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Editorial: Oberon Books
One day. Six cities. A thousand stories. Newsroom, political platform, local hot spot, confession box, preacher-pulpit and football stadium. For generations, African men have gathered in barber shops to discuss the world.
LibriVox volunteers bring you 11 different recordings of Snow Song by Sara Teasdale. This was the weekly poetry project for the week of December 9th, 2007.Ver libro
Against all odds, recent graduate Sofia gets a job as PA to one of the wealthiest bankers in the country. But her mother questions whether she gave more than a good interview to get it. While the unapologetic bankers get rich, others are losing everything they've worked for. Just what will they be driven to? Suicide? Murder? In a subtle game of cat and mouse, split loyalties and conflicting morals, Alexandra Wood's thrilling and darkly funny new play looks at the complexities of a mother-daughter relationship, the growing gap between rich and poor, and a young woman stuck in between. Alexandra Wood's previous plays include an adaptation of Jung Chang's Wild Swans (Young Vic/American Repertory Theater); The Initiate (Paines Plough); The Empty Quarter (Hampstead Theatre) and The Eleventh Capital (Royal Court).Ver libro
Poems inspired by silent-film star Louise Brooks from the National Book Critics Award–winning author of Elegy and acclaimed translator of Dante’s Inferno. In this stunning collection of poems, Mary Jo Bang jettisons the reader into the dreamlike world of Louise, a woman in love. With language delicate, smooth, and wryly funny, Louise is on a voyage without destination, traveling with a cast of enigmatic others, including her lover, Ham. Louise is as musical as she is mysterious, and the reader is invited to listen. Bang, whose first collection was the prize-winning Apology for Want, both parodies and pays homage to the lyric tradition, borrowing its lush music and dramatic structure to give new voice to the old concerns of the late Romantic poets. Louise in Love is a dramatic postmodern verse-novel. The poems, rife with literary allusion, take journeys to distant lands. And, like anyone on a voyage without a destination, they are endlessly questioning of the enigmatic world around them. “One of the finest poets of her generation.” —Marjorie PerloffVer libro
LibriVox volunteers bring you 9 recordings of At Broad Ripple by James Whitcomb Riley. This was the fortnightly poetry project for September 6, 2009.Ver libro
The Beatitudes in Poems reflects the message of Jesus Christ from His Sermon on the Mount, found in the Bible in the Book of Matthew. These poems will inspire their listeners through greater meaning and understanding of the Beaititudes. They describe how the human heart should be and how man should live his life. Author and narrator Ronald E. Hignite was born in North Carolina and grew up in Indiana. He returned to North Carolina with his family after high school and attended East Carolina University in Greenville, North Carolina. There he earned both his undergraduate and graduate degrees. ©2012 Ronald E. Hignite (P)2012 Ronald E. HigniteVer libro
Tomaž Šalamun confronts the abyss and overcomes it by creating an even deeper abyss in an incredibly physical language that swallows the original. This new metamorphosed abyss is, then, more like a well, nurturing even as it brings forth its water from the mysterious depths of language. Of course other influences are drawn from that well — Vallejo, Breton, Khlebnikov, Hikmet, O'Hara. The result is a language of non-sequiturs, contradictions, literalized figures of speech, hyperbolic claims, episodic fragments, intense confessions, false causalities, askew parallelisms, — all enhancing the poetry's juxtapositions of the cosmic and the trivial, redefining each in terms of the other. As poet Trenna Sharpe says, “I love Tomas Šalamun's poems for their roaring and zany associative movements. One can't help but feeling a little bit out of breath, a little in shock, after finishing one. It's as if the the poem knocks you down a hill: you tumble down getting all twisted and bounced and disoriented, and at the end you stand up dizzy and out of breath, but when you look back, the grass is bent, a branch is broken, maybe your sock fell off somewhere along the way, and you can figure out just how you got to the bottom”. This is a poetry that fulfills English poet W. H. Auden's definition as a remaking of the language, and more, For Šalamun, the poem must always be engaged in a quest for what it cannot say in traditional terms: “The poet is a hunter, not an expresser”, he says in an interview. “You express what you already have. The inexpressible is like the beast in the woods that the hunter always knows only by its tracks. The very fact that we can't describe it adequately now, searching as we are with various metaphors and similes, shows what a powerful thing it is, what attraction it has”. And yet another paradox emerges: the hunter not only destroys the prey, but also himself (www.litteraeslovenicae.si).Ver libro
