Outros livros que poderiam interessá-lo

• 

  Canine Legends: A Dog Agility Story

  Marco Magiolo

  • 0
  • 0
  • 0

  Marcus Machado or Marquito, as his friends call him, is a young man who, along with his dog Arrow, find themselves in a sport called dog agility. A new beginning after the traumas within his family. 
  Alongside his canine partner, Marquito travels across the United States competing in the most challenging dog agility League in the country. He will not only have to deal with the challenges on the track, but also with the psychological dramas that the competitive environment will impose on him. 
  In a plot full of adventure, drama, romance and lots of dogs, CANINE LEGENDS takes the reader on an exciting journey into a world of canine competition with unexpected plot twists.

  Ver livro

• 

  Poets & Their Inner Demons –...

  Samuel Taylor Coleridge, Charles...

  • 0
  • 0
  • 0

  The stereotypical image of a poet is one of unknown talent starving in a garret and who’s faithfulness and legacy to the art is discovered only after their death. 
  In some cases this is undoubtedly true, but Poets being human and with the same building blocks of physical and mental health as the rest of us, also had the same afflictions and problems as the rest of us.   
  The long roll call of names and the truncated legacies that were left behind is filled with these lost talents. 
  In this volume we bring together the poems and verse of those wordsmiths whose lives were blighted by drink and the seemingly unending consumption of it.   
  The long roll call and the truncated legacies that were left behind is filled with the names of these lost talents.

  Ver livro

• 

  Trial of Dr Crippen The: The...

  Mr Punch

  • 0
  • 0
  • 0

  The Trial of Dr Crippen: A Mr Punch True Crime Drama. 
   
  “…the chilling sentence of Dr Crippen will raise the hairs on the back of your neck” Amazon.com   
  “Mr Punch is going from strength to strength, continuing their good run of classy audio”  Talking Business 
   
  Step back in time to Edwardian London and take a seat in the infamous Courtroom No.1 at the Old Bailey and meet Dr Hawley Harvey Crippen, the mild-mannered physician accused of committing one of the most infamous murders in English history, that he had murdered his wife and gruesomely dismembered her body and buried her remains in the cellar of their home in Hilldrop Crescent, London. 
   
  But that's just the beginning of this astounding story!  
   
  Drawing exclusively from the original trial transcripts, eyewitness accounts and contemporary reports, we join the jury, as they delve into the twisted love affair between Crippen and his lover, Ethel Le Neve, who together attempted a daring escape to Canada, with Ethel disguised as Crippen's own son. And prepare for the dramatic courtroom showdown, where Dr Crippen's unexpected plea of 'Not Guilty!' turns a seemingly straightforward case into a tale of passion and despair, where murder, disguise, and his desperate escape blur the lines between reality and fiction. 
   
  Starring ANDREW SACHS as Dr Hawley Harvey Crippen with Norman Bird, John Baddeley, Robin Welch, Geoffrey Whitehead, Teresa Gallagher, Howard Ward, Robin Welch, Andrew Wincott and full supporting cast. 
   
  Also available as part of the Great British Trials Box Set, a fascinating eight-hour collection of true crime dramas, featuring the trials of Ruth Ellis, Dr Crippen, Timothy Evans & John Reginald Halliday Christie. 

  Ver livro

• 

  The Tragedy of Timon of Athens

  William Shakespeare

  • 0
  • 0
  • 0

  The Tragedy of Timon of Athens (The Life of Tymon of Athens) is a play by William Shakespeare, probably written in collaboration with Thomas Middleton in about 1605–1606, which was published in the First Folio in 1623. It is about the fortunes of an Athenian named Timon. The central character is a beloved citizen of Athens who through tremendous generosity spends his entire fortune on corrupt hangers-on only interested in getting the next payout.
  The earliest-known production of the play was in 1674, when Thomas Shadwell wrote an adaptation under the title The History of Timon of Athens, The Man-hater. Multiple other adaptations followed over the next century, by writers such as Thomas Hull, James Love and Richard Cumberland. The straight Shakespearean text was performed at Smock Alley in Dublin in 1761, but adaptations continued to dominate the stage until well into the 20th century.
  ... Flavius arrives. He wants the money as well, but he also wants Timon to come back into society. Timon acknowledges that he has had one true friend in Flavius, a shining example of an otherwise diseased and impure race, but laments that this man is a mere servant. He invites the last envoys from Athens, who hoped Timon might placate Alcibiades, to go hang themselves, and then dies in the wilderness. Alcibiades, marching on Athens, then throws down his glove, and ends the play reading the bitter epitaph Timon wrote for himself, part of which was composed by Callimachus:
  "Here lies a wretched corpse of wretched soul bereft:
  Seek not my name: a plague consume you wicked caitiffs left!"
  Here lie I, Timon, who alive, all living men did hate,
  Pass by, and curse thy fill, but pass and stay not here thy gait...
  Among the most significant works William Shakespeare: Hamlet, Othello, King Lear, Macbeth, Orpheus, Romeo and Juliet, Julius Caesar, Troilus and Cressida, The Tempest, Venus and Adonis, Antony and Cleopatra, Measure for Measure, The Winter's Tale and many more.

  Ver livro

• 

  The Nose - Gogol uses the absurd...

  Nikolai Gogol

  • 0
  • 0
  • 0

  Nikolai Vasilievich Gogol was born on 1st April 1809 to a father, descended from Ukrainian Cossacks and a mother with a military background in the Ukrainian town of Sorochyntsi, then part of the Russian Empire and rich in Cossack traditions and folklore.   
   
  His father wrote poetry and plays which the young Gogol helped stage at his uncle’s home theatre.  This helped ignite in him a love of literature and blossomed when he attended, what is now, the Nizhyn Gogol State University at the age of 12.  Here he participated in school theatre productions and refined his mastery of his native Ukrainian and also the Russian of his Imperial masters. 
   
  In 1828 he went to St Petersburg and unsuccessfully tried to begin a career as an actor after finding that with no money and no connections the civil service was barred to him. 
   
  Embezzling money from his mother he embarked on a trip to Germany. When the money ran out, he returned to St Petersburg but the experiences were used in a series of stories he contributed to periodicals.  These tales were steeped in his childhood memories of the Ukrainian landscape and peasantry enlivened with the supernatural of its folklore woven with realistic events of the day.  He wrote in Russian in a whimsical, colloquial style with a smattering of Ukrainian words and phrases that provided an authenticity.  Eight stories were published as ‘Evenings on a Farm near Dikanka’.  Seemingly all at once fame and fortune arrived. Gogol was hailed by his contemporaries, including Pushkin, as a pre-eminent writer of Russian literature.   
   
  His success continued with his brilliant plays ‘The Inspector General’ and the comedy ‘The Marriage for the Theatre’, both being highly acclaimed.   
   
  In 1834 he became Professor of Medieval History at the University of St. Petersburg but with little academic or teacher training, failed to adequately fulfil many of his duties and soon resigned this post.  With no obligations and using his earnings from his writing, which now included the impressionistic and immortal ‘Dead Souls’, Gogol travelled around Europe, spending the most time in Rome where he studied art, read Italian literature and developed a passion for opera.  
   
  In the 1840s Gogol became preoccupied with a need to purify his soul and embarked on a pilgrimage to Jerusalem. In tandem he fell under the influence of a strict and austere spiritual ascetic who persuaded him to observe strict fasts that, allied with his depression and deteriorating health, contributed to his death on 21st April 1852 at the age of only 43. 
   
  In the Nose Gogol reaches out with the absurd premise that a Nose can have, and enjoy, a life of its own regardless of the complications and consequences to its former owner.

  Ver livro

• 

  The Day-Breakers

  Michael Fraser

  • 0
  • 0
  • 0

  Saturated with locutions lifted from the late 19th century, The Day-Breakers deeply conceives of what African Canadian soldiers experienced before, during, and in the immediate aftermath of the American Civil War.
  		 
  “It is not wise to waste the life / Against a stubborn will. / Yet would we die as some have done. / Beating a way for the rising sun” wrote Arna Bontemps. In The Day-Breakers, poet Michael Fraser imagines the selflessness of Black soldiers who fought for the Union during the American Civil War, of whom hundreds were African-Canadian, fighting for the freedom of their brethren and the dawning of a new day. Brilliantly capturing the rhythms of their voices and the era in which they lived and fought, Fraser’s The Day-Breakers is an homage to their sacrifice and an unforgettable act of reclamation: the restoration of a language, and a powerful new perspective on Black history and experience.

  Ver livro