Outros livros que poderiam interessá-lo

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  Walking On The Stars - Poems...

  Rachel Lawson

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  A pretty, dark and eclectic book of poetry by Allpoetry.com's Poet called The Poette.Requiem 
  Under the moon's silver glow, 
  I could forget everything and live in this moment forever, 
  tugs on the heartstrings like a beautiful voice in song, 
  words are the dreams the heart makes, 
  all now of the dream I have is a requiem.

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  The Black Man's Lament or How to...

  Amelia Opie

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  Amelia Alderson, an only child, was born on the 12th November 1769 in Norwich, England. 
  After the death of her mother on New Year’s Eve 1784 she became her father's housekeeper and hostess. 
  The young Amelia was energetic, attractive, and an admirer of fashion.  She spent much of her youth writing poetry and plays and putting on local amateur theatricals.  At 18 she had published anonymously ‘The Dangers of Coquetry’. 
  Amelia married in the spring of 1798 to the artist John Opie at the Church of St Marylebone, in Westminster, and together they lived in Berners Street where Amelia was already living. 
  Her next novel in 1801 ‘Father and Daughter’, was very popular even though it dealt with such themes as illegitimacy, a socially difficult subject for its times.  From this point on published works were far more regular.  The following year her volume ‘Poems’ appeared and was again very popular.  Novels continued to flow and she never once abandoned her social activism and her call for better treatment of women and the dispossessed in her works.  She was also keenly involved in a love of society and its attendant frills. 
  Encouraged by her husband to write more she published Adeline Mowbray in 1804, an exploration of women's education, marriage, and the abolition of slavery.  
  Her husband died in 1807 and she paused from writing for a few years before resuming with further novels and poems.  Of particular interest was her short poem ‘The Black Man's Lament’ in 1826.  Her life now was in the main spent travelling and working for charities and against slavery.  She even helped create a Ladies Anti-Slavery Society in Norwich which organised a parliamentary petition of 187,000 names of which hers was the first name. 
  After a visit to Cromer, a seaside resort on the North Norfolk coast, she caught a chill and retired to her bedroom.  
  Amelia Opie died on the 2nd December 1853 in Norwich.  She was 84.

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  The Writing of an Hour

  Brenda Coultas

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  What actually happens within the revolution of the clock's hands? In The Writing of an Hour the poet considers the effort and the deliberateness that brings her to her desk each day. Despite domestic and day job demands and widespread lockdown, Coultas forges connections to the sublime and wonders what it means to be from the Americas. These poems verge on the surreal, transform the quotidian, and respond anew to the marvelous. The Writing of an Hour takes the reader on a journey in four sections; from a bedroom to an improvised desk over the North Sea, where she attempts to create an artwork inside an airplane cabin flying over Greenland's rivers of ice. The Mending HourI tied one on, I mean I took my grandmother's apron, its strings and glittery rickrack and I wore it on the streets of the East Village. The apron is a cloak of superpowers, a psychic umbrella I paraded past Emma Goldman's E. 10th St. address, and rang her doorbell for a sip of water. My domestic armor is made of gingham though a woman is still considered an unelectable candidate.

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  The Raven

  Edgar Allan Poe

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  "The Raven" is a narrative poem by American writer Edgar Allan Poe. First published in January 1845, the poem is often noted for its musicality, stylized language, and supernatural atmosphere. It tells of a distraught lover who is paid a mysterious visit by a talking raven. The lover, often identified as a student is lamenting the loss of his love, Lenore. Sitting on a bust of Pallas, the raven seems to further antagonize the protagonist with its constant repetition of the word "Nevermore". The poem makes use of folk, mythological, religious, and classical references.

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  Life Raft

  Fin Kennedy

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  – Every man for himself.
  – I'd say we're better off sticking together.
  In a mysterious dystopia, against a backdrop of war, a life raft filled with children is adrift at sea – their passenger liner sunk by an unknown and unseen enemy.
  As darkness falls and their rations dwindle, fear, superstition and madness start to take hold. Hours turn into days, and it becomes clear that not all of them will make it back to dry land alive...
  Life Raft is a thrilling contemporary adaptation of The Raft of the Medusa, Georg Kaiser's 1945 play, written during his exile from Nazi Germany, and inspired by a terrifying true story.
  Written by Fin Kennedy in collaboration with Bristol Old Vic's acclaimed Young Company, and originally performed by them under the direction of Melly Still, this large-cast play for young actors is a dark study in the psychology of survival – and an urgent allegory for our times.
  This definitive edition of the play is accompanied by a series of interactive games specially created by award-winning games designer Tassos Stevens, allowing young people a deeper exploration of the play's themes, and the opportunity to create their own new stories inspired by the scenario.

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  Southern Fried Shakespeare - A...

  Robert James

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  Welcome y'all! This project was created for those who think they don't like Shakespeare. It is a completely unsanctioned and unconventional interpretation of some of the works of William Shakespeare. If you are a purist be forewarned! I have always been fascinated with the written works of Shakespeare since I was a child trying to decipher the giant volume of his works I discovered in my father's library. I knew it was important historically but the language had me often running to a dictionary in those pre-Google days. Understanding a live performance was an equally challenging task as the British accents combined with the lambic pentameter rhythm left me struggling to understand the meaning. But once you figure what he's saying you realized these timeless stories of dysfunctional families and political intrigue are just as relevant today as 400 years ago. Every actor in training experiences the works of William Shakespeare to some degree. While memorizing lines I would try various characters and accents. For Richard III's famous opening monologue I settled on a genteel aristocrat from the Southern United States. I shared with my instructor and after some initial eye rolls he had to admit it was easier to understand. Eventually I created a one man show around the idea and wrote original songs that I believe express the emotion and underlying intentions of the pieces. And of course what's a variety show without an MC or two. In this case two squabbling siblings Auntie Bella and her twin brother Beauregard to bring a small respite to the drama. During the COVID pandemic I decided to record an audio version of the show. I hope you enjoy my family of misfits as much as I did creating them. But hey, to thine own taste be true. Cousin Willy must have had a sense of humor to write some of this stuff!

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