Editorial: TwinVerse Prime
Some stories are written in ink, forever etched on paper. Others are engraved in our very souls. They are stains of the past, traced in blood, sweat, and tears. Yet in the right light, every stain can glimmer as bright as diamonds.
‘I used to want a black enamel farmhouse sink. Now, I just want shelter.’ From acclaimed playwright Karen Hines come two darkly comic meditations on security, safety, and shelter. Crawlspace is a comic, Kafkaesque monologue about the darker side of home ownership that moves past ‘cautionary’ as it snakes through the brutal battleground of Toronto real estate, decorative twig orbs, and the state of the human soul. All the Little Animals I Have Eaten explores questions surrounding existence, death, and salvation through the perspectives of one sleep-deprived young woman, the ghosts of brilliant authors, some well-heeled professionals, meth-curious lambs, a puppet in a beatnik onesie, tiny vertebrates, glowing arthropods, and other unexpected voices. Praise for the Videofag production of Crawlspace: ‘Karen Hines’s macabre monologue about a real-estate nightmare – and a dead animal stuck in a crawlspace – was all the more terrifying for being true. This was Hines at her most horrifyingly hilarious.’ – Globe and Mail ‘Hines’s clever script, alternately savagely funny and disturbing, is full of facts the author keeps amending, underlining the bait-and-switch nature of the real estate swindle.’ – NOW magazine ‘The kind of story you want to talk about as soon as you get home. Horrifying and enlightening.’ – Mooney on TheatreVer libro
A collection of poetry from the 2019 winner of the National Poetry Series, selected by Rosanna Warren In her remarkable and assured debut, Alexandria Hall explores the boundaries and limits of language, place, and the self, as well as the complicated space between safety and danger, intimacy and isolation, playfulness and seriousness, home and away. With a keen eye for the importance of place, Hall shows us daily life in rural Vermont, illuminating the beauty and difficulty inherent in the dichotomies of human language and experience. Incisive and tender, Field Music is a thoughtful and alert collection from a major emerging voice.Ver libro
The Poetry Book Society was founded by T.S. Eliot to share the joy of poetry. It's a unique poetry book club and every quarter our expert selectors choose the very best new books to deliver to our members across the globe. Our lively quarterly magazine is packed full of sneak preview poems from all the selected poets, alongside exclusive interviews, insightful reviews by the Ledbury Critics and extensive listings of every book and pamphlet published this quarter. Our Autumn 2024 Selections are: Choice Signs, Music - Raymond Antrobus – Picador Recommendations AGIMAT - Romalyn Ante - Penguin The Keelie Hawk, Poems in Scots - Kathleen Jamie - Picador Strange Husbandry - Lorcan Black - Seren BLUFF - Danez Smith - Penguin Special Commendation Adam - Gboyega Odubanjo - Faber Translation Choice Birds, Beasts and a World Made New - Guillaume Apollinaire and Velimir Khlebnikov, translated by Robert Chandler - Pushkin Press Pamphlet Choice Sometimes Real Love Comes Quick and Easy - Janine Bradbury - ignition press You can find out more and join our poetry community today at www.poetrybooks.co.uk.Ver libro
Sir Arthur Conan Doyle's most celebrated Sherlock Holmes story gets a gloriously funny makeover. When Sir Charles Baskerville is found dead on his estate, with a look of terror still etched on his face, and the paw prints of a gigantic hound beside his body, the great detective Sherlock Holmes is summoned from Baker Street, with Dr Watson in tow, to unravel the mysteries surrounding his death, and investigate the ancient curse of the Hound of the Baskervilles... Packed full of the verbal and visual ingenuity that hit comedy team Peepolykus is known for, and offering abundant opportunities for riotous comedy and slapstick, The Hound of the Baskervilles will suit any theatre company looking to dust off their deerstalkers for a sublimely funny adaptation of a classic tale. It was adapted by Olivier Award nominees Steven Canny and John Nicholson, and first performed by Peepolykus at the West Yorkshire Playhouse, Leeds, in 2007, before transferring to the West End. It has since become a firm favourite with theatre companies – both professional and amateur – around the world. This revised, definitive version of the play was first seen in a revival at Theatre by the Lake, Keswick, in 2024, directed by John Nicholson.Ver libro
Amelia Alderson, an only child, was born on the 12th November 1769 in Norwich, England. After the death of her mother on New Year’s Eve 1784 she became her father's housekeeper and hostess. The young Amelia was energetic, attractive, and an admirer of fashion. She spent much of her youth writing poetry and plays and putting on local amateur theatricals. At 18 she had published anonymously ‘The Dangers of Coquetry’. Amelia married in the spring of 1798 to the artist John Opie at the Church of St Marylebone, in Westminster, and together they lived in Berners Street where Amelia was already living. Her next novel in 1801 ‘Father and Daughter’, was very popular even though it dealt with such themes as illegitimacy, a socially difficult subject for its times. From this point on published works were far more regular. The following year her volume ‘Poems’ appeared and was again very popular. Novels continued to flow and she never once abandoned her social activism and her call for better treatment of women and the dispossessed in her works. She was also keenly involved in a love of society and its attendant frills. Encouraged by her husband to write more she published Adeline Mowbray in 1804, an exploration of women's education, marriage, and the abolition of slavery. Her husband died in 1807 and she paused from writing for a few years before resuming with further novels and poems. Of particular interest was her short poem ‘The Black Man's Lament’ in 1826. Her life now was in the main spent travelling and working for charities and against slavery. She even helped create a Ladies Anti-Slavery Society in Norwich which organised a parliamentary petition of 187,000 names of which hers was the first name. After a visit to Cromer, a seaside resort on the North Norfolk coast, she caught a chill and retired to her bedroom. Amelia Opie died on the 2nd December 1853 in Norwich. She was 84.Ver libro
Veerpaul's debut Punjabi poetry book, ਕੱਲ ਫਿਰ ਸਵੇਰਾ ਆਵੇਗਾ (Tomorrow Brings a New Dawn), takes readers on an emotional journey through life. This collection is divided into six sections, each exploring human feelings, Punjab's culture, and the search for truth. The poems touch on themes like passion, family bonds, love, and staying hopeful despite life's ups and downs. Each poem in Veerpaul's collection paints a vivid picture, from the lush fields of Punjab to the inner workings of the heart, making the reader pause and reflect. Whether it's the warmth of familial ties, the sting of lost love, or the steady pursuit of one's dreams, the book captures the essence of life's diverse moments. It's a celebration of resilience and the beauty that comes with each new day, promising that no matter the darkness, there is always light ahead. This anthology is not just a reading experience; it's an invitation to see the world through a lens of empathy and hope, making it a perfect companion for moments of solitude and contemplation. Written with genuine care, the book aims to be a comforting and inspiring read, encouraging a deep connection with its heartfelt messages. Veerpaul's work goes beyond mere words, aiming to touch readers' hearts and be a faithful companion for anyone moved by the power of poetry.Ver libro
