became a professional journalist and worked for the Phare de la Loire, the Événement and L'Écho de Paris. 
   
  The 1890’s marked his establishment as a brilliant writer with the publication of six short story collections.   
   
  He fell ill in 1896 with a chronic, incurable intestinal disorder.  He also suffered recurring bouts of influenza and pneumonia.  Intestinal surgery was given several times, at first with success but, by 1900, after two more surgeries, he was told that nothing more could be done for him.  Schwob now existed on kefir and fermented milk. 
   
  By the turn of the century, despite failing health, and often too ill to write, he embarked on several long travels, including to Vailima in the South Pacific where his literary hero Stevenson had died.  
   
  Schwob was regarded as a symbolist writer and a ‘precursor of Surrealism’.  He wrote over a hundred short stories, journalistic articles, essays, biographies, literary reviews and analysis, translations and plays.  
   
  Marcel Schwob died on 26th February 1905 of Pneumonia.  He was 37.

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  Forgotten Authors The - Volume 1...

  Bram Stoker

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  Throughout the long centuries of human history is the want, and the need, to share information, to exchange ideas and for that knowledge and experience, for curiosity and learning, to be the basis of a civil society. 
  In literature the ambition is much narrower.  In order to be known, to be popular, you had to be published.  And for that people had to know you existed and your ideas worth reading.  Obviously for most of humanity’s time people couldn’t read and texts couldn’t be published in any great number. 
  In the 15th Century Gutenberg’s printing press began the revolution to address the second and by the 19th century had gathered pace with startling speed and mass distribution.  Education for the many was brought in to help people understand more of their world and, with new skills, how to have a better place within it.  Now, if the powers that owned the presses and means of distribution agreed an audience would now be able to avail themselves of your ideas, your printed words.  
  Sadly, in the thirst for the new, the recent and the past fell from sight, relegated to dark corners and dusty shelves.   
  But the printed word is rarely without someone, somewhere busying themselves through piles of papers and books rediscovering what a good story is, whatever its age. 
  Sadly, in the thirst for the new, the recent and the past fell from sight, relegated to dark corners and dusty shelves.    
  But the printed word is rarely without someone, somewhere busying themselves through piles of papers and books rediscovering what a good story is, whatever its age. 
  In this volume we offer up a small selection of those talents whose time has now come again.

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  1536 El viaje de dos almas

  María Noel Balla

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  1536: El viaje de dos almas es una novela que entrelaza pasado y presente, historia y espíritu, en una travesía que desafía el tiempo.
  
  Cuando Amelia y su grupo de investigadores descubren un antiguo diario del siglo XVI, no imaginan que están por abrir una puerta hacia dos almas destinadas a encontrarse más allá de los siglos: Ana Catarina, una joven de profunda vida interior, y Diogo, un capitán portugués en busca de sentido en medio de los océanos y la fe.
  
  A través de cartas, bitácoras y manuscritos olvidados, se despliega una historia poderosa, escrita con sensibilidad y sabiduría, que invita al lector a navegar entre continentes y emociones. Cada página es un eco del alma humana en su búsqueda de amor, libertad y propósito.

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  Personal Recollections of Joan...

  Mark Twain

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  "Personal Recollections of Joan of Arc" by Mark Twain is a powerful and deeply respectful historical novel that reveals a lesser-known side of one of America's greatest humorists. Considered by Twain himself to be his finest work, this book presents a moving and intimate portrayal of Joan of Arc, the young French heroine whose faith, courage, and leadership changed the course of history.
  
  Told through the fictional memoir of Sieur Louis de Conte, Joan's childhood friend and page, the narrative follows Joan's life from her humble beginnings in the village of Domrémy to her rise as a divinely inspired military leader during the Hundred Years' War. Through this personal perspective, Twain humanizes Joan, portraying her not as a distant legend but as a compassionate, intelligent, and fearless young woman driven by an unshakable sense of purpose.
  
  With meticulous historical research and vivid storytelling, Twain recreates medieval France in rich detail—its political intrigue, religious fervor, brutal warfare, and social divisions. The novel captures both the triumphs and tragedies of Joan's mission, culminating in her trial and martyrdom, moments rendered with emotional depth and quiet reverence.
  
  Unlike Twain's more satirical works, Personal Recollections of Joan of Arc is sincere and restrained, reflecting his profound admiration for its subject. Themes of faith, justice, sacrifice, and moral courage run throughout the book, offering readers a timeless meditation on leadership and integrity in the face of overwhelming opposition.
  
  Both a compelling historical narrative and a heartfelt tribute, Personal Recollections of Joan of Arc stands as a unique and enduring work in Mark Twain's body of writing. It is an essential read for lovers of historical fiction, classic literature, and inspiring stories of courage and conviction.

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  Women in the Castle The: Book...

  Margot Langley

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  This content is an independent and unofficial summary created for informational and educational purposes only. It is not affiliated with, authorized, approved, licensed, or endorsed by the original author or publisher. All rights to the original work belong to its respective copyright holders. This summary is not intended to substitute the original book, but to offer a concise overview and interpretation of its main ideas.
   
  
  Three widows of a failed coup unite in a crumbling Bavarian castle to forge a new future from the ashes of war. As they rebuild battered walls and shattered lives—tending gardens, documenting lost histories, and welcoming unlikely allies—their courage and solidarity kindle hope for an entire region. Poignant and pulse-quickening, this story will inspire listeners to transform adversity into collective action and reclaim purpose in the face of upheaval.

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  These Bones

  Kayla Chenault

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  In a neighborhood known as the Bramble Patch, the Lyons family endures despite poverty, racism, and the ghoulish appetites of an underworld kingpin called the Barghest. As the years pass and the neighborhood falls into decay, along with the town that surrounds it, what’s left of the Bramble Patch will learn the saying is true: These bones are gonna rise again.

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