Editorial: BooxAi
Exposed. I speak freely, spilling words, once kept, that I now share. Poets, we cannot be contained in what we share. Every emotion is magnified by our lives. Even ones that we have never lived. Yet we feel because we just know. That we are the some that dare to become.
A door slams, and the echoes never fade. Henrik Ibsen's A Doll's House (1879) is a play that doesn't shout—it lingers, unsettling and undeniable. Beneath the surface of a seemingly ordinary household lies a quiet storm, gathering strength with every polite exchange, every carefully placed smile. Nora Helmer is a wife, a mother, a woman adored. Her home is warm, her life is comfortable, her husband sings her praises. But when a long-kept secret begins to unravel, so does the delicate balance of her world. What happens when the roles we play no longer fit? When the words we speak don't match the voices inside us? Ibsen doesn't lecture, doesn't plead—he simply opens a door and lets us look inside. What we see is up to us. Is it a tale of liberation or betrayal? A tragedy or a beginning? More than a century later, the questions still stand, just as urgent, just as sharp. With A Doll's House, Ibsen didn't just write a play. He set a stage for countless conversations, forcing audiences to lean in, to question, to wonder. And when the final moment comes, when the door closes behind Nora, it isn't just her world that shifts. It's ours, too.Ver libro
A poetic memoir from an award-winning journalist tracing love, loss and the truths we dare to speak. In her debut poetry collection, These Are the Things We Have Lost, Janice Warman chronicles a journey from her South African childhood to the landscapes of motherhood with unflinching honesty. From pregnancy 'high on hormones and Pellegrino', to second weddings, these poems capture intimate moments of love and loss. With a journalist's precision and a poet's sensitivity, Warman's voice moves between continents and decades. A celebration of life's joys and an elegy for what inevitably slips through our grasp.Ver libro
Implicating extremes from Coriolanus to Karen Carpenter, David McGimpsey’s Sitcom is both serious poetry and a work of comedy. Mischievous, generous and side-splittingly funny, this collection of wry soliloquies and sonnets begins with a milestone birthday and finds itself in demi-mondes as varied as the offices of university regents and the basic plot arc of Hawaii Five-O – offering, along the way, a sincere contemplationof mortality and the fashion sense of Mary Tyler Moore. Unembarrassed by its literary allusions or its hi-lo hybridity, Sitcom’s strategic and encompassing voice is prepared for each comedic disaster and is, somehow, always ready for next week’s episode. ‘McGimpsey displays erudition, clever insights and a knack for the wickedly funny wisecrack.’ – The Washington Post ‘[McGimpsey] finds thehumanity hiding in the hilarity. This guy is as funny as David Sedaris, and more inventive.’ – The Ottawa CitizenVer libro
American lawyer Julie Chen files a class-action lawsuit involving a multinational technology corporation and the Chinese government’s internet firewall, known as Golden Shield. When she hires her strong-minded sister Eva as her translator, what compromises will they make in order to win? And can they put aside their past differences to speak the same language? This play is part of L.A. Theatre Works’ Relativity Series of science-themed plays. Lead funding for the Relativity Series is provided by the Alfred P. Sloan Foundation, bridging science and the arts in the modern world. Recorded at The Invisible Studios, West Hollywood, in July 2024. Directed by Anna Lyse Erikson Producing Director: Susan Albert Loewenberg An L.A. Theatre Works full cast production, starring: Seamus Dever as Larry Murdoch Fang Du as The Translator Greg Germann as Richard Warren Belinda Gosbee as Amanda Carlson Angela Lin as Julie Chen Mardy Ma as Deputy Minister Gao Shengwei Eon Song as Huang Mei Josh Stamberg as Marshall McLaren Zhan Wang as Li Dao Joanne Whalley as Jane Bollman Jenapher Zheng as Eva Chen Senior Producer: Anna Lyse Erikson Production Supervision: Mark Holden Recorded by Neil Wogenson and Charles Carroll at The Invisible Studios, West Hollywood. Edited by Neil Wogensen Designer: Charles Carroll Foley Artist: Mark Holden Studio Intern and Assistant Designer: Chloe Foster Mixed by Charles Carroll Senior Radio Producer: Ronn LipkinVer libro
The poems of Anatomic have emerged from biomonitoring and microbiome testing on the author's body to examine the way the outside writes the inside, whether we like it or not. Adam Dickinson drew blood, collected urine, swabbed bacteria, and tested his feces to measure the precise chemical and microbial diversity of his body. To his horror, he discovered that our "petroculture" has infiltrated our very bodies with pesticides, flame retardants, and other substances. He discovered shifting communities of microbes that reflect his dependence on the sugar, salt, and fat of the Western diet, and he discovered how we rely on nonhuman organisms to make us human, to regulate our moods and personalities. Structured like the hormones some of these synthetic chemicals mimic in our bodies, this sequence of poems links the author’s biographical details (diet, lifestyle, geography) with historical details (spills, poisonings, military applications) to show how permeable our bodies are to the environment. As Dickinson becomes obsessed with limiting the rampant contamination of his own biochemistry, he turns this chemical-microbial autobiography into an anxious plea for us to consider what we’re doing to our world -- and to our own bodies.Ver libro
This is a collection of what has brought me to who I am today, always reminding me of where I should be going. I do hope it helps you more.Ver libro
