Otros libros que te pueden interesar

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  Lion City - Singapore and the...

  Jeevan Vasagar

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  In 1965, Singapore's GDP per capita was on a par with Jordan. Now it has outstripped Japan. After the Second World War and a sudden rupture with newly formed Malaysia, Singapore found itself independent–and facing a crisis. It took the bloody-minded determination and vision of Lee Kuan Yew, its founding premier, to take a small island of diverse ethnic groups with a fragile economy and hostile neighbors and meld it into Asia's first globalized city.Lion City examines the different faces of Singaporean life–from education and health to art, politics, and demographic challenges–and reveals how in just half a century, Lee forged a country with a buoyant economy and distinctive identity. It explores the darker side of how this was achieved too; through authoritarian control that led to it being dubbed "Disneyland with the death penalty."Jeevan Vasagar, former Singapore correspondent for the Financial Times, masterfully takes us through the intricate history, present, and future of this unique diamond-shaped island one degree north of the equator, where new and old have remained connected. Lion City is a personal, insightful, and definitive guide to the city, and how its extraordinary rise is shaping East Asia and the rest of the world.

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  Soviet and Post-Soviet Foreign...

  Robert M. Cutler

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  This collection of studies investigates the political economy of international relations between the Soviet bloc (the “East”) and the developing world (the “South”), spanning the entire post-Stalin era while focusing on the 1970s and 1980s. The works examine East-South relations from the standpoints of international trade patterns, financial transfers, military relations including their economic angle, interactions within the United Nations Conference on Trade and Development (UNCTAD), and the international legal framework for trade embedded in the “socialist offensive in international law.” The chapters provide extensive bibliographies making this volume a handbook  of great interest not only to researchers, but also to university students and the general public.

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  The Darby School of Art - A...

  Mark W. Sullivan

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  This first full-length account of the Darby School of Art overturns Philadelphia’s long-held unwarranted reputation and demonstrates that Philadelphia was a hub of avant-garde painting in the early twentieth century.
  
  This first full-length account of the Darby School of Art overturns Philadelphia’s long-held unwarranted reputation as artistically stodgy—unwilling and unable to embrace Impressionism, post-Impressionist, and abstract art—and demonstrates that Philadelphia was more avant-garde in the early twentieth century than previously thought.
  
  This is the story of an almost completely forgotten summer art school that flourished first in Darby, PA, and then in Fort Washington, PA, between 1898 and 1918. The Darby School of Art was founded and operated by Thomas Anshutz and Hugh Breckenridge, two artists who taught during the academic year at the Pennsylvania Academy of the Fine Arts. Anshutz and Breckenridge brought a lot of new ideas about painting back to Philadelphia after their European sojourns, and introduced those ideas to a public that was initially not very responsive to Impressionism, Post-Impressionism, and semi-abstract art. But an appreciation for modern styles of painting began to slowly grow among Philadelphia artists and collectors, and Anshutz and Breckenridge were in the forefront of this development. They also sympathized with what some have called the "New Woman" movement, which backed women who wanted to pursue careers outside of the home.
  
  In this new history, expert Mark Sullivan argues that the Philadelphia area was a genuine hub of avant-garde painting in the early twentieth century, even though it has earned the reputation of lagging far behind New York City in its openness to new styles of painting. It also discusses how the Darby School should be recognized as an institution that got behind the idea of women as professional artists at a time when that concept was quite radical.

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  The Military Effect - Fifty...

  Scott Manthorne

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  The Military Effect shares authentic stories of fifty amazing veterans, each providing unique insight into the challenges of transition and business success after service to our country.

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  The Trials of Madame Restell -...

  Nicholas L. Syrett

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  For forty years in the mid-nineteenth century, “Madame Restell,” the nom de guerre of the most successful female physician in America, sold birth-control medication, attended women during their pregnancies, delivered their children, and performed abortions in a series of clinics run out of her home in New York City. It was the abortions that made her famous. “Restellism” became the term her detractors used to indict her. Restell began practicing when abortion was largely unregulated in most of the United States, including New York. But as a sense of disquiet arose about single women flocking to the city for work, greater sexual freedoms, changing views of the roles of motherhood and childhood, and fewer children being born to white, married, middle-class women, Restell came to stand for everything that threatened the status quo. From 1829 onward, restrictions on abortion began to put Restell in legal jeopardy. For much of this period, she prevailed—until she didn’t. A story that is all too relevant to the current attempts to criminalize abortion in our own age, The Trials of Madame Restell paints an unforgettable picture of the changing society of nineteenth-century New York and brings Restell to the attention of a whole new generation of women whose fundamental rights are under siege.

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  Tyrone Power: The Life and...

  Editors Charles River

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  Hollywood has never lacked leading men who could captivate viewers with dramatic performances that depict them as suave romantics or dashing heroes, especially during the Golden Age of Hollywood, when stars like Humphrey Bogart, Clark Gable, and Cary Grant graced screens. But in the mid-20th century, one of the most popular stars was a man who’s been frequently overlooked.   
  Some actors were recruited based on their appearance alone, signing contracts before taking screen tests or ever having been on a stage or set. Others became overnight sensations, darlings of the public for decades. Only a few of these turned out to be excellent actors, but one of them was certainly Tyrone Power, one of Hollywood’s leading men from the 1930s into the 1950s. With a career spanning over 50 films, Power did not have to work through the system, rising to the top almost immediately at the age of 22.  
  Power was named “King of the Movies” for three straight years (1939 -1941) by fans, and while critics claimed that his success came from his good looks, today he is acknowledged as a good actor, among the most underestimated of this era. Power starred in a variety of film genres, and at least some contemporaries made note of his “remarkable acting range.” This included several musicals such as Alexander’s Ragtime Band, Second Fiddle, Rose of Washington Square, and The Eddy Duchin Story. He also made appearances in several dramas, including Johnny Apollo, Witness for the Prosecution, Crash Drive, and The Razor’s Edge. Power was even known for a good comedic sense in films like The Luck of the Irish, That Wonderful Urge, and Love is News.

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