Outros livros que poderiam interessá-lo

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  The Things I Meant to Say

  E. Barrett La Mont

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  Barrett began writing love poems in his early 20's. He is a distant relative of Elizabeth Barrett Browning, and when introduced to her work became immediately inspired. This book is comprised of poems Barrett has written over the past 40 years. They are both love poems and inspirational poems which he hopes will be enjoyed by readers of all ages. Many of the love poems were dedicated to his first real love, Lynn, and others written to his late wife, Patricia to whom he was married for 37 years. Some of the poetry is lyrical and some prose. His hope is that you will be touched by the words, perhaps warming your heart and those around you, whether remembering past or current loves, friends and family. This book is meant to awaken your passion for life and the emotions that you have deep inside, and even perhaps "the things you meant to say."

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  Canadian Boat-Song

  Unknown

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  Portion of an article in Blackwood's Edinburgh Magazine, VOL. XXVI July-December, 1829                                                                                        "The late Earl of Eglinton, a distinguished member of a family not destitute of Celtic blood, and which has even been illustrious honour and patriotic feelings and principles, had a high opinion of the loyalty and bravery of the Canadian Highlanders, and left the following translation of one of their boat songs among his papers, set to music by his own hand." - Summary by David Lawrence

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  Jet Ride To Hell Journey to...

  David C Hairabedian

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  A riveting storyline that includes a sting operation carried out by 20-armed federal agents on the tarmac of a South Florida runway, and the tales of a prisoner living inside America’s maximum security prison, Leavenworth Penitentiary – this autobiography will captivate you from start to finish.Arrested With a Stolen JetIt was 9:05 in the morning. The sun was shining as our crew drove the silver Mercedes to meet the pilot of the Cessna Citation II jet taxiing toward us on the tarmac of the executive airfield in Florida.Something seemed off, but it was too late for the four of us to abort the mission.We were committed.The door of the plane opened, and off stepped the pilot I’d met with two days earlier at a Kansas City hotel room. He had agreed, for a price, to deliver a jet that was on our laundry list of planes we were stealing from the United States and delivering to the Colombians in South America.This was our second plane in a month. The pick-up place was Boca Raton, and the delivery location, Virgin Gorda in the British Virgin Islands, where the plane would be repainted in a hanger, data plates changed, and then used in the cocaine trafficking world by the Cali Cartel.Later, I would discover two things: Boca Raton is translated, Mouth of the Rat, and a big rat was among us.I pulled a bag filled with cash from our vehicle and stepped onto the plane to meet the pilot to hand over a partial payment. The rest would be delivered once the plane was safely in the air. My pilot entered behind me in preparation to take the captain’s seat.In a matter of seconds, 20+ federal agents descended on us from all four sides, in unmarked vehicles and running on foot, all with weapons.The next thing I knew, a chrome 45 caliber pistol was pointed in my face while the agent was yelling, “Get your hands up, YOU ARE UNDER ARREST!”Everything was happening so fast. My head was spinning. My hands automatically went up in the air to display the international sign of surrender.

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  Dryden vs Shadwell - a Poetic Duel

  John Dryden

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  Throughout history there have been many creative artists whose fame depends largely on their association with a much greater artist. Such the case of Thomas Shadwell, poet and prolific writer of low brow comedies, who is today most famous as the butt of satire by one of greatest and most influential English poets, John Dryden. Shadwell and Dryden were at first colleagues and collaborators, but later fell out over some sharp divergences of opinion. In particular, Dryden disagreed with Shadwell's high estimation of Ben Jonson, and even more of the latter's claim to be be Jonson's artistic heir. The most celebrated product of this controversy was Dryden's satirical poem, Mac Flecknoe, in which he presents Shadwell as the apostle of dullness. This elegant satire was first circulated unpublished in pamphlet form and then published in 1682. Shadwell responded with "The Medal of John Bayes" which has as a preface a mocking "Epistle to the Tories." Dryden's reply was a further poem "The Medal" which likewise had a preface: "Epistle to the Whigs." Shadwell is also the subject of harsh reference in Dryden's Absolom and Achitophel (1681). In his lifetime, Shadwell emerged the victor from this dispute. In 1688, James II was deposed, and Dryden, as a Tory and a staunch Catholic, lost both favour at court and the position of Poet Laureate. His successor was Shadwell, a Whig and a convenient rather than a devout Protestant. Forced into retirement, Dryden concentrated on the translations from Greek and Latin classics, which have added further to his stature as poet and dramatist. Shadwell died in 1692, leaving a large body of comedies, which are today considered his best work, but which are rarely performed today. (Summary by Algy Pug)

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  The Poetry of John Gould...

  John Gould Fletcher

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  John Gould Fletcher was born in Little Rock, Arkansas on the 3rd of January 1886 to a socially prominent family.  
   
  He was educated at Phillips Academy, Andover before advancing to Harvard University, which he attended from 1903 to 1907, before dropping out after his father's death. 
   
  As a young man Fletcher spent many years in England where he became part of the influential Imagist group of poets together with Amy Lowell and Ezra Pound.   
   
  His first marriage came from a resumed relationship with the now married Florence Emily ‘Daisy’ Arbuthnot.  Her adultery with Fletcher was the grounds for her divorce.  They married on 5th July 1916 but later divorced.  
   
  Fletcher first published in 1912, with ‘The Dominant City’ to much praise and admiration and followed this with other well-regarded volumes such as ‘Irradiations: Sand and Spray’, and ‘Goblins and Pagodas’. 
   
  In the late 1920s and 1930s Fletcher became increasingly active with a group of Southern writers and poets known as the Southern Agrarians. They published the classic ‘I'll Take My Stand: The South and the Agrarian Tradition’. 
   
  Although he was highly regarded as a poet, he was not very prolific.  However, such was the undoubted quality that in 1939 he received the Pulitzer Prize for his work ‘Selected Poems’.  He was the first poet from the south to receive such an accolade.  Fletcher’s other passion and pursuit was as an authority on modern painting, a subject on which he also published. 
   
  A second marriage followed in 1936 to the children’s author, Charlie May Simon.  They built ‘Johnswood’, a residence on the bluffs of the Arkansas River and travelled frequently to New York for shots of modern culture and intellectual stimulation as well as to the American West and South for the climate after Fletcher developed chronic arthritis. 
   
  In 1937 he wrote his autobiography, ‘Life is My Song’. 
   
  His developing passion for his roots and background resulted in the writing of a history of his State and published in 1947; ‘Arkansas’. 
   
  By now Fletcher was suffering from bouts of depression and on 10th May 1950, he committed suicide by drowning himself in a pond near his home in Little Rock, Arkansas.  He was 64.

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  The Estate

  Shaan Sahota

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  'Question: If it's not about money, how come money can fix it?'
  The Leader of the Opposition has been forced to resign in a scandal. Against the odds, Angad Singh emerges as the favourite.
  He could win, he could make history, he could really change things – as long as his sisters keep their mouths shut…
  Shaan Sahota's play The Estate is a razor-sharp exploration of family, power and the lies we tell about ourselves. It was first performed at the National Theatre, London, in 2025, directed by Daniel Raggett, with Adeel Akhtar as Angad.

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