Lord Byron and Lord Tennyson:...
Charles River Editors
Lord Byron’s very name conjures up visions of the Romantic movement and outlandishly dressed bohemians, for if Alfred, Lord Tennyson was the poetic darling of the masses, Byron was the hero of the hedonists. While the traditional English literary hero was a nobleman rescuing a damsel in distress, Byron created the anti-hero, a man plagued by self-doubt and hidden sorrow. At the same time, his hero was also capable of facing reality once he had wrestled through his own angst, and even of occasionally acting nobly in the great tradition of the author’s Puritan forebears.
Whereas poets like Wordsworth and Browning were easy to love, Lord Byron inspired a certain amount of fear among the upper classes, and pious mothers were reluctant to let their daughters read his work. In a manner more appropriate to the 21st century than the 19th, Lord Byron was a man true to his own beliefs, supporting the rights of the oppressed even while enjoying all the benefits offered to him as a member of the British aristocracy.
Born to a father plagued by bouts of drinking and depression, and surrounded by siblings with similar ailments, Alfred Tennyson grew up believing that he must be a victim of hereditary illness, to the point that he believed he must never marry or father children less he perpetuate the suffering on future generations. With these thoughts always in his head, he turned his mind towards a near worship of romantic love, while at the same time repeatedly painting a tragic ending for his most cherished characters, many of whom seemed to die of a broken heart or some illness or accident related to it. In fact, by the time Tennyson began to prosper, he was so accustomed to sorrow that he felt compelled to seek it out, focusing his attention in his middle years not on the comfortable home and growing family he had been blessed with, but instead on the tragic losses experienced by his country during the Crimean War.
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