Outros livros que poderiam interessá-lo

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  Primers Volume Seven

  Jade Cuttle, Antonia Taylor,...

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  In 2023, Nine Arches Press launched their nationwide Primers scheme for a seventh time, in search of exciting new voices in poetry, with Katie Hale as selecting editor. After reading through hundreds of anonymous entries, and narrowing down the choices from longlist to shortlist, three poets emerged as clear choices: Jade Cuttle, Antonia Taylor and Laura Varnam.
  Primers Volume Seven now brings together a showcase from three distinctive poets, exploring everything from mudlarking and making a 'mossary', to the borderlands of conflicts and a bold retelling of an Old English epic. Through lively engagement with language, deep connection to place and time, and the unearthing the stories of myth, history and peoples, these revealing poems offer an insightful collection of new work from some of poetry's most talented emerging voices.

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  Hail the Invisible Watchman

  Alexandra Oliver

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  Hail, The Invisible Watchman is haunted poetry—Oliver’s formal schemes are as tidy as a picket-fence and as suggestive; behind the charm of rhyme is a vibrant, dark exploration of domestic and social alienation.
  		 
  The poems in Hail, the Invisible Watchman are as tidy as a picket-fence—and as suggestive. Behind the charms of iambs lurks a dark exploration of domestic and social alienation. Metered rhyme sets the tone like a chilling piano score as insidiousness creeps into the neighbourhood. A spectral narrator surveils social gatherings in the town of Sherbet Lake; community members chime in, each revealing their various troubles and hypocrisies; an eerie reimagining of an Ethel Wilson novel follows a young woman into a taboo friendship with an enigmatic divorcée. In taut poetic structures across three succinct sections, Alexandra Oliver’s conflation of the mundane and the phantasmagoric produces a scintillating portrait of the suburban uncanny.

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  Jekyll and Hyde

  Robert Louis Stevenson

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  'If I am the chief of sinners, I am the chief of sufferers also.'
  A series of random nocturnal assaults in the back streets and alleyways of Victorian London are spreading fear and panic. Meanwhile, the friends of a highly respected doctor are beginning to wonder why he goes missing on exactly the same nights…
  Neil Bartlett's inventive, brilliantly theatrical adaptation cuts right to the heart of Robert Louis Stevenson's darkly fascinating tale of male violence, guilt and privilege.
  It premiered at Derby Theatre in 2022, directed by Artistic Director Sarah Brigham, before transferring to Queen's Theatre Hornchurch. Written for an ensemble and with several key roles for women, this adaptation will appeal to any theatre or company looking to thrill their audiences with a bold new take on this classic tale of murder and mayhem.

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  Harbinger - Poems

  Shelley Puhak

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   “The speaker in Shelley Puhak’s Harbinger is no closer to knowing herself than I am, than we are, which is why we trust her. Each similarly titled poem holds a triptych mirror up to the artist and, in so doing, up to us all, so we may better see ourselves as we are. In ever-changing form.” —Nicole Sealey  
  A stunning meditation on artistic creation and historical memory from the winner of the National Poetry Series, chosen by Nicole Sealey 
  From “Portrait of the artist, gaslit” to “Portrait of the artist’s ancestors” to “Portrait of the artist reading a newspaper,” the poems in Harbinger reflect the many facets of the artistic self as well as the myriad influences and experiences that contribute to that identity. 
  “Portrait of the artist as a young man” has long been the default position, but these poems carve out a different vantage point. Seen through the lens of motherhood, of working as a waitress, of watching election results come in, or of simply sitting in a waiting room, making art—and making an artist—is a process wherein historical events collide with lived experience, both deeply personal but also unfailingly political. When we make art, for what (and to whom) are we accountable? And what does art-making demand of us, especially as apocalypse looms? 
  With its surprising insights, Harbinger, the latest book from acclaimed poet Shelley Puhak, shows us the reality of the constantly evolving and unstable self, a portrait of the artist as fragmentary, impressionable, and always in flux. 
    

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  Rhyme A Dozen A - 12 Poets 12...

  Christina Rossetti, Lucretia...

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  ‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears. 
   
  1 - A Rhyme A Dozen - 12 Poems, 12 Poets, 1 Topic - Birthdays - An Introduction 
  2 - A Birthday by Christina Rossetti 
  3 - On My Mother's Fiftieth Birthday by Lucretia Maria Davidson 
  4 - On My Thirty Third Birthday, January 22nd 1821 by Lord Byron 
  5 - To My Father on His Birthday by Elizabeth Barrett Browning 
  6 - Song of the Democratic Review of it's Birthday, October the 1st 1857 by William Ross Wallace 
  7 - Stella's Birthday, March 13th 1727 by Jonathan Swift 
  8 - On Tea by Edmund Waller 
  9 - To H W L on His Birthday 27th February 1867 by James Russell Lowell 
  10 - To Mrs Jane Forster, On Her Birthday, August 4th 1724 by Henry Baker 
  11 - To the Memory of Mrs Lefroy Who Died December 16 My Birthday by Jane Austen 
  12 - Shakespeare. An Ode for His Three-Hundreth Birthday by Martin Farquhar Tupper 
  13 - On the Morning of Christs Nativity by John Milton

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  The Pochsy Plays

  Karen Hines

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  Beckett meets Betty Boop in this trilogy of monologues by Canadian cult heroine Pochsy, a nasty, vapid, utterly charming vixen. In Pochsy's Lips, she's in the hospital, convinced she's sick because she's got a squid where her heart should be. In Oh Baby, she's at the Last Resort, on holiday from her job packing mercury. And in Citizen Pochsy, our little minx is in the waiting room at an audit from hell. In The Pochsy Plays, Hines remodels and melds traditions like stand-up, absurdism, clowning and neo-cabaret to create some of the most original and cutting satire to hit the stage – and, now, the page. Walk a mile in her distressed calfskin boots as the dark and ditzy Pochsy garbles ad slogans, self-help mantras and desperate grabs at meaning into a postmodern pastiche that is hilarious and harrowing, sweet and bitter at the same time. With extensive photos and musical scores, and an introduction by Darren O'Donnell.

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