Editorial: TwinVerse Prime
Some stories are written in ink, forever etched on paper. Others are engraved in our very souls. They are stains of the past, traced in blood, sweat, and tears. Yet in the right light, every stain can glimmer as bright as diamonds.
A collection of children's alphabet rhymes including Footsteps On the Road to Learning - a short text from 1850 which teaches children the English alphabet in rime--so that a child may not become a dunce! The Anti Slavery Alphabet - a book prepared to encourage young children to speak against the institution of slavery in 19th century United States. The method used is an alphabetical listing of the evils of slavery. The Peter Pan Alphabet and The Alphabet of Celebrities - Oliver Herford's teaching guides to the English alphabet--using Peter Pan and famous names! (Summary by Sam Stinson and Wikipedia)Ver libro
"People, places and paradoxes. Barbie Robinson’s third book of poetry contains a playfulness to delight the reader along with sudden insights into the nature of relationships." - Sara Dowse, author of As the Lonely Fly and West Block Barbie Robinson is a Canberra Australia-based arts advocate, artist and poet whose practice encompasses writing, photography, design, event management, radio presentation/production and arts marketing. That Looks on Tempests - Thoughts on the nature of love is her third solo book of poetry and the first to be published by For Pity Sake. The work is highly personal, created as part of Barbie’s ‘Gratitude Project’ after a life-saving stem cell transplant. This audiobook is read by the author and was recorded and produced in Australia. Running time: 46 minutes 30 seconds.Ver libro
'The short play – very traditional to Irish theatre – is a little jewel of a structure, a lightning flash on a different world, the illumination made all the more acute by brevity' Deirdre Kinahan Deirdre Kinahan is an award-winning playwright and member of Aosdána, Ireland's elected organisation of outstanding artists. This volume brings together five of her short plays, taken from the full span of her writing career, each of them shining a light into a forgotten corner of our humanity, giving voice to irrepressible characters that the world has done its best to overlook. In Bé Carna (Tall Tales, 1999), five women reflect on their lives as prostitutes on the streets of Dublin, a dark tale inspired by true-life stories, reverberating with humanity, warmth and comic humour. In Hue & Cry(Tall Tales/Bewley's Café Theatre, 2007), two Dublin cousins, Damian and Kevin, are reunited for a family funeral in a highly charged encounter full of disillusion, denial and dark laughter. In Bogboy(Tall Tales/Solstice Arts Centre, 2010), originally written as a radio play for RTÉ, two lost souls – a young heroin addict and a reclusive middle-aged farmer – discover a budding friendship in the bogs of Meath, until a terrible secret comes to light. Wild Notes (Solas Nua, Washington D.C., 2018) explores the impact of colonialism through a meeting between Frederick Douglass, the escaped slave and abolitionist who visited Ireland in the 1840s, and a young Irishwoman hoping to emigrate to the country he's running from. An Old Song, Half Forgotten (Abbey Theatre, 2023) opens a window into the life and soul of an older actor who is living in care with Alzheimer's disease, rebuilding a man just as he begins to crack and fade. Winner of the inaugural Pratchett Prize for challenging the stigma of Alzheimer's Disease.Ver libro
A. B. Spellman is an acclaimed American poet, music critic, and arts administrator. He is widely recognized as a leading figure in the Black Arts Movement of the 1960s and 1970s, a cultural and literary movement that emphasized Black identity, pride, and artistic expression. Between the Night and Its Music brings together A. B. Spellman's early work with a collection of powerful new poems. Spellman's literary career took flight in 1965 with his debut poetry collection, The Beautiful Days, which introduced his distinctive voice blending elements of jazz, blues, and African oral traditions. In 1966, Four Lives in the Bebop Business established Spellman as a respected music critic and scholar. It was a groundbreaking work that chronicled the lives and struggles of four influential jazz musicians. Spellman held senior positions at the National Endowment for the Arts for thirty years with lasting impact on arts funding for inner cities and rural and tribal communities. In addition to poems from The Beautiful Days (1965) and Things I Must Have Known (2008), this book contains a trove of new and uncollected poems, confirming Spellman's continued centrality to contemporary American literature. This is an essential volume for readers already familiar with Spellman, and an excellent introduction for new readers. Lauri Scheyer's introduction situates Spellman's work within jazz writing, Black Arts, and American poetry broadly.[sample text]THE TWISTa dancer's worldis walls, movementconfined: musicgod's last breath.rhythm: the last beating of his heart. a dancerfollows that sound, blindto its source, toward wallswith others. she cannot dance aloneshe thinks of thoughtas windows, as ice around the dancecan you break it? moveVer libro
In his third poetry collection from Red Hen Press, Kim Stafford gathers poems that sing with empathy, humor, witness, and story. Poems in this book have been set to music, quoted in the New York Times, posted online in the Academy of American Poets poem-a-day series, gathered in a chapbook sold to benefit Ukrainian refugees, posted online in response to Supreme Court decisions, composed for a painter’s gallery opening, and in other ways engaged a world at war with itself, testifying for the human project hungry for kinship, exiled from bounty, and otherwise thirsting for the oxygen of healing song.Ver libro
In 2012, the World Shakespeare Festival surveyed Britons as to their favourite plays by Shakespeare. This collection consists of 21 scenes from the most popular plays written by arguably the greatest writer in the English language, possibly any language. It is an homage to the Bard in celebration of the 400th anniversary of his death in 1616 -- the Shakespeare Quadricentennial. - Summary by John Burlinson Roles performed by: Beth Thomas, Michele Eaton, Sonia, Tony Addison and John BurlinsonEditing done mainly by Michele Eaton and John BurlinsonVer libro
